| Matt Frewer | ... | Sherlock Holmes | |
| Kenneth Welsh | ... | Dr. John H. Watson | |
| Liliana Komorowska | ... | Irene Adler | |
| Daniel Brochu | ... | Wiggins | |
| Seann Gallagher | ... | Meisener | |
| R.H. Thomson | ... | Mycroft Holmes | |
| Robin Wilcock | ... | Crown Prince | |
| Alain Goulem | ... | PC Trevor | |
| Jacob Richmond | ... | Cadogan West | |
| Kathleen McAuliffe | ... | Mrs. Hudson | |
| Alan Legros | ... | Burly #1 | |
| Kevin Ryder | ... | Burly #2 | |
| Julian Casey | ... | Inspector Lestrade | |
| Noel Burton | ... | Professor Morgan | |
| David Francis | ... | Jenkins | |
| Harry Hill | ... | Lord Hareford | |
| Ed Langham | ... | Sir James Walter | |
| Aaron Hancox | ... | BSI #1 | |
| Sam Tevel | ... | BSI #2 | |
| Sean Devine | ... | Timothy Carter | |
| Philip Spensley | ... | Signalman | |
| Samuel Holden | ... | Chimney Sweep (as Sam Holden) | |
| Una Kay | ... | Countess Maria | |
| Arthur Holden | ... | Sigismund | |
| Laurent Imbault | ... | Officer | |
| Jean-Marc Bisson | ... | Intruder #1 | |
| Sven Eriksson | ... | Intruder #2 | |
| rest of cast listed alphabetically: | |||
| David Tyler | ... | English Gentleman (uncredited) | |
Directed by | |||
| Rodney Gibbons | |||
Writing credits | ||
| Arthur Conan Doyle | (short story "A Scandal in Bohemia" from volume "The Adventures of Sherlock Holmes") | |
| Joe Wiesenfeld | ||
Produced by | |||
| Pedro Gandol | .... | associate producer | |
| Steven Hewitt | .... | executive producer | |
| Irene Litinsky | .... | producer | |
| Michael Prupas | .... | executive producer | |
Original Music by | |||
| Marc Ouellette | |||
Cinematography by | |||
| Serge Ladouceur | |||
Casting by | |||
| Andrea Kenyon | |||
| Myriam Vézina | |||
Production Design by | |||
| Fannie Duguay-Lefebvre | |||
| Elaine Frigon | |||
| Raynald Langelier | |||
Art Direction by | |||
| Emmanuel Frechette | |||
Set Decoration by | |||
| Diane Gauthier | |||
| Marie-Claude Gosselin | |||
| Josée Pilon | |||
Makeup Department | |||
| Jessica Heeren | .... | assistant makeup artist (2001) | |
| Tomoko Hidaka | .... | makeup artist | |
| Bob Pritchett | .... | key hair stylist | |
| Melissa Purino | .... | key makeup artist | |
| Martin Rivest | .... | hair stylist | |
Production Management | |||
| Christiane Charpentier | .... | assistant unit manager | |
| Jean-Yves Dolbec | .... | production manager | |
| Pierre Lapointe | .... | unit manager | |
| Evan Tussman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Anabelle Berkani | .... | third assistant director | |
| Pedro Gandol | .... | assistant director | |
| Dandy Thibaudeau | .... | second assistant director | |
Art Department | |||
| Vincent Aird | .... | assistant set decorator | |
| Hans Barzeele | .... | scenic technician | |
| Félix Bélanger | .... | head carpenter | |
| Jean Chassé | .... | props buyer | |
| Luc Daneau | .... | scenic technician | |
| Charles Dugas | .... | assistant property master | |
| Nicolas Fering | .... | scenic technician | |
| André Fiset | .... | key carpenter | |
| Carrie Foster | .... | art department coordinator | |
| Guy Gauthier | .... | assistant set decorator | |
| Julie Gosselin | .... | assistant set decorator | |
| Spiri Katerelos | .... | art department assistant | |
| Christian Lafortune | .... | scenic technician | |
| Guillaume Lord | .... | assistant art director | |
| Julie Montplaisir | .... | art department assistant | |
| Éric Philippe | .... | scenic technician | |
| Matthew Poirier | .... | art department assistant | |
| André Ratelle | .... | property master | |
| Jacques St-Pierre | .... | scenic technician | |
| Cindy Torreiro | .... | art department runner | |
| Eric Vasseur | .... | head scenic painter | |
Sound Department | |||
| Richard Betanzos | .... | sound re-recording mixer | |
| Hugo Callegari | .... | boom operator | |
| Scott Donald | .... | adr recordist | |
| Véronique Gabillaud | .... | sound mixer | |
| David Gertsman | .... | sound effects editor | |
| Michael Gurman | .... | supervising sound editor | |
| Steven Gurman | .... | post sound consultant | |
| Christiane Hubert | .... | foley assistant | |
| Paul Hubert | .... | foley artist | |
| Eric Med Lagacé | .... | foley recordist | |
| Stéphane Larivière | .... | sound effects editor | |
| France Leduc | .... | supervising dialogue editor | |
| Sara Moralioglu | .... | assistant dialogue editor | |
| Claire Pochon | .... | dialogue editor | |
| Martin Protat | .... | sound trainee | |
| Stan Sakellaropoulos | .... | dialogue editor | |
| Glenn Tussman | .... | supervising sound editor | |
Special Effects by | |||
| André Laforest | .... | special effects coordinator | |
| Eric-André Paquin | .... | special effects technician | |
| Martin Williams | .... | special effects technician | |
Stunts | |||
| Jere Gillis | .... | stunts | |
