True story of the lifelong romance between novelist Iris Murdoch and her husband John Bayley, from their student days through her battle with Alzheimer's disease.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Director:
Michael Hoffman
Stars:
Helen Mirren,
Christopher Plummer,
Paul Giamatti
An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.
Director:
Steven Soderbergh
Stars:
Julia Roberts,
David Brisbin,
Dawn Didawick
Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.
Director:
Denzel Washington
Stars:
Derek Luke,
Malcolm David Kelley,
Denzel Washington
The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.
Director:
James Ivory
Stars:
Anthony Hopkins,
Natascha McElhone,
Julianne Moore
In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
Director:
Jean-Jacques Annaud
Stars:
Jane March,
Tony Leung Ka Fai,
Frédérique Meininger
Iris, based on the life of revered British writer and philosopher Iris Murdoch, is a story of unlikely yet enduring love. As a young academic, teaching philosophy at Oxford, Murdoch meets and eventually falls in love with fellow professor John Bayley, a man whose awkwardness seems in stark opposition to the spirited self-confidence of his future wife. The story unfolds as snippets of time, seen through Bayley's eyes. He recalls their first encounter over 40 years ago, activities they enjoyed doing together, and Iris' charismatic and individualistic personality. These images portray Murdoch as a vibrant young woman with great intellect and are contrasted with the novelist's later life, after the effects of Alzheimer's disease have ravaged her. Murdoch's great mind deteriorates until she is reduced to a mere vestige of her former self, unable to perform simple tasks and completely reliant on her at times frustrated yet devoted husband. Written by
kem
Only the second film (after Titanic) to have two actors nominated for an Academy Award for playing the same role in the same movie. In both films Kate Winslet played the younger version in the dual-nominee role. See more »
Goofs
When Iris and John go to visit Maurice Charlton, a reflection of the camera lighting is seen on the inside of the front door. See more »
Quotes
Iris Murdoch:
People have obsessions and fears and passions which they don't admit to. I think every character is interesting and has extremes. It's the novelist privilege to see how odd everyone is.
See more »
"I Don't Want to Set the World on Fire"
Composed by Bennie Benjamin, Eddie Durham, Sol Marcus, Edward Seiler
Performed by The Ink Spots
By kind permission of MCA
Co-publisher Chappell & Co./Warner Chappell, Cherio Corporation, Bug Music Inc, c/o Eddie Durham Swing Music,
Carlin America See more »
This film succeeds where the overrated "A Beautiful Mind" fell short. It puts its subject's life into perspective and gives a sense of her worldview and, needs, and desires--as opposed to just focusing on the illness. I think it is also more effective in its use of different actors to portray the main characters at different ages, rather than using distracting age makeup, like in ABM. I came away from this with a profound admiration for Iris Murdock, whereas I felt like I hardly got to know John Nash at all.
But enough with the comparisons. This film stands well on its own as a tribute to the companionship shared by Iris and her husband John Bayley throughout their long, complex, relationship. Broadbent deserved that Academy Award, although I would say he plays more of a lead character than supporting. Seeing Iris through Bayley's loving eyes is what makes the film an enriching experience. He is the one who must adapt to her unconventional lifestyle, and their journey together is a rewarding one.
One person who commented stated that this was "another disease movie." Funny how you never hear a complaints about "another gangster movie" or "another romantic comedy" or "another suspense thriller." SO WHAT? First of all, it is not a disease movie, it is at its heart a romance, and a "meaning of life" film, much moreso than a film about Alzheimer's disease. Secondly, the disease is the device used to illustrate their level of understanding and commitment to each other. And finally, I cannot imagine telling Murdock's story WITHOUT giving the disease its proper weight in the course of the film.
The scenes when the characters are younger are blended seamlessly with the latter day scenes. Kate Winslet and Hugh Bonneville (uncannily resembling a young Broadbent) are very true to their older counterparts' personalities, and add yet another dimension to film. All in all, this is a production of which director Richard Eyre and cast (and Bayley, who wrote the book on which the film is based) should be extremely proud. It should have been seen by more people in 2001. Grade: A
35 of 35 people found this review helpful.
Was this review helpful to you?
This film succeeds where the overrated "A Beautiful Mind" fell short. It puts its subject's life into perspective and gives a sense of her worldview and, needs, and desires--as opposed to just focusing on the illness. I think it is also more effective in its use of different actors to portray the main characters at different ages, rather than using distracting age makeup, like in ABM. I came away from this with a profound admiration for Iris Murdock, whereas I felt like I hardly got to know John Nash at all.
But enough with the comparisons. This film stands well on its own as a tribute to the companionship shared by Iris and her husband John Bayley throughout their long, complex, relationship. Broadbent deserved that Academy Award, although I would say he plays more of a lead character than supporting. Seeing Iris through Bayley's loving eyes is what makes the film an enriching experience. He is the one who must adapt to her unconventional lifestyle, and their journey together is a rewarding one.
One person who commented stated that this was "another disease movie." Funny how you never hear a complaints about "another gangster movie" or "another romantic comedy" or "another suspense thriller." SO WHAT? First of all, it is not a disease movie, it is at its heart a romance, and a "meaning of life" film, much moreso than a film about Alzheimer's disease. Secondly, the disease is the device used to illustrate their level of understanding and commitment to each other. And finally, I cannot imagine telling Murdock's story WITHOUT giving the disease its proper weight in the course of the film.
The scenes when the characters are younger are blended seamlessly with the latter day scenes. Kate Winslet and Hugh Bonneville (uncannily resembling a young Broadbent) are very true to their older counterparts' personalities, and add yet another dimension to film. All in all, this is a production of which director Richard Eyre and cast (and Bayley, who wrote the book on which the film is based) should be extremely proud. It should have been seen by more people in 2001. Grade: A