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Gosford Park (2001)
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Overview
Tagline:
Tea At Four. Dinner At Eight. Murder At Midnight.Plot:
Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England. full summary | add synopsisAwards:
Won Oscar. Another 27 wins & 49 nominations moreNewsDesk:
(60 articles)
Grant Not Planning Swaziland Documentary (From WENN. 2 July 2008, 5:14 AM, PDT)
Face Off: Ryan Phillipe vs. Paul Walker (From digitalspy. 4 June 2008, 9:58 AM, PDT)
User Comments:
A review of a great film moreCast
(Cast overview, first billed only)more
Additional Details
MPAA:
Rated R for some language and brief sexuality.Parents Guide:
View content advisory for parentsRuntime:
137 minLanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreCertification:
Iceland:L | USA:R (certificate #38606) | USA:TV-MA (TV rating) | South Korea:15 | Argentina:16 | Brazil:14 | Canada:14A | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIA | Netherlands:AL | Norway:11 | Peru:14 | Portugal:M/12 | Singapore:NC-16 | Spain:7 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | UK:15 | Australia:MMOVIEmeter: 
Fun Stuff
Trivia:
Inspector Thompson never gets a chance to introduce himself properly. moreGoofs:
Continuity: At the beginning, Lady Trentham jumps closer to the car between shots just before she gets in. moreQuotes:
Constance, Countess of Trentham: He's still got that vile little dog, I see.Lady Sylvia McCordle: Yes, the ones we hate last forever.
more
Soundtrack:
I Can Give You the Starlight moreFAQ
This FAQ is empty. Add the first question.more
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Violence, mystery, sex, and murder, Gosford Park has it all. Director Robert Altman once again takes the Hollywood formula and gives a unique twist. The story begins when aristocrats during 1932 gather at Sir William McCordle's (Michael Gambon) estate for a shooting party. The guests are wealthy people with their trusty servants. People arrive at the McCordle estate two by two and the traditions begin. The servants set up dinner for their masters and the aristocrats begin their personal routines.
The story moves on as the characters begin to establish their names and the audience learns their varying social status. The intertwining stories among the guests begin to surface and the audience begins to realize there is much more in this house than what meets the eye.
During the night one member of the elite group is killed. None of the guests seemed to be fazed by this event and are only upset by the inconvenience it sets up for their lives.
The only one troubled is Constance, Countess of Trentham's maid, Mary (Kelly McDonald). The story begins to focus on Mary, who discovers secrets among the visitors and leads the audience to solve the mystery.
The great aspect about this film is Robert Altman's abilities to bring the past to life. He pays excellent attention to detail and is able to recreate the feelings and morals during the time period. He emerges the audience into a film world filled with history and story. Throughout the film Altman visually shows the audience the contrast between social classes through his various shots, lighting techniques, and camera filters. His fluid camera movements visually portray foreshadowing and relationship among characters. These elements give the audience a complete understanding of the mood and atmosphere in the film.
I recommend this movie to anybody who has the patience to sit and focus on this excellent film. Although the beginning is appropriately slow moving and the characters names are difficult to remember, the payoff is worth the efforts. This movie is made for active film viewers and all Robert Altman fans.