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Gosford Park (2001)

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The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.

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3,552 ( 521)
Won 1 Oscar. Another 31 wins & 73 nominations. See more awards »

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Cast

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Storyline

Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by Ashley <AMTOT@aol.com>

Plot Summary | Add Synopsis

Taglines:

Tea At Four. Dinner At Eight. Murder At Midnight.

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

18 January 2002 (USA)  »

Also Known As:

Assassinato em Gosford Park  »

Box Office

Budget:

$19,800,000 (estimated)

Opening Weekend:

$1,567,041 (USA) (4 January 2002)

Gross:

$41,300,105 (USA) (31 May 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This movie is singular in that no fewer than seven British Knights of the Theatre are in the cast: Alan Bates, Derek Jacobi, Michael Gambon, Eileen Atkins, Helen Mirren, Kristin Scott Thomas, and Maggie Smith all have received the highest national honor for contributions to drama, though Bates, Mirren, and Thomas would only receive the honor after the film was released. See more »

Goofs

Early in the film, Lady Trentham taps on the window of the car. Mary, who is seated in the front, looks over her right shoulder. In the next shot she is looking over her left shoulder. See more »

Quotes

Mary Maceachran: Nobody can stab a corpse and not know it.
Robert Parks: Really? When was the last time you stabbed a corpse?
See more »

Crazy Credits

The cast credits at the end are separated between upstairs and downstairs. See more »

Connections

Referenced in The Cinema Snob: The Beast (2012) See more »

Soundtracks

Why Isn't It You
(1937)
Sung by Jeremy Northam
Music by Ivor Novello
Lyrics by Christopher Hassall (as Christopher V. Hassall)
© Chappell/Music Limited
By kind permission of Warner/Chappell Music Ltd.
See more »

Frequently Asked Questions

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User Reviews

A review of a great film

Violence, mystery, sex, and murder, Gosford Park has it all. Director Robert Altman once again takes the Hollywood formula and gives a unique twist. The story begins when aristocrats during 1932 gather at Sir William McCordle's (Michael Gambon) estate for a shooting party. The guests are wealthy people with their trusty servants. People arrive at the McCordle estate two by two and the traditions begin. The servants set up dinner for their masters and the aristocrats begin their personal routines.

The story moves on as the characters begin to establish their names and the audience learns their varying social status. The intertwining stories among the guests begin to surface and the audience begins to realize there is much more in this house than what meets the eye.

During the night one member of the elite group is killed. None of the guests seemed to be fazed by this event and are only upset by the inconvenience it sets up for their lives.

The only one troubled is Constance, Countess of Trentham's maid, Mary (Kelly McDonald). The story begins to focus on Mary, who discovers secrets among the visitors and leads the audience to solve the mystery.

The great aspect about this film is Robert Altman's abilities to bring the past to life. He pays excellent attention to detail and is able to recreate the feelings and morals during the time period. He emerges the audience into a film world filled with history and story. Throughout the film Altman visually shows the audience the contrast between social classes through his various shots, lighting techniques, and camera filters. His fluid camera movements visually portray foreshadowing and relationship among characters. These elements give the audience a complete understanding of the mood and atmosphere in the film.

I recommend this movie to anybody who has the patience to sit and focus on this excellent film. Although the beginning is appropriately slow moving and the characters names are difficult to remember, the payoff is worth the efforts. This movie is made for active film viewers and all Robert Altman fans.


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