From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
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A gunman ties up an actor and locks him in his dressing room just before a performance. He also puts a bomb with a 90-minute timer next to the actor. Then, he goes to a room above an LA plaza and draws a bead on the actor's lover, international arms dealer, Liberty Wallace. Calling himself "Joe," he calls her cell phone, demonstrates that a rifle is pointed at her, and tells her to cuff herself to a hot-dog cart nearby (the cuffs are there). Over the next 90 minutes, the story unfolds: as a result of his daughter's death, he wants a public debate on the Second Amendment. As Liberty begins to bond with Joe on the phone, he gets some truths from her - and his revenge. Written by
A film where Wesley Snipes doesn't beat anyone up or use any martial arts is a rarity in itself. In not using Snipes' best (and some would say only) asset this film gives itself quite a mountain to climb. Unfortunately it falls a great deal short of the peak and careers into a chasm.
Fiorentino is the eponymous heroine chained to a hot dog stand. Inside the stand is a bomb. Snipes has a rifle trained on her and scene is set. Cue loads of pretentious guff about the US constitution and the right to bear arms between arms dealing Liberty and grieving father Snipes.
Unfortunately there are too many scenes of dialogue between Snipes and Fiorentino. Acting is definitely not Snipes' forte and this is an acting intensive role. Their characters are never interesting and the bond that predictably develops between the two is forced. Therefore their many scenes are tiresome and irritating. Nothing quite ever happens with those on the outside and it all takes the form of one long badly given lecture on the evils of firearms.
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