| Photos (see all 43 | slideshow) | Videos (see all 6) |
| Rebecca Romijn | ... | Laure / Lily (as Rebecca Romijn-Stamos) | |
| Antonio Banderas | ... | Nicolas Bardo | |
| Peter Coyote | ... | Watts | |
| Eriq Ebouaney | ... | Black Tie | |
| Edouard Montoute | ... | Racine | |
| Rie Rasmussen | ... | Veronica | |
| Thierry Frémont | ... | Serra (as Thierry Fremont) | |
| Gregg Henry | ... | Shiff | |
| Fiona Curzon | ... | Stanfield Phillips | |
| Daniel Milgram | ... | Pierre / Bartender | |
| Jean-Marc Minéo | ... | Seated Guard (as Jean-Marc Mineo) | |
| Jean Chatel | ... | Cannes Commentator | |
| Stéphane Petit | ... | Bodyguard One (as Stephane Petit) | |
| Olivier Follet | ... | Bodyguard Two | |
| Eva Darlan | ... | Irma | |
| Jean-Marie Frin | ... | Louis | |
| Philippe Guégan | ... | Bespectacled Man (as Philippe Guegan) | |
| Denis Hecker | ... | TV Moderator | |
| Laurence Breheret | ... | Flight Attendant | |
| Salvatore Ingoglia | ... | Truck Driver | |
| Matthew Géczy | ... | Embassy Guard | |
| Laurence Martin | ... | Nathalie | |
| Jo Prestia | ... | Napoleon | |
| David Belle | ... | French Cop | |
| Françoise Michaud | ... | Woman with Blind Man | |
| Alain Figlarz | ... | Sex Shop Man | |
| Bart DePalma | ... | Power Room Guard (as Bart De Palma) | |
| Valérie Maës | ... | The Blonde in Restroom, at Bridge and in Cafe (as Valerie Maes) | |
| David Cuny | ... | Groom Hotel Sheraton | |
| Eric Fesais | ... | Policeman | |
| Bertrand Merignac | ... | Photographer | |
| Dan Herzberg | ... | Surveillance Room Guard | |
| Samuel Olivier | ... | Surveillance Room Guard (as Sam Olivier) | |
| Pascal Ondicolberry | ... | Surveillance Room Guard | |
| Gérard Renault | ... | Surveillance Room Guard (as Gerard Renault) | |
| Joaquina Belaunde | ... | Woman in Panic (as Jaoquina Belaunde) | |
| Ugne Andrikonyte | ... | Festival Guest | |
| Faco Hanela | ... | Poster Man | |
| Marie Foulquie | ... | Tourist | |
| Régis Quennesson | ... | Tourist (as Regis Quennesson) | |
| Matilde Tancredi | ... | Medium on TV Show | |
| Pascale Jacquemont | ... | Medium on TV Show (as Pascale Jacquemot) | |
| Serge Gonnin | ... | Thierry | |
| Aurélie Pauker | ... | Brigitte - Lily's Daughter (as Aurelie Pauker) | |
| Isabelle Auroy | ... | Grandmother | |
| Sandrine Bonnaire | ... | Special Guest Cannes Film Festival | |
| Régis Wargnier | ... | Special Guest at Cannes Film Festival (as Regis Wargnier) | |
| Beata Ben Ammar | ... | Special Guest Cannes Film Festival (as Beata Sonczuk-Ben Ammar) | |
| Yves Marmion | ... | Special Guest Cannes Film Festival | |
| Ada Marmion | ... | Special Guest Cannes Film Festival | |
| Leonardo De La Fuente | ... | Special Guest Cannes Film Festival | |
| Stephen Van Nukerk | ... | Special Guest Cannes Film Festival | |
| Driki Van Zyl | ... | Special Guest Cannes Film Festival | |
| Pascal Silvestre | ... | Special Guest Cannes Film Festival | |
| Henri Ernst | ... | Special Guest Cannes Film Festival | |
| Olivier Albou | ... | Special Guest Cannes Film Festival | |
| Stephen Van Nietert | ... | Special Guest Cannes Film Festival | |
| Emilie Châtel | ... | Special Guest at Cannes Film Festival (as Emilie Chatel) | |
| Dorothée Grosjean | ... | Special Guest at Cannes Film Festival (as Dorothee Grosjean) | |
| Chloé Crémont | ... | Special Guest at Cannes Film Festival (as Chloe Cremont) | |
| Justine Renard | ... | Special Guest Cannes Film Festival | |
| Gilles Jacob | ... | Cannes Film Festival Participant | |
| rest of cast listed alphabetically: | |||
