35 user 20 critic

Nid de guêpes (2002)

Laborie is a high-flying officer in the French special forces. Her mission is to escort Abedin Nexhep, a godfather of the Albanian mafia. Charged with heading a wide-reaching prostitution ... See full summary »

On Disc

at Amazon

Learn more

People who liked this also liked... 

Drama | History | War
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A drama following a French platoon during Algeria's war of independence.

Director: Florent-Emilio Siri
Stars: Benoît Magimel, Albert Dupontel, Aurélien Recoing
The Code (2002)
Action | Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

Dris is an ex-con, living in the borderline between a decent and a criminal life. He has a regular and simple work and lives a simple life with his wife Lise and loves his family. However, ... See full summary »

Director: Manuel Boursinhac
Stars: Samuel Le Bihan, Samy Naceri, Clotilde Courau
Cloclo (2012)
Biography | Drama | Music
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A biopic of French pop star Claude Francois, most famous for co-writing the song 'My Way'. Tracing his life from childhood in Egypt through success in France to his untimely death in Paris in 1978.

Director: Florent-Emilio Siri
Stars: Jérémie Renier, Benoît Magimel, Monica Scattini
Truands (2007)
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

A Parisian criminal gang fall apart after challenges to the gang's leader lessen his influence.

Director: Frédéric Schoendoerffer
Stars: Benoît Magimel, Philippe Caubère, Béatrice Dalle
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

In a dying French mining town near the German border, the last miners are preparing to strike. Marek and Mimmo, two young miners and friends, have different views on the impending strike.

Director: Florent-Emilio Siri
Stars: Benoît Magimel, Bruno Putzulu, Jean-Yves Chatelais
Le convoyeur (2004)
Drama | Thriller | Action
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

In France, the disturbed and mysterious Alexandre Demarre is hired as security guard for the Vigilante armored truck company earning 1,200 euros per month and lodges in a hotel nearby the ... See full summary »

Director: Nicolas Boukhrief
Stars: Albert Dupontel, Jean Dujardin, François Berléand
    1 2 3 4 5 6 7 8 9 10 4.4/10 X  

Butter, butter and more butter.

Director: Florent-Emilio Siri
Stars: Franck Dubosc, Gérard Lanvin, Pascale Arbillot
Action | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

Rémi François is a detective who is hired to find Ange Leoni, a Corsican who apparently has inherited a 2 million euros house.

Director: Alain Berbérian
Stars: Christian Clavier, Jean Reno, Caterina Murino
Action | Crime | Mystery
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Pierre Niemans faces the threat of the apocalypse while investigating a series of ritual murders.

Director: Olivier Dahan
Stars: Jean Reno, Benoît Magimel, Christopher Lee
Crime | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A murder detective must follow the footsteps of a brutal killer within the secrets of a classist college.

Director: Mathieu Kassovitz
Stars: Jean Reno, Vincent Cassel, Nadia Farès

The life story of Iranian French tennis player Mansour Bahrami

Director: Florent-Emilio Siri


Cast overview, first billed only:
Helene Laborie
Pascal Greggory ...
Anisia Uzeyman ...
Martial Odone ...
Martin Amic ...
Alexandre Hamidi ...
Angelo Infanti ...
Abedin Nexhep
Grigori Manoukov ...
Le Passager VAB
Paul Hervet ...
Vigile 1
Frédéric Kontogom ...
Vigile 2


Laborie is a high-flying officer in the French special forces. Her mission is to escort Abedin Nexhep, a godfather of the Albanian mafia. Charged with heading a wide-reaching prostitution network, this formidable criminal is due to stand trial before a European court. During the transfer, killers hired by Nexhep set up an ambush to free their boss but Laborie and her men manage to escape. After a frantic chase, the officers seek refuge, with their prisoner, in a warehouse located in the heart of an industrial park. There they meet up with a gang that has come to steal computer material. Meanwhile, Nexhep's killers surround the warehouse? Written by Anonymous

Plot Summary | Add Synopsis


12000-patsu kurae [Japan]


Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence and language | See all certifications »




| | |

Release Date:

6 March 2002 (France)  »

Also Known As:

Ninho de Vespas  »

Filming Locations:



Box Office

Opening Weekend:

$733,241 (France), 8 March 2002
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Loosely inspired by John Carpenter's "Assault on Precint 13". See more »


When Martial uses the remote to turn the Liebherr telescopic crane, you can see the jib attached to the right side of the boom. Seconds later, when he extends the boom, the jib is attached to the front of the boom. Aside from the necessary time and space, it is not possible for only one person to attach the jib. See more »


References The Magnificent Seven (1960) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Assault on Precinct 13 - French Style
25 July 2005 | by See all my reviews

For some people the words 'French' and 'Action Movie' will do nothing but produce guffaws. Pay no attention; they know nothing about the lengthy history of superb French Action Films. The French actually produce some good movies from time to time. They are not all pretentious 'Arthouse' flicks which involve lots of shagging and boring dialogue.

