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Gosford Park (2001)

R  |   |  Drama, Mystery  |  18 January 2002 (USA)
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Ratings: 7.3/10 from 62,793 users   Metascore: 90/100
Reviews: 643 user | 186 critic | 34 from Metacritic.com

The lives of upstairs guest and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.


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Won 1 Oscar. Another 29 wins & 72 nominations. See more awards »



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Cast overview, first billed only:


Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by Ashley <AMTOT@aol.com>

Plot Summary | Add Synopsis


Tea At Four. Dinner At Eight. Murder At Midnight.


Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some language and brief sexuality | See all certifications »

Parents Guide:




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Release Date:

18 January 2002 (USA)  »

Also Known As:

Assassinato em Gosford Park  »

Box Office


$19,800,000 (estimated)

Opening Weekend:

$1,567,041 (USA) (4 January 2002)


$178,641 (South Africa) (27 September 2002)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |



Aspect Ratio:

2.35 : 1
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Did You Know?


Inspector Thompson never gets a chance to introduce himself properly to the guests, although he is more forceful and brusque with servants. See more »


When Lady Trentham is getting ready to leave, she doesn't have a scarf around her neck. When she goes to the vanity, she throws the scarf to Mary, but then in the next shot she is taking the scarf off. See more »


Lavinia Meredith: It makes you sound desperate.
Anthony Meredith: Well, I AM fucking desperate.
See more »

Crazy Credits

The cast credits at the end are separated between upstairs and downstairs. See more »


Featured in The 74th Annual Academy Awards (2002) See more »


The Way It's Meant to Be
Sung by Abigail Doyle
Music by Patrick Doyle
Lyrics by Robert Altman & Abigail Doyle
© Air-Edel Associates Ltd.
By kind permission of Air-Edel Associates Ltd.
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Frequently Asked Questions

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User Reviews

Right said Bob!
23 May 2003 | by (Edinburgh, Scotland) – See all my reviews

Robert Altman's long, fragmented and very hit-or-miss career reaches another of his periodic highs with this clever and beautifully realised dissection of the English class system and skit on the classic Agatha Christie whonunnit.

Altman's preferences for kaleidoscopic social observation has sometimes failed in the past due to the weight of its own ambition: multi-plotted and multi-charactered snapshots of time and place held together by loose ties or a general thematic framework. Sometimes it pays off spectacularly (Nashville); sometimes it flatters to deceive (Short Cuts).

It works well here due to the necessary discipline of the single location and the greater opportunities for interaction among the characters this affords. Add to that an exemplary cast of (mostly) British character actors and a knowing script by Julian Fellowes that gives Altman's keenly observant camera plenty of time to make its own points.

Rightly, Altman is less concerned with the murder mystery, which is almost an aside, than with the opportunity given by a shooting party at a 1930s stately mansion to observe the English aristocracy and their servants in social interaction.

Never happier than when involved in a bit of human anthropology, Altman lightly dissects the complexities and hierarchies which go on both above and below stairs; in which many subtle and unsubtle rituals are played out among groups of people who clearly dislike each other but are forced through circumstance, need or employment to observe the fundamental social practices required.

1932 is also a time of intruding change into the nature of the old English ruling classes, slowly disintegrating in this between-wars period and, in this case, largely reliant on the wealth of one particularly reluctant patron to keep them in furs and flunkies. In on this act comes the (to them) faintly odious whiff of 20th century new money, represented by Hollywood and popular culture. These intruders are kept in their place, but the message is clear - change is coming, and coming fast.

The muted colours and autumnal setting continue this theme of a world in terminal decline and of a group of characters keenly conscious of place and tradition yet also wearied and exhausted by it. Only at the very end, when fundamental change has occurred and many characters are left to face up to very different destinies do we see a bit of sunshine creeping in, heralding the dawn of a new era.

The cast are all excellent, with special mention deserving of Maggie Smith's effortless scene stealing as a bitchy but broke old Countess; the ever reliable Jeremy Northam as matinee idol Ivor Novello, well aware of his place in the great scheme of things and young Kelly Macdonald in the pivotal role of Smith's harassed maid who's inquisitiveness rattles a whole load of family skeletons.

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