Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras. Each has their reason for wanting to be there - fame, ... See full summary »
Thrown naked into a desolate room with thirteen strangers, Tonya discovers that she is the final contestant in a deadly game. Restrained by lethal electronic collars, the players must ... See full summary »
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras. Each has their reason for wanting to be there - fame, money, adventure. The prize - $1 million. The rules - if one person leaves, everyone loses. It becomes the ultimate morality test. When Danny's beloved grandfather dies, does his greed overcome his love? When the skittish Emma finds blood on her pillow why does she still stay behind? And what dark secret does the house harbour that leaves them feeling as though they're being watched by more than just a million pairs of eyes? Written by
Director Marc Evans was worried that if My Little Eye (2002) flopped at the box-office (like his previous two films), it would be the end of his directing career. Luckily for him, that didn't happen. After an initial lukewarm response, the film became a surprise sleeper hit. See more »
When the sheriff enters the basement we can see he leaves the door open. When it cuts to wide shots we can see in both wide shots that the door is closed. Then it appears open again later. See more »
Go fuck yourself, Matt, because she isn't going to.
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The production logos have a fuzzy quality to them, like we're seeing footage through a webcam. The five housemates are shown over the end credits. See more »
My little cynical eye - different, reasonably refreshing movie that falls apart by the end
It is reasonable to describe this movie as Big Brother done with the style of the Blair Witch Project, although it would be unfair to label this movie as a Blair Witch Project seeing as how it implies that every horror movie done in a `documentary/realism' style with unusual camera positions is an actual homage to that movie.
Set-up here is pretty simple: 5 people in a house. Must stay in house for six months. Cannot ever leave the house at night. If any one person leaves they all lose and do not get the one million dollars awaiting them at the end. Grand. However, surprise ahoy, things start going weird towards the end and they must begin to wonder: Who is paying to view them? Why are they bothered? And will any of them survive?
Problems with the movie abound. Firstly we've dull characters. Some are so dull they blend into one another and become hard to distinguish, which is rather unfortunate since we're meant to. Only one character - the paranoid cynic - had any `depth' to them and their role was way too obvious. Sorry you can't misdirect me like that, I've seen it before and done better. Secondly we've got the structure of the movie. The first two-thirds are a hit and miss affair with tension. The `jump' moments are too sparse, too unconnected. There's an atmosphere built up by them, which has dissipated too much before the next event. It doesn't create unease so much as a greater indifference towards the movie. The final third is too derivative of the `hack-and-slash' genre and adds nothing to it except for an ending, which I admittedly enjoyed.
It's not all bad though. There is the way the movie is done. It's viewed primarily through web cams. Thus we're treated to some interesting point-of-views and techniques as the cameras focus on the participants. There's a nice night-vision element where everyone is in green with eerily lit eyes. There're also some nice sounds via a white noise effect. Some found this grating, but I found it more effective in creating a sense of things being off kilter than the traditional orchestral effect. There's an ending which made me smile and, despite their scarcity, one or two relatively decent `jump' moments. The sense of it being just that bit different helps lift it out of forgettable mediocrity but it cannot elevate it to a description of being good. I think a 5.8/10 is about fair.
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