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While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
Iris, based on the life of revered British writer and philosopher Iris Murdoch, is a story of unlikely yet enduring love. As a young academic, teaching philosophy at Oxford, Murdoch meets and eventually falls in love with fellow professor John Bayley, a man whose awkwardness seems in stark opposition to the spirited self-confidence of his future wife. The story unfolds as snippets of time, seen through Bayley's eyes. He recalls their first encounter over 40 years ago, activities they enjoyed doing together, and Iris' charismatic and individualistic personality. These images portray Murdoch as a vibrant young woman with great intellect and are contrasted with the novelist's later life, after the effects of Alzheimer's disease have ravaged her. Murdoch's great mind deteriorates until she is reduced to a mere vestige of her former self, unable to perform simple tasks and completely reliant on her at times frustrated yet devoted husband. Written by
This film also marks the second time that Judi Dench, and another actress playing the same part, have both been nominated for an Oscar. Previously, Dench won Best Supporting Actress for playing Queen Elizabeth I in Shakespeare in Love (1998), the same year that Cate Blanchett was nominated for playing the part in Elizabeth (1998). See more »
When Iris and John are traveling to the nursing home, they are seen crossing a bridge. This bridge is Magdalene Bridge and leads to East Oxford, yet The Vale House, where Iris Murdoch spent the final years of her life, was (and still is) in South Oxford. See more »
[talking in front of Iris]
Horrible thing, to stand with your toes at the edge of the precipice. You can say anything you like, as long as you make it sound like it was a joke.
Now don't, John, it's cruel.
No, you're wrong, it's not cruel. It's nothing. I mean, it's not understood. She's in her own world now. Perhaps it's what she always wanted.
[smiles dotingly at Iris]
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Que Reste-t-il de nos Amours ?
Music by Charles Trenet
Lyrics by Charles Trenet
Performed by Charles Trenet
Published by Salabert Phonographic (c) Luxy Music SA
(c) Universal Music Group Publishing (ASCAP)
By kind permission of Herrison Vert SA See more »
This film succeeds where the overrated "A Beautiful Mind" fell short. It puts its subject's life into perspective and gives a sense of her worldview and, needs, and desires--as opposed to just focusing on the illness. I think it is also more effective in its use of different actors to portray the main characters at different ages, rather than using distracting age makeup, like in ABM. I came away from this with a profound admiration for Iris Murdock, whereas I felt like I hardly got to know John Nash at all.
But enough with the comparisons. This film stands well on its own as a tribute to the companionship shared by Iris and her husband John Bayley throughout their long, complex, relationship. Broadbent deserved that Academy Award, although I would say he plays more of a lead character than supporting. Seeing Iris through Bayley's loving eyes is what makes the film an enriching experience. He is the one who must adapt to her unconventional lifestyle, and their journey together is a rewarding one.
One person who commented stated that this was "another disease movie." Funny how you never hear a complaints about "another gangster movie" or "another romantic comedy" or "another suspense thriller." SO WHAT? First of all, it is not a disease movie, it is at its heart a romance, and a "meaning of life" film, much moreso than a film about Alzheimer's disease. Secondly, the disease is the device used to illustrate their level of understanding and commitment to each other. And finally, I cannot imagine telling Murdock's story WITHOUT giving the disease its proper weight in the course of the film.
The scenes when the characters are younger are blended seamlessly with the latter day scenes. Kate Winslet and Hugh Bonneville (uncannily resembling a young Broadbent) are very true to their older counterparts' personalities, and add yet another dimension to film. All in all, this is a production of which director Richard Eyre and cast (and Bayley, who wrote the book on which the film is based) should be extremely proud. It should have been seen by more people in 2001. Grade: A
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