Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by
Altman consulted the writer Ezna Sands in depth on the idea before commencing with the project, having wanted to employ his doctoring skills on the script. Sands simply said it was as close to perfect as it could possibly be. See more »
When Lewis and Probert are listening to the music, the shadow of the camera is visible just before the cut. See more »
[Many years ago, Sylvia and Louisa cut cards to decide which of them would marry Sir William. Louisa lost]
Anyone care for a game of bridge after dinner? Louisa, how about you?
Oh, I don't think so. I've rather gone off cards. I've never been very lucky with them.
Sir William McCordle:
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At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film. See more »
You'll like it if you love films like Magnolia and Traffic
I've read through the first page of comments made by the many users, and I think I can understand why many think this film is overrated. People think that this film sucks because they don't like multi-story plot and they find it difficult to follow the stories. Some may expect a spine-chilling murder and want to be scared and wet the seat. However, those who really appreciate and understand the movie know more than clear that the film itself focuses on the life of the upper-class people (and the life of the time) rather than a bloody crime.
The movie defines the word originality no better. In fact, Julian Fellowes deserves all the awards he received since the screenplay is challenging to write and it's difficult to pack all the stories in a 150-minute movie. He explains the complicated relationship between the visitors so well, and he virtually creates a motive for murdering Sir William for everyone so that the crime itself becomes very mystifying. Of course, I must admit that there are really too many characters and it's simply impossible to keep track of everyone's movement in the first half of the movie; but Julian leaves the necessary hints for our understanding that our feeling intensifies more and more as the story unfolds. Even better is the dialogue - sharp, sarcastic, amusing, clever. It confers life to the film and fully delineates the character of the many visitors however short the time is when they appear on the screen. Before I saw it, I had always asked why Memento did not win an Oscar. But the time when the film ended, I was left stunned on my seat. I mean both stories are great and original, but when comparing the relative difficulty in writing the screenplay, Gosford Park apparently wins.
Gosford Park is to me perhaps the second best movie I've seen this year (after A Beautiful Mind). If you like films like Magnolia and Traffic, which require much patience to enjoy, it's perhaps the greatest movie of your lifetime.
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