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Gosford Park (2001)

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The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.



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Won 1 Oscar. Another 31 wins & 73 nominations. See more awards »





Cast overview, first billed only:
Rupert Standish


Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by Ashley <AMTOT@aol.com>

Plot Summary | Add Synopsis


Tea At Four. Dinner At Eight. Murder At Midnight.


Comedy | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality | See all certifications »

Parents Guide:




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Release Date:

18 January 2002 (USA)  »

Also Known As:

Assassinato em Gosford Park  »


Box Office


$19,800,000 (estimated)

Opening Weekend USA:

$395,162, 30 December 2001, Limited Release

Gross USA:

$41,308,615, 6 June 2002

Cumulative Worldwide Gross:

$87,754,044, 6 June 2002
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Company Credits

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Technical Specs


Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?


Altman consulted the writer Ezna Sands in depth on the idea before commencing with the project, having wanted to employ his doctoring skills on the script. Sands simply said it was as close to perfect as it could possibly be. See more »


When Constance walks to the car, she is wearing pointed-toe shoes with a heel. When she arrives at Gosford Park and enters the doorway, she's clearly wearing "flats". See more »


Constance: Seems much more than just background music.
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Crazy Credits

At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film. See more »


References The Rules of the Game (1939) See more »


Waltz of My Heart
Performed by Christopher Northam
Music by Ivor Novello
Lyrics by Christopher Hassall (as Christopher V. Hassall)
© Chappell/Music Limited
By kind permission of Warner/Chappell Music Ltd.
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Frequently Asked Questions

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User Reviews

Right said Bob!
23 May 2003 | by See all my reviews

Robert Altman's long, fragmented and very hit-or-miss career reaches another of his periodic highs with this clever and beautifully realised dissection of the English class system and skit on the classic Agatha Christie whonunnit.

Altman's preferences for kaleidoscopic social observation has sometimes failed in the past due to the weight of its own ambition: multi-plotted and multi-charactered snapshots of time and place held together by loose ties or a general thematic framework. Sometimes it pays off spectacularly (Nashville); sometimes it flatters to deceive (Short Cuts).

It works well here due to the necessary discipline of the single location and the greater opportunities for interaction among the characters this affords. Add to that an exemplary cast of (mostly) British character actors and a knowing script by Julian Fellowes that gives Altman's keenly observant camera plenty of time to make its own points.

Rightly, Altman is less concerned with the murder mystery, which is almost an aside, than with the opportunity given by a shooting party at a 1930s stately mansion to observe the English aristocracy and their servants in social interaction.

Never happier than when involved in a bit of human anthropology, Altman lightly dissects the complexities and hierarchies which go on both above and below stairs; in which many subtle and unsubtle rituals are played out among groups of people who clearly dislike each other but are forced through circumstance, need or employment to observe the fundamental social practices required.

1932 is also a time of intruding change into the nature of the old English ruling classes, slowly disintegrating in this between-wars period and, in this case, largely reliant on the wealth of one particularly reluctant patron to keep them in furs and flunkies. In on this act comes the (to them) faintly odious whiff of 20th century new money, represented by Hollywood and popular culture. These intruders are kept in their place, but the message is clear - change is coming, and coming fast.

The muted colours and autumnal setting continue this theme of a world in terminal decline and of a group of characters keenly conscious of place and tradition yet also wearied and exhausted by it. Only at the very end, when fundamental change has occurred and many characters are left to face up to very different destinies do we see a bit of sunshine creeping in, heralding the dawn of a new era.

The cast are all excellent, with special mention deserving of Maggie Smith's effortless scene stealing as a bitchy but broke old Countess; the ever reliable Jeremy Northam as matinee idol Ivor Novello, well aware of his place in the great scheme of things and young Kelly Macdonald in the pivotal role of Smith's harassed maid who's inquisitiveness rattles a whole load of family skeletons.

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