| Fanny Crawford | ... | (uncredited) | |
| Jean-Yves Freyburger | ... | Bit part (uncredited) | |
| Paul Périer | ... | Released prisoner (uncredited) | |
| John Stamos | ... | Cheesy Agent (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits(WGA) | ||
| Brian De Palma | (written by) | |
Produced by | |||
| Tarak Ben Ammar | .... | producer | |
| Marina Gefter | .... | producer | |
| Mark Lombardo | .... | executive producer | |
| Chris Soldo | .... | associate producer | |
Original Music by | |||
| Ryûichi Sakamoto | |||
Cinematography by | |||
| Thierry Arbogast | (director of photography) | ||
Film Editing by | |||
| Bill Pankow | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Anne Pritchard | |||
Art Direction by | |||
| Denis Renault | |||
Set Decoration by | |||
| Françoise Benoît-Fresco | (as Françoise Benoit-Fresco) | ||
Costume Design by | |||
| Olivier Bériot | (as Olivier Beriot) | ||
Makeup Department | |||
| Davy Newkirk | .... | hair stylist | |
| Kay Philips | .... | hair stylist (as Kay Phillips) | |
| Patricia Planche | .... | makeup artist | |
| Jean-Luc Russier | .... | key makeup artist | |
| Nena Smarz | .... | makeup artist: Antonio Banderas (as Magdalena Smarz) | |
| Mauro Tamagnini | .... | key hair stylist | |
| Olivier Seyfrid | .... | hair stylist (uncredited) | |
Production Management | |||
| Tao Guiga | .... | post-production supervisor | |
| Yorick Kalbache | .... | unit manager | |
| Ginette Mejinsky | .... | production supervisor | |
| Keri Weisblum | .... | post-production supervisor: New York (as Keri Weissblum) | |
| Feriel Benouarka | .... | production manager (uncredited) | |
| Yorick Kalbache | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jerome Borenstein | .... | first assistant director | |
| Dominique Delany | .... | first assistant director | |
| Gilles Kenny | .... | second assistant director | |
| Ariane Lacan | .... | third assistant director | |
| Franck Vestiel | .... | second second assistant director (as Franck Westiel) | |
| Romuald Weber | .... | second second assistant director | |
| Emilie Cherpitel | .... | third assistant director (uncredited) | |
| Vanessa Djian | .... | trainee assistant director (uncredited) | |
| Delphine Lhomme | .... | third assistant director (uncredited) | |
| Adam Marchand | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Denis Adelet | .... | set striking | |
| Olivier Andre | .... | set striking | |
| Marie José Arnautin | .... | head painter (as Marie-Josee Arnautin) | |
| Brice Blasquez | .... | construction buyer | |
| François Blatrix | .... | carpenter | |
| Olivia Bloch-Lainé | .... | set dressing buyer (as Olivia Bloch-Laine) | |
| Philippe Boucheron | .... | carpenter | |
| Marie Chapuis | .... | painter | |
| Bernard Courteix | .... | construction buyer | |
| Millie Dardenne | .... | painter trainee | |
| Bart DePalma | .... | special art projects (as Bart De Palma) | |
| Marc Fivel | .... | carpenter | |
| Jean-Philippe Geoffriau | .... | first assistant art director | |
| Julien Grisot | .... | leadman | |
| Peter Hammond | .... | painter | |
| Laure Hug | .... | set dressing assistant | |
| Bernard Husquin | .... | construction coordinator | |
| Jacques Husquin | .... | carpenter | |
| Emmanuelle Lebail | .... | draper | |
| Guy Lionel | .... | painter (as Lionel Guy) | |
| Françoise Malaplate | .... | assistant painter | |
| Flavia Marcon | .... | art department runner | |
| Fabrice Maux | .... | painter | |
