The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the ... See full summary »
Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by
Bob Balaban recommended to Robert Altman that Julian Fellowes write the screenplay. "Altman asked him to try it, and maybe six weeks later Julian sent the first 75 pages. It was clear that he was brilliant and his knowledge of class society, the workings of it, was encyclopedic. This talented writer, moldering away as a relatively unsuccessful actor! That was a brass ring, and he took it. It's part of the key to his current success, his work ethic. He doesn't procrastinate. He doesn't hide. He works like a demon." (Alex Wichtel, NYTimes 9/2011) See more »
In the beginning, in the car, when Mary turns back towards Constance to "see what she wants", you see Mary from Constance's point of view and she is turning to look over her right shoulder. Then the camera jumps to looking towards Constance from next to Mary, from the front of the car, and now suddenly Mary is looking at Constance over her left shoulder. See more »
The reason why many viewers strongly dislike or even hate the movie "Gosford Park" is because they misunderstand the point trying to be made. Gosford Park wasn't made to focus on whodunit (if it was, why would they tell you who did). If viewers think that Gosford Park is "boring" or "confusing" or even "the worst movie ever", it may be that you're not willing to see what really is portrayed: the authenticity and its story. The authenticity of Gosford Park is as close as it can get to real life as it was back then as it can get. Experts who were maids, butlers, or cooks themselves were constantly at the scene criticizing the actors behavior and moves. Another main focus is the story behind it. The brilliant story as well as excellent character development are like no other: only Robert Altman could do a film such as this. So, next time you see it (which I highly recommend that you do), be PATIENT and actually be WILLING the enjoy the differences in film-making, not just the kind of films you like.
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