Gosford Park (2001)

Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England.

Director:

Robert Altman

Writers:

Robert Altman (idea), Julian Fellowes,

Stars:

Maggie Smith, Michael Gambon, Kristin Scott Thomas

Won 1 Oscar. Another 33 wins & 51 nominations.

Cast

Cast overview, first billed only:
Maggie Smith	...	Constance Trentham
Michael Gambon	...	William McCordle
Kristin Scott Thomas	...	Sylvia McCordle
Camilla Rutherford	...	Isobel McCordle
Charles Dance	...	Lord Raymond Stockbridge
Geraldine Somerville	...	Louisa Stockbridge
Tom Hollander	...	Anthony Meredith
Natasha Wightman	...	Lavinia Meredith
Jeremy Northam	...	Ivor Novello
Bob Balaban	...	Morris Weissman
James Wilby	...	Freddie Nesbitt
Claudie Blakley	...	Mabel Nesbitt
Laurence Fox	...	Rupert Standish
Trent Ford	...	Jeremy Blond
Ryan Phillippe	...	Henry Denton

Storyline

Set in the 1930's the story takes place in an old fashioned English country house where a family has invited many of their friends up for a weekend shooting party. The story centers around the McCordle family, particularly the man of the house, William McCordle. Getting on in years William has become benefactor to many of his relatives and friends. As the weekend goes on and secrets are revealed, it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it?

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Plot Keywords:

servant | shooting party | murder | money | country house | 

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Taglines:

Tea At Four. Dinner At Eight. Murder At Midnight.

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Genres:

Drama | Mystery

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Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality

Details

Country:

UK USA Italy

Language:

English

Release Date:

4 January 2002 (USA)

Also Known As:

Assassinato em Gosford Park

Filming Locations:

Ston Easton Park, Somerset, England, UK

Box Office

Budget:

$19,800,000 (estimated)

Opening Weekend:

$68,666 (South Africa) (6 September 2002)

Gross:

$178,641 (South Africa) (27 September 2002)

Company Credits

Production Co:

USA Films, Capitol Films, Film Council

Technical Specs

Runtime:

137 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The jewelry worn by the upstairs ladies in the film was all authentic and had to be escorted in by armed guards each day.

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Goofs

The movie takes place in 1932 but some of the songs Ivor Novello sings for the guests weren't copy written until years after like "Glamorous Night" (1935), "Why It Wasn't You" (1937), "I Can Give You a Starlight" (1939) and "Waltz of My Heart" (1939).

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Quotes

Mary Maceachran: Don't do anything I wouldn't do.
Elsie (Head Housemaid): At least I know that gives me room for manoeuvre.

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Crazy Credits

At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film.

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Connections

Featured in The Culture Show: British Film Special (2007)

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Soundtracks

"The Way It's Meant to Be"
(2001)
Sung by Abigail Doyle
Music by Patrick Doyle
Lyrics by Robert Altman & Abigail Doyle
© Air-Edel Associates Ltd.
By kind permission of Air-Edel Associates Ltd.

User Reviews

Right said Bob!

Robert Altman's long, fragmented and very hit-or-miss career reaches another of his periodic highs with this clever and beautifully realised dissection of the English class system and skit on the classic Agatha Christie whonunnit.

Altman's preferences for kaleidoscopic social observation has sometimes failed in the past due to the weight of its own ambition: multi-plotted and multi-charactered snapshots of time and place held together by loose ties or a general thematic framework. Sometimes it pays off spectacularly (Nashville); sometimes it flatters to deceive (Short Cuts).

It works well here due to the necessary discipline of the single location and the greater opportunities for interaction among the characters this affords. Add to that an exemplary cast of (mostly) British character actors and a knowing script by Julian Fellowes that gives Altman's keenly observant camera plenty of time to make its own points.

Rightly, Altman is less concerned with the murder mystery, which is almost an aside, than with the opportunity given by a shooting party at a 1930s stately mansion to observe the English aristocracy and their servants in social interaction.

Never happier than when involved in a bit of human anthropology, Altman lightly dissects the complexities and hierarchies which go on both above and below stairs; in which many subtle and unsubtle rituals are played out among groups of people who clearly dislike each other but are forced through circumstance, need or employment to observe the fundamental social practices required.

1932 is also a time of intruding change into the nature of the old English ruling classes, slowly disintegrating in this between-wars period and, in this case, largely reliant on the wealth of one particularly reluctant patron to keep them in furs and flunkies. In on this act comes the (to them) faintly odious whiff of 20th century new money, represented by Hollywood and popular culture. These intruders are kept in their place, but the message is clear - change is coming, and coming fast.

The muted colours and autumnal setting continue this theme of a world in terminal decline and of a group of characters keenly conscious of place and tradition yet also wearied and exhausted by it. Only at the very end, when fundamental change has occurred and many characters are left to face up to very different destinies do we see a bit of sunshine creeping in, heralding the dawn of a new era.

The cast are all excellent, with special mention deserving of Maggie Smith's effortless scene stealing as a bitchy but broke old Countess; the ever reliable Jeremy Northam as matinee idol Ivor Novello, well aware of his place in the great scheme of things and young Kelly Macdonald in the pivotal role of Smith's harassed maid who's inquisitiveness rattles a whole load of family skeletons.