| Elli Medeiros | .... | jeweled serpent designer: Chopard | |
| Jacques Mizrahi | .... | carpenter | |
| Henri Moisan | .... | propman | |
| Yvon Moreno | .... | property master | |
| Philippe Naert | .... | carpenter | |
| Patrice Notaise | .... | welder | |
| Nathalie Oger | .... | second assistant art director | |
| Vincent Panossian | .... | construction buyer | |
| François Pernod | .... | head carpenter | |
| Catherine Pierrat | .... | set dressing buyer | |
| Hervé Poeydemenge | .... | draper (as Herve Peydomenge) | |
| Madeleine Poli | .... | second assistant art director | |
| Olivier Puyrenier | .... | construction assistant | |
| Fabrizio Scapin | .... | construction trainee | |
| Nathalie Serrière | .... | art department coordinator (as Nathalie Serriere) | |
| Gérard Simonet | .... | head carpenter (as Gerard Simonet) | |
| Michel Toubkis | .... | carpenter | |
| Bertrand Vuarnesson | .... | carpenter | |
Sound Department | |||
| Katia Boutin | .... | dialogue editor | |
| Harriet Fidlow | .... | adr editor: New York (as Harriet Fildow) | |
| François Groult | .... | sound mixer | |
| Grégory Lacroix | .... | cable person | |
| Anne Le Campion | .... | sound mixer | |
| Jean-Pierre Lelong | .... | foley editor | |
| Bernard Leroux | .... | foley recordist | |
| Marion Lorthioir | .... | head ADR editor | |
| Marilyn McCoppen | .... | adr editor: San Francisco (as Marilyn Mccoppen) | |
| Mario Melchiorri | .... | foley assistant | |
| Jean-Paul Mugel | .... | sound engineer | |
| Laurent Quaglio | .... | sound editor | |
| Laurent Quaglio | .... | supervising sound editor | |
| Pierre Tucat | .... | boom operator | |
| Thomas Whiting | .... | adr editor: Los Angeles | |
Special Effects by | |||
| Rémi Chouroulinkov | .... | mechanical effects assistant (as Remi Chouroulinkov) | |
| Philippe Hubin | .... | special effects coordinator | |
| Jean-Christophe Magnaud | .... | special effects assistant | |
| Pascal Molina | .... | mechanical effects designer | |
Visual Effects by | |||
| Mark Allen | .... | digital artist: Quinta logo designer | |
| Luc Augereau | .... | visual effects producer: L'Est | |
| Kevin Berger | .... | digital artist: L'Est | |
| Nabila Daniault | .... | digital grader: Mikros Image | |
| Sophie Denize | .... | production coordinator: Mikros Image (as Sophie Denize.B) | |
| Richard Deusy | .... | digital grader: Scan Lab | |
| Claire Didier | .... | coordinator: Scan Lab | |
| Christel Doebele | .... | digital artist: L'Est | |
| Cédric Fayolle | .... | digital artist: Mikros Image (as Cedric Fayolle) | |
| Arnaud Fouquet | .... | digital artist: L'Est | |
| David François | .... | digital artist: L'Est | |
| Eric Fréchou | .... | digital artist: L'Est (as Eric Frechou) | |
| Mathilde Germi | .... | production coordinator: L'Est | |
| Brice Halary | .... | scanning: Scan Lab | |
| Pascal Laurent | .... | visual effects supervisor: Mikros Image | |
| Jean Baptiste Le Guen | .... | shoot supervisor: Scan Lab | |
| Basile Maffone | .... | I/O technician: L'Est | |
| Eric Martin | .... | visual effects supervisor: Scan Lab | |
| Stephane Martini | .... | visual effects supervisor: Scan Lab | |
| Kilou Picard | .... | assistant production coordinator: Mikros Image | |
| Jean-Christophe Sanchez | .... | I/O technician: L'Est | |
| Agnès Sébenne | .... | visual effects supervisor (as Agnes Sebenne) | |
| Christine Szymkowiak | .... | digital artist: Mikros Image | |
| Jean-Francois Theault | .... | digital artist: L'Est | |
Stunts | |||
