Directed by | |||
| Gérard Krawczyk | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | ||
Produced by | |||
| Luc Besson | .... | producer | |
| Didier Hoarau | .... | line producer | |
| Shohei Kotaki | .... | executive producer | |
| Kanjiro Sakura | .... | executive producer | |
| Mehdi Sayah | .... | assistant producer | |
Original Music by | |||
| Julien Schultheis | |||
| Eric Serra | |||
Cinematography by | |||
| Gérard Sterin | |||
Film Editing by | |||
| Yann Hervé | |||
Casting by | |||
| Swan Pham | |||
Production Design by | |||
| Jacques Bufnoir | |||
| Jean-Jacques Gernolle | |||
Costume Design by | |||
| Agnès Falque | |||
Makeup Department | |||
| Sylvie Greco | .... | makeup artist | |
| Karina Gruais | .... | key makeup artist | |
| Patrice Iva | .... | key hair stylist | |
Production Management | |||
| Thierry Guilmard | .... | production manager | |
| Motoki Ishida | .... | production manager | |
| Yasumasa Kutami | .... | office production assitant | |
| Franck Lebreton | .... | unit manager | |
Art Department | |||
| Thomas Astruc | .... | storyboard artist | |
| Lionel Callari | .... | property master | |
Sound Department | |||
| Anne Delacour | .... | dialogue editor | |
| Jean-Baptiste Faure | .... | boom operator | |
| Alexandre Hernandez | .... | assistant sound editor | |
| François-Joseph Hors | .... | sound re-recording mixer | |
| Dominique Lacour | .... | daily sound mixer | |
| Maud Lombart | .... | assistant sound editor | |
| Didier Lozahic | .... | sound mixer | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Fred Mays | .... | post-synchronization | |
| Ken Yasumoto | .... | sound mixer | |
| Ken Yasumoto | .... | supervising sound editor | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Jean-Christophe Magnaud | .... | special effects technician | |
Visual Effects by | |||
| Nicolas Aithadi | .... | digital artist: Duboi | |
| Serge Anthony | .... | color grader | |
| Lucie Bories | .... | digital compositor | |
| Andre Brizard | .... | digital compositor | |
| Alain Carsoux | .... | visual effects supervisor | |
| Ludovic Davidian | .... | digital effects artist | |
| Séverine De Wever | .... | production coordinator | |
| François Dupuy | .... | I/O supervisor | |
| Olivier Gadal | .... | visual effects | |
| Abdel Ali Kassou | .... | scanning and printing | |
| Aurelie Lajoux | .... | digital compositor | |
| Bruno Le Provost | .... | 3D supervisor | |
| Malik Nahassia | .... | digital effects artist | |
| Jean-Paul Rovela | .... | digital artist | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | digital artist | |
Stunts | |||
| Arno Balenci | .... | stunt performer | |
| Alain Barbier | .... | stunts | |
| Jean-Marc Bellu | .... | stunts | |
| Vincent Bersoulle | .... | stunts | |
| Christian Bonnichon | .... | stunt driver | |
| Thong Bui | .... | stunts | |
| William Cagnard | .... | stunts | |
| Ken Chung | .... | stunts (as Marc 'Ken' Chung) | |
| Yannick Derrien | .... | stunts | |
| Sylvain Gabet | .... | stunts | |
| Pascal Garnier | .... | stunts | |
| Alain Gaudiard | .... | stunts | |
| Pascal Guégan | .... | stunts | |
| Philippe Guégan | .... | stunt coordinator | |
| Marc Hoang | .... | stunts | |
| Emmanuel Lanzi | .... | stunts | |
| Gregory Loffredo | .... | stunts | |
| Florent Mismetti | .... | stunts | |
| Patrick Médioni | .... | stunts | |
| Hajime Nariyoshi | .... | stunts | |
| Pierre Nguyen | .... | stunts | |
| Dara-Indo Oum | .... | stunts | |
| Varin Pitch | .... | stunts | |
| Cyril Raffaelli | .... | stunts | |
| Frederick Renard | .... | stunts | |
| Olivier Schneider | .... | stunts | |
| Wing Tat Shek | .... | stunts | |
| Hervé Sok | .... | stunts | |
| Thierry Thia | .... | stunts | |
| Michaël Troude | .... | stunts | |
Camera and Electrical Department | |||
| Stéphane Birzin | .... | grip | |
| Alessandro Brambilla | .... | Steadicam operator | |
| Alessandro Brambilla | .... | camera operator | |
| Marine Delcourt | .... | assistant camera | |
| Dominique Delguste | .... | additional first assistant camera | |
| Christophe Dural | .... | gaffer | |
| Isabel Ellsen | .... | still photographer | |
| Jack English | .... | still photographer | |
| Jan Gagnaire | .... | grip | |
| Pierre Garnier | .... | grip | |
| Koji Kojima | .... | second assistant camera: international unit | |
| Laurent Martin | .... | grip | |
| Jean-Pierre Mas | .... | key grip | |
| Benjamin Speyer | .... | grip | |
| Laurent Tangy | .... | focus puller | |
Editorial Department | |||
| Hervé Gouband | .... | color timer | |
| Christine Lucas Navarro | .... | assistant to editor | |
| Charlotte Rembauville | .... | assistant editor | |
| Frédéric Thoraval | .... | additional editor | |
| Nicolas Trembasiewicz | .... | editorial collaborator | |
Music Department | |||
| Martha Argerich | .... | musician: piano "Träumerei" | |
| Karl Böhm | .... | conductor: "Mozart's Clarinet Concerto, second Movement 'Adagio'" | |
| Nadia Farès | .... | composer: end title "Follow Me" | |
| Jérôme Lateur | .... | music supervisor | |
| Didier Lozahic | .... | score mixer | |
| Tamio Okuda | .... | composer: song "Kore ga watashi no ikiru michi" | |
| Chihiro Onitsuka | .... | composer: song "Rasen (as C. Onitsuka) | |
| Mehdi Sayah | .... | assistant music supervisor | |
Other crew | |||
| Nathalie Alquier | .... | script supervisor | |
| Frédéric Cauvy | .... | weapons advisor | |
| Romuald Drault | .... | accountant supervisor | |
| Mia Frye | .... | choreographer (as Mia Frye Ressiga) | |
| Vincent Giry | .... | coordinator | |
| Hugo Gélin | .... | director: making-of featurette | |
| Mitsuko Jurgenson | .... | production coordinator | |
| Emilie Maison | .... | press attache france | |
| Colette Martin | .... | administrator | |
| David Meanti | .... | making-of | |
| David Meanti | .... | production assistant | |
| Vincent Stevenel | .... | administrator | |
| Vincent Dragusseau | .... | making-of director (uncredited) | |
| Cyril Raffaelli | .... | fight trainer (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
I agree with Jordan above... if you don't like it, than you just don't get it. I actually laughed out loud during the scene which depicts the title of this film, and I don't laugh out loud at anything in films.
Someone compared this to Austin Powers? I don't think so... they don't compare at all. It's no Leon (The Professional), then again, what is? As a huge fan of that film, I was skeptical, but quickly let go when I became involved with the characters. It's more of a comedy than anything else, perhaps somewhat satirical, especially in the "night club". Music? You have to respect the culture, the group it represents, the tone it's trying to set, mainly the daughter's generation.
To me this was an interesting example of how you can take the same story and execute it in a different way. Just relax and have fun with this one!