Laborie is a high-flying officer in the French special forces. Her mission is to escort Abedin Nexhep, a godfather of the Albanian mafia. Charged with heading a wide-reaching prostitution ...
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Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
Dris is an ex-con, living in the borderline between a decent and a criminal life. He has a regular and simple work and lives a simple life with his wife Lise and loves his family. However, ... See full summary »
Samuel Le Bihan,
In France, the disturbed and mysterious Alexandre Demarre is hired as security guard for the Vigilante armored truck company earning 1,200 euros per month and lodges in a hotel nearby the ... See full summary »
Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a ... See full summary »
Laborie is a high-flying officer in the French special forces. Her mission is to escort Abedin Nexhep, a godfather of the Albanian mafia. Charged with heading a wide-reaching prostitution network, this formidable criminal is due to stand trial before a European court. During the transfer, killers hired by Nexhep set up an ambush to free their boss but Laborie and her men manage to escape. After a frantic chase, the officers seek refuge, with their prisoner, in a warehouse located in the heart of an industrial park. There they meet up with a gang that has come to steal computer material. Meanwhile, Nexhep's killers surround the warehouse? Written by
Loosely inspired by John Carpenter's "Assault on Precint 13". See more »
When Martial uses the remote to turn the Liebherr telescopic crane, you can see the jib attached to the right side of the boom. Seconds later, when he extends the boom, the jib is attached to the front of the boom. Aside from the necessary time and space, it is not possible for only one person to attach the jib. See more »
Watching THE NEST I was reminded in quite a few ways of DIE HARD, which I consider to be the archetypal action movie. Very pure of focus, very lean and taught and *incredibly* intense. It's been a long time since a movie kept me on the edge of my seat like this one.
The premise is very simple. A group of special forces soldiers are escorting a mafia head to trial when they're attacked by his men and take refuge in a warehouse. As luck would have it, a gang of thieves choose the same night to rob the same warehouse, and they get caught in the crossfire.
Once the groups of characters are introduced, it's not long before the bullets start flying... and flying, and flying and flying. It's almost non-stop action for the rest of the film, and easily outdoes HARD BOILED for bullet count. I'm sure some people will find this very boring, so if intense adrenalin-inducing action isn't one of your things then skip the rest of this review (and the film). The rest of you, skip the rest of this review and go rent/buy/acquire this film. Hollywood only wishes it could make an action film this pure or this exciting these days.
As regards purity (since I've mentioned it twice), this means that the film focusses on building intense action, and doesn't let itself get distracted with other concerns, except in a few cases. The characters are given just enough development to let us know who they are, and pretty much no back story. One character in particular seems like he must have a story to tell, but all we learn is that he was once a fireman. There was surely more to him than that, but it's kept a mystery. Maybe that's a good thing, but I'd have liked to know a little more. A few times the movie teases you into thinking there's going to be a twist, and you say to yourself "Ha, I see what's coming later", but the plot remains refreshingly twist-free. It doesn't need them, so it doesn't have them. Pure.
It's just a shame that Hollywood's marketing machinery has such an iron grip on the world's cinema distribution that junk like Alien vs Predator will be seen by millions of people, and a movie as good as THE NEST will remain inexplicably classed as "Indie" or "Arthouse", even in its home country.
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