Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt... See full summary »
A mute dancer teaches movement to adoring kids and wins the dance contest every Saturday night at a cavernous Brooklyn disco, makes the final cut for a Broadway show but is dismissed when ... See full summary »
When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective ... See full summary »
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
Gravity or Police, these guys don't believe in any law. Idolised by the youth of Paris as much as they're hated by the police, they are the Yamakasis, modern samurais. With acrobatic ... See full summary »
Châu Belle Dinh,
In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace. There he mets his former colleague Momo and his daughter Yumi who he did not know was ever born. Hubert eventually finds out why his girlfriend left him and the reason becomes his and his new daughters problem. Written by
The wall art that Yumi envisions for her room was taken directly from liner notes of The Prodigy's album 'Music for the Jilted Generation' which features the song "Voodoo People" that was used in this movie. See more »
When Momo transfers the money from the bank in Tokyo to Hubert's account the Bank name reads BDF instead of BFD (Banque Française de Depot, Tokyo) on the Computer Screen. See more »
We were here in the 80's to watch the Russians. I can't tell you the trouble we made.
That's right you can't, now try to keep your mouth shut for 5 minutes.
See more »
not as cool as it wants to be but Reno is wonderful
`Wasabi' is a high-spirited French action comedy with a Japanese name. This Luc Besson production stars Jean Reno in a wonderful performance as a tough-guy French cop who is as quick to use his tongue as his overeager fists. One day, out of the blue, Detective Fiorentino discovers that he has a 19 year-old daughter by a Japanese woman who left him almost 20 years ago, breaking his heart in the process. The girl, Yumi, turns out to be an orange-haired free spirit who hates cops and has been led to believe that her father raped her mother. Much of the film is spent with Hubert and Yumi getting to know one another, as they uncover secrets about her mother's past that seem to have made the young woman the target of some rather unsavory characters.
The plot is the least of the matter in this film. As directed by Gerard Krawczyk, `Wasabi' is really all about style. Besson's screenplay is fitfully amusing, doling out cleverness and cutesyness in roughly equal measure. Cinematographer Gerard Sterin brings out the colorful richness of the urban Japanese landscape and editor Yanne Herve doesn't linger longer on the jokes and sight gags than is absolutely necessary. These elements help to compensate for the somewhat desperate air that afflicts the screenplay from time to time.
The prime asset of `Wasabi' is Jean Reno's performance. Reno perfectly mines the comic potential inherent in the material through the tone of weary cynicism and superiority to all around him that he conveys throughout. As an actor who has played this type of rogue-cop character many times in his career, Reno obviously relishes this opportunity for a little good-natured self-ribbing. And he does a splendid job.
`Wasabi' is little more than a piffle when all is said and done, but Reno makes it worth seeing.
33 of 36 people found this review helpful.
Was this review helpful to you?