With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Igby Goes Down is a personal tale about a 17 year old misfit boy who copes with his mother's cancer and his father's insanity by pursuing relationships with older women. Truly an intellectual, Igby is a modern day Holden Caulfield, and the world he lives in is far removed from the high standards of expectation he holds for it. Written by
In the scene where Oliver comes into the loft and finds Igby and Sookie sleeping side by side, Sookie sits up slightly and the camera makes a quick cut to Oliver. The camera quickly cuts back to Sookie and Igby, and Sookie's head is back on the pillow again (as in the first shot) and then she sits up again. See more »
Why couldn't she have been a fucking smoker.
This has nothing to do with her being in such wonderful shape. The cause of our trouble was our inability to come up with a drug short of paint thinner, that would be at least somewhat novel to her system. She's built up a tolerance to everything.
A tolerance? She's taking her fucking afternoon nap.
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There's no question aspects of this are quite brutal. But the theme of the story dictates they would be so.
Igby Goes Down is about a kid in nowhere's land. He doesn't know where he's going in life and responds to this by being a rebel in everything. Add to this his parental instability with a schizophrenic father and a tyrannical mother and you can understand why he'd be a little mixed up.
In many ways it is a coming of age story, but in others it is too dark to be that. Indeed there is an ambivalence of themes with hope and despair featured in equal measure.
As Igby, Kieran Culkin excels. He's outstanding, the best thing in the movie
which given the quality of his peers, such as a sinister and agenda-ridden
Jeff Goldblum, a monstrous and hierarchial Susan Sarandon, a confused and tortured Bill Pullman and a squeaky clean upstart in Ryan Phillippe, is no mean feat at all.
Performances are uniformly excellent, the story involving, and the themes well explored.
Well done all round.
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