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The Good Thief (I) (2002)

6.6
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Ratings: 6.6/10 from 8,341 users   Metascore: 68/100
Reviews: 101 user | 101 critic | 37 from Metacritic.com

An aging gambler on a losing streak attempts to rob a casino in Monte Carlo. But someone's already tipped off the cops before he even makes a move.

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(screenplay), (screenplay), 2 more credits »
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Cast

Cast overview, first billed only:
Nutsa Kukhianidze ...
Anne
Ouassini Embarek ...
Said
Marc Lavoine ...
Remi
...
...
Roger
Gérard Darmon ...
Raoul
...
Paulo
Patricia Kell ...
Yvonne
Julien Maurel ...
Philippe
...
Vladimir
Roland Munter ...
Kozinski
Warren Zavatta ...
Petit Louis
...
Bill
Sarah Bridges ...
Philippa
Nicolas Dromard ...
Luigi
Edit

Storyline

Set against the glitzy backdrop of the French Riviera, aging gambler Bob Montagnet is about to gamble it all on the casino heist of a lifetime; a spectatcular sleight of hand--two heists, one real, one not, but which is which? Under the watchful eye of Roger, a policeman who would as soon save his longtime opponent as arrest him, Montagnet assembles a team that consists of partners Paulo and Raoul, technical mastermind Vladimer, former-drug-dealer-turned-informant Said, Anne, a young Eastern girl Montagnet rescued from prostitution, and the perfect complement to a double theft--identical twins Albert and Bertram. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

He doesn't want money. He wants what money can't buy.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language, sexuality, drug content and some violence | See all certifications »
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Details

Country:

| | |

Language:

Release Date:

28 February 2003 (Ireland)  »

Also Known As:

The Honest Thief  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$131,580 (USA) (4 April 2003)

Gross:

$3,517,797 (USA) (18 July 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The cast includes award winning filmmakers: the Polish brothers (Mark Polish and Michael Polish) and two-time Palme d'Or winning director Emir Kusturica. See more »

Goofs

French police do not have jurisdiction in Monaco, which is an independent state (principality) so police from Nice would not be guarding the casino nor the villa. See more »

Quotes

Bob: It's a good fake, though.
Tony Angel: Isn't that a contradiction in terms? A Good Fake? A Happy Homosexual?
See more »

Crazy Credits

Fine Art Advisor--Ralph Fiennes See more »

Connections

Remake of Bob le Flambeur (1956) See more »

Soundtracks

A Thousand Kisses Deep
Written by Leonard Cohen and Sharon Robinson
Performed by Leonard Cohen
Published by Sharon Robinson Songs (ASCAP), IQ Music, Sony/ATV Music
Publishing Ltd. o/b/o Stranger Music Inc.
Recording courtesy of Sony Music Entertainment (Canada) Inc.
See more »

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User Reviews

Nolte as a good actor? He is very good.
11 April 2003 | by (Columbus, Ohio) – See all my reviews

In `The Good Thief' Nick Nolte plays Bob Montagnet, a down-but-not-yet-out Bogie, a very bright thief, and a heroin addict. Natsa Kukshianidge's femme fatale, Anne, is a 17-year old Bacall. It's the south of France--Nice and Monaco-- and it's time to relieve Monte Carlo of some precious paintings. Picasso is the model for Nolte's scamming talents: Picasso's conflicted painting of a woman with 2 sides to her face is the appropriate analogy for the duality of the young girl, both innocent and depraved, and Nolte's gambler, good and bad as the title suggests. Picasso's being accused of stealing from everyone adds to the allusive charm. The caper involves a Judas deceiver to support director Neil Jordan's frequent Christian motif (Remember `Jude' in "Crying Game"). The ‘crucifixion's' good thief, Nolte's thief, is good to the young Anne by saving her from the pimp. Jordan again joins an unlikely couple (Consider Fergus and Dil in "CG"), here a father figure with an errant daughter.

The winding roads of the Mediterranean shoreline are also fitting metaphor for Nolte's tortuous path to redemption. The requisite drying-out scenes, where Bob handcuffs himself to the bed and rejects Anne's offer of sexual freedom, are effective realism in an otherwise stylish film that eschews clarity and ingenuity in favor of some character development and much atmosphere.

The scenes at the casino are smoother than "Casablanca's," slicker than James Bond's, and lighter than "Croupier's." When Bob and Anne begin their end of the elaborate heist by challenging the house odds, there is little to worry about their losing but much about the philosophy of gambling, of going all the way regardless of the outcome. However, Jordan's take on slick thievery is not really different from that found in the recent `Confidence,' `Heist,' or `Ocean's Eleven.' The denouement is hardly logical or dramatically tight: Does an ex-thief go clean? Does he save his Mary Magdalene? Does he stop his losing streak and addiction? Does he pull off the heist? None of this is the point.

Bob as a "good thief " is all that matters.

And Nolte as a good actor? He is very good.


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