This revisionist fairy tale is told from the Wolf's point of view. He was minding his business when along came this precocious little girl, Red Riding Hood. "And the nerve of that cowardly ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
During a twister, Dorothy is hit on the head by a gate and once again whisked away to the land of Oz. But this time, on her way to the Emerald City, she discovers a terrible plot by the ... See full summary »
Good-looking, well-spoken Phil is broke and cannot understand how flatmate James has recently acquired a lot of extra cash and a permanent grin on his face. James's secret? Adonis Escorts -... See full summary »
David L. Williams
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
This revisionist fairy tale is told from the Wolf's point of view. He was minding his business when along came this precocious little girl, Red Riding Hood. "And the nerve of that cowardly woodsman, daring to hint that I was attacking her", the wolf cries. Naturally, the animals of the forest do not believe him. Written by
When the Wolf tells Red Riding Hood that "people who give presents to each other are the luckiest people in the world" this is a sly reference to the hit 1960s song "People" which was introduced by Barbra Streisand in the Broadway musical "Funny Girl," the songs for which were written by Robert Merril and Jule Styne who also wrote the songs for "Dangerous Christmas." See more »
This is actually a sparkling little gem, with a lot of wit. The score is terrific, and Cyril Ritchard hams it up wonderfully. Liza Minnelli exudes charisma, and her musical numbers are often electrifying. For a 1965 TV special, it holds up very well.
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