The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a ... See full summary »
A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desedmona in Othello. But what will become of the male actor she once worked for and eventually replaced?
Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above ... See full summary »
This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
Igby Goes Down is a personal tale about a 17 year old misfit boy who copes with his mother's cancer and his father's insanity by pursuing relationships with older women. Truly an intellectual, Igby is a modern day Holden Caulfield, and the world he lives in is far removed from the high standards of expectation he holds for it. Written by
In the scene where Oliver comes into the loft and finds Igby and Sookie sleeping side by side, Sookie sits up slightly and the camera makes a quick cut to Oliver. The camera quickly cuts back to Sookie and Igby, and Sookie's head is back on the pillow again (as in the first shot) and then she sits up again. See more »
Why couldn't she have been a fucking smoker.
This has nothing to do with her being in such wonderful shape. The cause of our trouble was our inability to come up with a drug short of paint thinner, that would be at least somewhat novel to her system. She's built up a tolerance to everything.
A tolerance? She's taking her fucking afternoon nap.
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Ten out of ten. One of the greats, with memorable characters you'll think about for days. This great film got caught in MGM/UA distribution purgatory. If it could have busted out of the indy circuit from day one and gotten into general release, it would have been favorably compared with "The Graduate" and Kieran Culkin's performance with Dustin Hoffman's debut performance in that Mike Nichol's classic. MGM/UA blew it.
Culkin is a great young player with a look and resources evoking both Hoffman and Robert Downey. He's naturalistic and great to watch. Smart, funny, urbane writing by first time director Steers is never "on the nose". Yet underneath the evasive, sarcastic stripped down dialogue he pulls hard hitting emotions from his ensemble. Not a false or wasted scene and more than a few really powerful ones. Every player is at the top of their game, from Kieran Culkin to Amanda Peet, Jeff Goldblum to Susan Sarandon, Bill Pullman to Claire Danes to Ryan Phillippe. They're obviously guided by a director who knows how to work with an ensemble to get an overall tone.
Igby is the anti Ferris Beuhler - a smart wanna be who's wise mouth and attitude usually piss off those around him - his mother, his brother, his godfather. Torn between those who don't get him and those who do (Peet, Danes), Igby paints all his relationships with the same sarcastic brush, his vulnerability only busting out when he's pushed to the limit. Culkin's perfomance is not to be missed. The key women, Sarandon, Peet and Danes all play fully formed characters. Goldblum is perfect for his role, his usual facile acting style well suited to the South Hampton prince he plays; his best turn in years.
Seers has style and flow, and his final cut is aided by the excellent music choices he and his music supervisor, Nick Harcourt arrived at. Cameron Crowe couldn't do better. The Igby soundtrack is tres alt moderne and every cut is great.
Warning: Actors are blocked (brilliantly) for wide screen format. So this film will suffer from TV / video screen ratios as the Graduate does. Either go see it in the theater NOW or wait for letterbox!
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