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Love Liza (2002)
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Overview
User Rating:
Director:
Writer:
Gordy Hoffman (screenplay)
Release Date:
31 January 2003 (UK)
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Tagline:
A Comic Tragedy
Plot:
Following the unexplained suicide of his wife Liza, website designer Wilson Joel (Philip Seymour Hoffman) turns to gasoline fumes and remote control gaming while avoiding an inevitable conflict with his mother-in-law (Kathy Bates). full summary | add synopsis
Plot Keywords:
Awards:
2 wins
&
3 nominations
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NewsDesk:
(6 articles)
Film: Review:The Marc Pease Experience
(From The AV Club. 27 August 2009, 12:00 PM, PDT)
Movie Review: The Marc Pease Experience (2009)
(From Rope Of Silicon. 21 August 2009, 5:40 AM, PDT)
(From The AV Club. 27 August 2009, 12:00 PM, PDT)
Movie Review: The Marc Pease Experience (2009)
(From Rope Of Silicon. 21 August 2009, 5:40 AM, PDT)
User Comments:
a searing study of grief
more (89 total)
Cast
(Cast overview, first billed only) | Philip Seymour Hoffman | ... | Wilson Joel |
 | J.D. Walsh | ... | Bern (as JD Walsh) |
 | Jimmy Raskin | ... | Pad |
 | Kathy Bates | ... | Mary Ann Bankhead |
 | Erika Alexander | ... | Brenda |
| Sarah Koskoff | ... | Maura |
| Mark Hannibal | ... | Waiter with Drink |
 | Jim Wise | ... | Bland Man |
 | Trace Turville | ... | Bland Woman |
 | Wayne Duvall | ... | Gas Station |
 | Stephen Tobolowsky | ... | Tom Bailey |
 | Kevin Breznahan | ... | Jim |
| Jennifer Keddy | ... | Lynne |
| David Lenthall | ... | Hobbytown USA Clerk (as David Lenthal) |
 | Jack Kehler | ... | Denny |
Additional Details
MPAA:
Rated R for drug use, language and brief nudity.
Parents Guide:
Runtime:
90 min
Language:
Color:
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Quotes:
Model Boat Man:
HEY! There's no swimming today!
Wilson Joel: Do you know who I am?
[pause]
Wilson Joel: I am a big fan of Radio Control!
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Wilson Joel: Do you know who I am?
[pause]
Wilson Joel: I am a big fan of Radio Control!
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Movie Connections:
Referenced in "High Chaparall: (#2.5)" (2004)
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Soundtrack:
Movie On The Way Down
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FAQ
This FAQ is empty. Add the first question.more (89 total)
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Philip Seymour Hoffman has made a career out of playing deeply depressed characters. In `Love Liza,' he has found what might well be his most perfectly suited role to date, that of a young man trying to come to terms with the suicide of his wife.
Written by Gordy Hoffman and directed by Todd Louiso, `Love Liza' is a searing study of grief, one that chronicles the many stages a man goes through in coping with this type of tragedy. Wilson first finds himself unable to sleep in the same bed he used to share with his wife. Then he returns to the place where they spent their honeymoon in a vain attempt to find some solace or answers there. Then there's the turn towards self-destruction as he seeks escape from his pain by inhaling mass quantities of gasoline. All along the way, well-meaning friends, colleagues and family members proffer what they can in the way of support and sympathy but, invariably, they find themselves ill-equipped to deal with grief at this level of intensity. This is even the case with Mary Ann, Wilson's understanding mother-in-law, who is having to cope with her son-in-law's dysfunction while also dealing with her own grief at the loss of her daughter.
The title of the film comes from a signed suicide note Liza left to Wilson under his pillow. That letter, which Wilson cannot bring himself to open, only adds to the man's despair, for he fears it may reveal that he was somehow responsible for his wife's actions. Thus, wracked with guilt as well as grief, Wilson slides ever further into that deep dark hole of despair. The filmmakers, in an effort to mitigate some of the misery inherent in the subject matter, invest the story with a number of sly, quirky touches, such as Wilson's sudden obsession with mechanized toy airplanes. But the overwhelming sadness is never far from the film's surface.
`Love Liza' is, at its core, an actor's film – and the cast proves itself worthy of the challenge. Hoffman's portrait of a man whose entire meaning for existence has been knocked out from under him is devastating in its understatement and power. Kathy Bates turns in an equally fine and subdued performance as his grieving mother-in-law, and Sarah Koskoff and Jack Kehler offer fine support.
Is `Love Liza' a `dark' film? Absolutely. But it is also a brave, insightful and compelling one for those willing to enter its world. It may not be easy to watch, but it is probably harder not to.