After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
Iris, based on the life of revered British writer and philosopher Iris Murdoch, is a story of unlikely yet enduring love. As a young academic, teaching philosophy at Oxford, Murdoch meets and eventually falls in love with fellow professor John Bayley, a man whose awkwardness seems in stark opposition to the spirited self-confidence of his future wife. The story unfolds as snippets of time, seen through Bayley's eyes. He recalls their first encounter over 40 years ago, activities they enjoyed doing together, and Iris' charismatic and individualistic personality. These images portray Murdoch as a vibrant young woman with great intellect and are contrasted with the novelist's later life, after the effects of Alzheimer's disease have ravaged her. Murdoch's great mind deteriorates until she is reduced to a mere vestige of her former self, unable to perform simple tasks and completely reliant on her at times frustrated yet devoted husband. Written by
When Iris and John go to visit Maurice Charlton, a reflection of the camera lighting is seen on the inside of the front door. See more »
Education doesn't make you happy. And what is freedom? We don't become happy just because we are free, if we are. Or because we have been educated, if we have. But because education may be the means by which we realize we are happy. It opens our eyes, our ears. Tells use where delights are lurking. Convinces us that there is only one freedom of any importance whatsoever: that of the mind. And give us the assurance, the confidence, to walk the path our mind, our educated mind, offers.
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I Don't Want to Set the World on Fire
Composed by Bennie Benjamin, Eddie Durham, Sol Marcus, Edward Seiler
Performed by The Ink Spots
By kind permission of MCA
Co-publisher Chappell & Co./Warner Chappell, Cherio Corporation, Bug Music Inc, c/o Eddie Durham Swing Music,
Carlin America See more »
This film, inspired by John Bayley's memoir in tribute of his late wife, the novelist Iris Murdoch, gives us some insight into the final years of Murdoch as she struggled with the effects of Alzheimer's Disease, and shows us how her personality developed from the quirky, intelligent student of her young days into the self-assured, measured writer at her peak.
Iris is played when young by Kate Winslet, whose portrayal veers from playful to irritating. As she grows older she morphs into the wonderful Judi Dench, giving a quite exceptional performance as the mature Murdoch. Playing John Bayley are two actors who uncannily resemble each other - Hugh Bonneville and Jim Broadbent. Broadbent was to win awards for his performance, and rightly so, although Bonneville was no less touching.
In a well-balanced supporting cast we have Penelope Wilton, Sam and Timothy West, Eleanor Bron, and Juliet Aubrey, giving assured performances.
Is 'Iris' truly a movie about a writer, and the business of writing and creativity? Well, no, as her writing is not central to the feel of the piece (although it does touch on her gift for words, and the tragic loss of the ability to process and work with them). It is something of a downbeat film, which will leave the more sensitive amongst you with damp eyes, but essentially it is an exceptional piece of work about the destructive power of dementia and Alzheimer's.
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