Acclaimed filmmaker Alan Berliner chronicles the deeply personal story of his mother's first cousin--well-known poet/translator/professor Edwin Honig--on his journey into the depths of ... See full summary »
Rare16mm home movies from the 1920s through the 1950s, that weaves into a composite lifetime, passing through the celebrations and struggles from childhood to adulthood, from innocence to experience (In HD)
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Alan Berliner has been chronicling the final years of his friend, cousin, and former mentor, Edwin Honig - distinguished poet, translator, critic, and teacher - into the depths of ... See full summary »
I was luckily able to attend a showing of Alan Berliner's new 'The Sweetest Sound' last night for free with a following Q&A by the director.
The Sweetest Sound -- as has been stated -- is about the director's obsession with his own name, and his selfishness of wanting to be the only one to have that name. He goes through a process of interviewing friends, studying old footage, and eventually having a dinner party with the 12 other Alan Berliners of the world (which he obsessively tracks down). A very fun experience, well written by Berliner.
The only gripe is that it dragged in parts as the subject matter never veers.
The director's father is the greatest interviewee, and it's sad to hear that he passed away a month and a half ago. There is however a movie that Berliner completed on his father a few years back which is also recommended entitled Nobody's Business.
Berliner has been touring the country showing this fine piece of work off, and all his movies can also be seen on PBS. He was very genial, and even stopped in the middle of answering questions to say 'Bless You' to those who sneezed or 'Thanks for coming' to people who left.
The one thing that didn't ring true with me however was Berliner's claims to not be a documentarian, as this clearly fits in with such other notables in insight as Ross McElwee and Errol Morris. I guess he's not willing to succumb to genres, but this movie is very reminscent in style of a light-hearted Thin Blue Line. It still comes highly recommended.
And in case you're wondering, this movie floors all of Alain Berliner's combined.
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