Happy Hour (2003)

 |  Comedy, Drama  |  10 April 2003 (USA)
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Ratings: 6.7/10 from 322 users   Metascore: 40/100
Reviews: 5 user | 8 critic | 11 from Metacritic.com

Set in present day New York City, "Happy Hour" is a literate and often funny story of love and how to receive it. Tulley, a once-promising literary star now biding his time as an ... See full summary »



, (screenplay), 1 more credit »
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5 wins & 1 nomination. See more awards »



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Cast overview, first billed only:
Tulley Sr.
Dr. Pitcoff
Michael Mulheren ...
Miriam Sirota ...
Michael Minutoli ...
Sean Conroy ...


Set in present day New York City, "Happy Hour" is a literate and often funny story of love and how to receive it. Tulley, a once-promising literary star now biding his time as an advertising copy editor, moves from cynicism to acceptance as he secretly hopes to write a great novel only to learn that his life of booze will end all too soon. Levine, his best friend and Natalie, the woman who might have saved him, suffer the pain of Tulley's anger and rejection. Written by Anonymous

Plot Summary | Add Synopsis


A love story, straight up with a twist.


Comedy | Drama



Official Sites:



Release Date:

10 April 2003 (USA)  »

Also Known As:

Amore e odio a New York  »

Filming Locations:


Box Office


$1,625,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


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Did You Know?


After some time in the movie, Levine asks: "I don't suppose she has a sister", and Tulley answers: "Three brothers". The line: "I can't catch a break. What's her mother like?" was totally improvised. That's why Tulley almost chokes on the bourbon. See more »


Levine: I don't suppose she has a sister.
Tulley: Three brothers.
Levine: I can't catch a break. What's her mother like?
See more »


References Reefer Madness (1936) See more »

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User Reviews

A fine blend of tragedy and comedy with an excellent script and acting.
14 October 2003 | by See all my reviews

I saw this film at the Austin Film Festival and enjoyed it immensely. It is much superior to most Hollywood schlock and slash. It has a literate script, interesting characters, witty banter, and a fine blend of tragedy and comedy (or was it comedy and tragedy?) that is difficult to finesse. Although some of the subject matter is dark, it remains comic -- not in the broad, rowdy M*A*S*H sense, but in a charming, everyday, real-life sense. The film's courage to be honest about how someone's self-inflicted tragedy doesn't necessarily consume everyone around him was refreshing, and the life-goes-on message is honest and not cliched. There are fine lead performances by Anthony LaPaglia, Eric Stoltz, and Caroleen Feeney, and a great turn as a comic villain by Tom Sadoski. His comedy is wickedly balanced by a more darkly villainous Robert Vaughn. The tone of the film hangs in between, in tipsy harmony. This film deserves a well-publicized theater run. See it!

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