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Gosford Park (2001)

 -  Drama | Mystery  -  18 January 2002 (USA)
7.3
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Ratings: 7.3/10 from 60,315 users   Metascore: 90/100
Reviews: 641 user | 183 critic | 34 from Metacritic.com

The lives of upstairs guest and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.

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Title: Gosford Park (2001)

Gosford Park (2001) on IMDb 7.3/10

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Won 1 Oscar. Another 36 wins & 61 nominations. See more awards »

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Cast

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Storyline

Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by Ashley <AMTOT@aol.com>

Plot Summary | Add Synopsis

Taglines:

Tea At Four. Dinner At Eight. Murder At Midnight.

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

18 January 2002 (USA)  »

Also Known As:

Assassinato em Gosford Park  »

Box Office

Budget:

$19,800,000 (estimated)

Opening Weekend:

$68,666 (South Africa) (6 September 2002)

Gross:

$178,641 (South Africa) (27 September 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Jeremy Northam's character plays the piano, it is actually his brother Christopher who is playing. Christopher Northam is a classically trained pianist. See more »

Goofs

When Mrs. Croft and the cook are counting the knives, we see servants bringing the candelabra from the dining room down the stairs. Then we see the gentlemen in the dining room, where the candelabra are still lit. See more »

Quotes

Lady Sylvia McCordle: Did you have an dreadful journey?
Constance, Countess of Trentham: Yes, simply dreadful.
See more »

Crazy Credits

At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film. See more »

Connections

Featured in The 78th Annual Academy Awards (2006) See more »

Soundtracks

Keep the Home Fires Burning
(1915)
Sung by Jeremy Northam
Music By Ivor Novello
Lyrics by Lena Guilbert Ford
© Ascherberg Hopwood & Crew Limited
By kind permission of Warner/Chappell Music Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Good Work, as usual...

When Robert Altman makes a new film, it's always a noteworthy event that gets the attention of critics and audiences alike: large productions with huge ensemble casts of major Hollywood movie stars, playing real people with full, fleshed out characters, each with their own subplots that intertwine only subtly, until the end when it all finally makes sense. In Gosford Park, Altman makes only two changes to this formula: Hollywood stars are replaced by Top British talent that may be unfamiliar to most American audiences, and a straightforward murder mystery supplants his traditionally complicated plot line. It is in these changes, however, where Altman charms his audiences in a new way. The story takes place in 1932 at a gathering of aristocrats and their servants for a hunting country weekend at the estate of Sir William McCordle. Some time after all the guests are settled in and whose affairs begin to intertwine, one of them is bumped off. While all the characters are well fleshed out, it's Mary, played by Kelly Macdonald, who is the focus of the drama. She's the maid of Maggie Smith's Countess Constance of Trentham, and is being groomed to follow a path to become head servant. After the murder takes place, emotions unfold and secrets from the past are revealed that help the characters - and the audience - solve the mystery. The drama is even more punctuated when Mary's innocence and naiveté is lost as she pieces together the deeper scandal, involving servant-master sexual relations and bastard children.

One of the best aspects of film is how it illustrates that fine line dividing the master-servant social structures, and how often that line is crossed, reminding us that life is just a game of costumes and masks, and we're all the same underneath. While the story was reminiscent of Agatha Christie's Ten Little Indians, where it's the mystery that captivates the audience, Altman goes beyond the mystery with Gosford Park by using the murder as a vehicle to draw attention to the human condition and class hierarchy.

On the downside, but to no surprise to fans of Altman's work, the movie is often hard to follow. His style of filmmaking involves entanglements of characters and subplots that don't appear to have much to do with one another at first blush, and Gosford Park takes this to the next level. Here, the murder takes place at the climax of this confusion, leaving you rather disoriented in the middle of the 2-hour-plus drama. Fortunately, the tone loosens up when a comedy-dim police inspector basically gets nowhere in his investigation, but the pieces start coming together through the other characters. The good news is that it all seems to come together in the end in a way that didn't require grasping every detail of every scene.

Despite its intricacies and confusing moments, there is so much more to Gosford Park that makes it interesting and enchanting. While it is clearly a sophisticated piece of film work with impeccable acting, directing and design, don't stress about not keeping up with it all the time. Sit back and take it in, and you'll feel satisfied in the end.


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