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Gosford Park (2001)

 -  Drama | Mystery  -  18 January 2002 (USA)
7.3
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Ratings: 7.3/10 from 59,336 users   Metascore: 90/100
Reviews: 639 user | 187 critic | 34 from Metacritic.com

The lives of upstairs guest and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.

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Title: Gosford Park (2001)

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Won 1 Oscar. Another 36 wins & 60 nominations. See more awards »

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Cast

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Storyline

Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by Ashley <AMTOT@aol.com>

Plot Summary | Add Synopsis

Taglines:

Tea At Four. Dinner At Eight. Murder At Midnight.

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

18 January 2002 (USA)  »

Also Known As:

Assassinato em Gosford Park  »

Box Office

Budget:

$19,800,000 (estimated)

Opening Weekend:

$68,666 (South Africa) (6 September 2002)

Gross:

$178,641 (South Africa) (27 September 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The camera is always moving (if only slightly) in every shot of the film as requested by director Robert Altman. See more »

Goofs

When Mable informs Lady Trentham that she doesn't have a lady's maid, Mr. Nesbit lays his tea cup and saucer on the mantel. After scene cut, when Lady Sylvia joins the group at the table, Freddy again places his cup and saucer on the mantel. In same cut, tea cup in hands of Lady Trentham suddenly appears. See more »

Quotes

Lady Sylvia McCordle: Where's that wretched Mabel.
Constance, Countess of Trentham: Has anyone checked her outfit? She's probably in black velvet with a feather in her hair.
Lavinia Meredith: She's in the morning room looking perfectly normal. Don't be such a snob aunt Constance.
Constance, Countess of Trentham: Me? I haven't a snobish bone in my body.
See more »

Crazy Credits

At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film. See more »

Connections

References The Rules of the Game (1939) See more »

Soundtracks

Waltz of My Heart
(1939)
Performed by Christopher Northam
Music by Ivor Novello
Lyrics by Christopher Hassall (as Christopher V. Hassall)
© Chappell/Music Limited
By kind permission of Warner/Chappell Music Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Altman Back in Top Form
25 October 2002 | by (Evanston, IL) – See all my reviews

It thrills me to say that after a string of stinkers ("Dr. T and the Women," "The Gingerbread Man") and so-so light films ("Cookie's Fortune"), Robert Altman has an unequivocally excellent film on his hands with "Gosford Park." It's a film that works on many layers and needs to be seen more than once for one to fully appreciate its resonance.

The film admittedly stinks as a murder mystery---it's almost funny how little Altman himself seems interested in the who-dunnit. But, typically for Altman, it's the deconstruction of the genre that he's interested in, not the genre itself. This movie isn't about a murder in a country house; it's a movie about class differences and people connecting (or not connecting) with one another.

It seems futile to mention stand out performances in a film filled to the rafters with stand-out performances, but I did especially like Emily Watson as a cheeky maid, Helen Mirren as the "perfect servant," and Kelly MacDonald as the novice lady's attendant who grows more than anyone else over the course of the film.

The film is at its best when it's probing the emotional depths of the story---it comes across as a bit too glib when the satire gets especially acidic (mostly with the Kristin Scott Thomas character), but like the best of his movies ("Nashville," "M*A*S*H," "Short Cuts") Altman knows how to control his own cynicism and doesn't let sarcasm rule.

With his on again-off again track record, we can expect the next Altman film to tank, so let's enjoy this one while we can.


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