Jean-Pierre Jeunet gave us Delicatessen and 'The City of Lost Children' - he then made 'Alien:Resurrection' but we forgave him when he delivered 'Amelie'. Then there is Luc Besson who gave us 'Subway', 'Nikita' as a warm up then the fabulous 'Leon' ('The Professional' in the US) and the superb 'Fifth Element'. If you check the production companies involved on those last two you will find that they are entirely French, only US distributors were involved. Besson has sort-of disappeared from movie making for a while, concentrating on producing and writing cheapo European action films like 'The Transporter' and 'Taxi' 1&2 (not the lame US remakes).

The reason for this lengthy preamble is to point out that not all French films are dull, and illustrate the fact that actually the French have a lot to teach a jaded Hollywood in how to make action movies. Which brings me to 'The Nest'.

I watched John Carpenter's fantastic 'Assault on Precinct 13' when I was probably 15 and bored one evening. I didn't know anything about Carpenter, the film had no recognizable stars and I had no idea what was going to happen. Needless to say the film is excellent. It was the first time in my cinema going life that I felt not just wonder when watching a film, but also claustrophobia, oppression and genuine fear. 'The Nest' is a total remake of 'Assault'. It doesn't hang about (though its setup is maybe a little longer and a smidge wider-ranging than Assault's), introducing three groups of characters so quickly that you genuinely have no idea what they are up to.

Sami Naceri, the star of the hugely daft Taxi films, is best known as a comic actor, yet plays successfully against type here (why isn't he a star on the same level as Jean Reno by now?)Pascal Greggory has the looks and presence of a hit-man, but is actually a security guard, Nadia Fares looks like a catwalk model, but utterly convinces as the military enforcer. The lesser characters (which isn't really fair as this is a purely ensemble piece of work) all inhabit their characters completely, their complex relationships spark off believable dialogue that never once slips into cliché. It is this commitment to reality that underlines 'The Nest' and makes it so successful.

Almost the entire film takes place in a single warehouse, which is similar to 'Assault' except that Carpenter's film had a number of locations within the police house. The Nest has three areas - a Boiler room, a security desk that has a clear view over the entire warehouse, and the warehouse itself. Although this lessens the claustrophobia somewhat, it is hugely successful in putting all of our characters in peril at once. Another twist is that in 'Assault' the characters can retreat through to another room of the building. Early on in 'The Nest' it becomes clear that their only area of retreat has already been compromised by the enemy.

The warehouse almost becomes a character itself, as the film becomes more and more desperate, the lights are removed and the shadows glower and threaten. Only bullet holes let in any more light, leaving shafts of light to taunt the stars with the hope they may get out of this alive.

This realism (which isn't entirely there in the plot TBH), extends to wounds. A character is shot in the thigh early on in the film and spends the rest of the film limping painfully about. Other characters are injured throughout the events and stay injured, they don't suddenly find the ability to fire guns after being shot in the shoulder. This is gritty film-making and helps make 'The Nest' so successful. It feels real, you don't know what characters are going to make it or not. This leads to genuine tension. We may have seen the story before (wounded character stays behind to protect his friends; scared character finds the inner strength to confront the enemies head on), but its presentation here feels exciting and, if not exactly fresh, new.

Another major lesson that Hollywood should learn from this film is the way it looks. There are some magic shots in here - a standout is an exact remake of Charlie Sheen's airlift from the Jungle in Platoon (!) - which not only looks great, and is genuinely unusual, but also adds greatly to our understanding of the character involved.

'The Nest' is not original, it is also not high art. It is an extremely solid action picture that is unusually exciting and tense. The director, Florent-Emilio Siri, conjures up desperation, hopelessness and genuine evil from his group of talented character actors as well as successfully re-creating Carpenter's feeling of an unstoppable army out to get them. The idea that the villains are insectile and swarming around outside highlighted by the low-light headgear they all wear is interesting and well illustrated. Siri got the gig directing Bruce Willis in 'Hostage', which is interesting as I would genuinely rate 'The Nest' alongside Willis' 'Die Hard' as examples of how to do an action movie well. It really is that good.

24 of 26 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 35 user reviews »

Contribute to This Page

Who's Your Celebrity Counterpart?

"The IMDb Show" finds out who your celebrity doppelgangers are. Plus, La La Land producer Jordan Horowitz recounts the moment his movie was mistakenly awarded an Oscar.

Watch now