| Patrick Kerton | .... | stunt double | |
| Patrick Kerton | .... | stunts | |
| Peter White | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jean-Yves Denis | .... | grip | |
| Anik Drapeau | .... | clapper loader | |
| Yves Drapeau | .... | focus puller | |
| John Harris | .... | electrician | |
| Pierric Jouvante | .... | best boy electric | |
| Eric Lefèbvre | .... | electrician | |
| Bruno Lemire | .... | camera trainee | |
| Yannick MacDonald | .... | set photographer | |
| Yves Nault | .... | generator operator | |
| Michel Périard | .... | key grip | |
| Dominique Ricard | .... | camera operator: "a" camera | |
| Pascal St-Martin | .... | grip | |
| Michel St. Martin | .... | grip | |
| Michel Steinmetzer | .... | electrician | |
| Paul Tremblay | .... | best boy | |
| Martin Pépin Viau | .... | electrician | |
| Normand Viau | .... | gaffer | |
Casting Department | |||
| Randi Wells | .... | extras casting | |
Costume and Wardrobe Department | |||
| Fabienne April | .... | wardrobe coordinator | |
| Jacinthe Demers | .... | extras wardrobe mistress | |
| Marie-Claude Deschênes | .... | key extras dresser | |
| Jasmine Dessureault | .... | assistant wardrobe mistress: extras | |
| Chantale Di Filippo | .... | dresser | |
| Christine Gribbin | .... | key dresser | |
| Françoise Lecours | .... | wardrobe mistress | |
| Caroline Poirier | .... | assistant to costume designer | |
Editorial Department | |||
| Elissa Lewis | .... | post-production coordinator | |
| Serge Robert | .... | color timer | |
Transportation Department | |||
| Bertrand Calmeau | .... | driver | |
| Jose Uria | .... | transportation coordinator (as José Uria) | |
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| Dial M for Murder | The House of Fear | Touch of Evil | Mildred Pierce | Sleuth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Canada section |
When Sherlock Holmes faces an old enemy in the beautiful form of Irene Adler, a woman with a keenly criminal mind, his wills become torn between sentimentality and justice. He has been commissioned by the Prince of Germany to recover a compromising photograph taken with Irene, but is soon swept into a world of political intrigue, unrest, scandal, and double intentions that could be his downfall.
Filled with dark, fog-shrouded chases through London, heart-stopping instances of horror, and momentary glimpses into the mind of Sherlock Holmes, "The Royal Scandal" was meant to be a classic among film adaptations. Sadly, it falls far short. The film begins most appropriately with a disclaimer saying that it has not been endorsed by any member of Doyle's family. This in itself was a grand giveaway that the following hour and a half of whirlwind scandal, deception, romance and imperial intrigue was not exactly what good old Doyle intended when he penned "A Scandal in Bohemia," upon which the production is very loosely based.
Given, the film is not an entire flop. It manages to follow closely the story in some areas and expand out in others. Borrowing the blueprint scam and political tensions from His Last Bow, it attempts to make for itself a winning mystery of charm and interest and could have carried itself off well were it not for the gaping holes in character development. Our first and most glaring flaw is found in Holmes himself... a distracted, romantically entangled Holmes. A Sherlock Holmes who finds himself blinded by beauty and seduction, who prides himself one moment on "being the one exception" in the male race who consistently gives in to Irene Adler's temptations; and the next finds himself compromised.
Non-literary fans of Sherlock Holmes will even notice the flaws; that Homes would ever place personal interest before one of his cases is ridiculous; and his interest in Irene is played out on more a personal nature than a willingness to corner her for the government's sake. To Sherlock Holmes, this would be the ultimate humiliation. On the other end of the tables, the political intrigue that is played out is very enthralling as Irene and Holmes play out a delightful game of cat and mouse. London is at its most mysterious and sinister. We are also introduced to characters only alluded to in the novels... namely his political brother Mycroft, and the street-wise Wiggins.
In conclusion, it is a film that wavers between being likable due to the nature of its intent and distasteful to true lovers of the Canon. If you are a died-in-the-wool Sherlockian like myself, you will find Holmes inability to control his feelings somewhat hard to swallow. But the rest of the production is just seductive enough to draw you into a world of lies, deceptions, and double agents that would please any mystery buff. Hallmark could have done better; maybe next time their writer would fare better in actually *reading* the Canon.