| Jean-Charles Andrieux | .... | stunts (as Jean-Charles Andrieu) | |
| Virginie Arnaud | .... | stunt double: Laure and Veronica | |
| Francis Auguy | .... | stunts | |
| Sedina Balde | .... | stunts (as Seydina Balde) | |
| Francis Bataille | .... | stunts | |
| Affif Ben Badra | .... | stunts (as Afif Ben Badra) | |
| Michel Bouis | .... | stunts | |
| William Cagnard | .... | stunts | |
| Gilles Conseil | .... | stunts | |
| Yannick Derrien | .... | stunt coordinator | |
| Alain Gaudiard | .... | stunts | |
| Pascal Guégan | .... | stunts (as Pascal Guegan) | |
| Philippe Guégan | .... | key stunt coordinator (as Philippe Guegan) | |
| Enrico Horn | .... | stunts | |
| Mouloud Ikhaddelene | .... | stunts (as M. Ikhaddelene Bouloud) | |
| David Julienne | .... | stunts | |
| Michel Julienne | .... | stunts | |
| Patrick Médioni | .... | stunts (as Patrick Medioni) | |
| Florent Mismetti | .... | stunts | |
| Alison Parsons | .... | stunts | |
| Francis Roblin | .... | stunts | |
| Patrick Cauderlier | .... | stunts (uncredited) | |
Casting Department | |||
| Antoinette Boulat | .... | casting: France | |
| Christophe Canavaggio | .... | crowd casting assistant | |
| Andrea Fontana | .... | crowd casting assistant | |
| Muriel Habert | .... | crowd casting assistant | |
| Annette Trumel | .... | crowd casting | |
Costume and Wardrobe Department | |||
| Mélik Bénard | .... | costumer (as Melik Benard) | |
| Corinne Bruand | .... | assistant costume designer | |
| Mahemiti Deregnaucourt | .... | costumer | |
| Lorenzo Mancianti | .... | costumer | |
| Alice Mayeux | .... | on-set costumer | |
| Sophie Mollier | .... | costumer | |
| Tina Morel | .... | on-set costumer | |
| Emmanuelle Pertus | .... | wardrobe supervisor | |
Editorial Department | |||
| Marie-Claire Duboc | .... | negative cutter | |
| Christian Dutac | .... | color timer | |
| Sabine Emiliani | .... | second assistant editor | |
| Jean-Daniel Fernandez-Qundez | .... | first assistant editor (as Jean-Daniel Fernandez) | |
| Julien Johan | .... | second assistant editor | |
| Colette Kassabian | .... | negative cutter | |
| Isabelle Le Faucheux | .... | negative cutter | |
| Frederique Veillard | .... | first assistant editor (as Frederique Veillard-Gardiner) | |
| Andrew Weisblum | .... | assistant editor: New York (as Andy Weissblum) | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Fernando Aponte | .... | music mixer | |
| Fernando Aponte | .... | score recordist | |
| Katia Boutin | .... | music editor | |
| Steven Danenberg | .... | orchestra consultant (as Steve Danenberg) | |
| Edouard Dubois | .... | music editor: temp score | |
| Edouard Dubois | .... | music supervisor | |
| Wally Dunbar | .... | music preparation | |
| Andy Gardiner | .... | music producer: "Télégraphe Beats" | |
| Andy Gardiner | .... | composer: song "Télégraphe Beats" | |
| Gil Goldstein | .... | additional orchestrator | |
| Elli Medeiros | .... | composer: song "Altar" | |
| Joseph Racaille | .... | music arranger: "Altar" | |
| Damien Saez | .... | musician: "Sexe" (as Saez) | |
| Ryûichi Sakamoto | .... | musician: piano | |
| Ryûichi Sakamoto | .... | score mixer | |
| Rosanne 'Mrs. Danenberg' Soifer | .... | music librarian | |
| Kevin Townend | .... | orchestrator | |
| John Moses | .... | musician: clarinet (uncredited) | |
Transportation Department | |||
| Segolene Amice | .... | production driver | |
| François-Xavier Anseaume | .... | production driver | |
| Georges Barrier-Carron | .... | transportation coordinator | |
| Herve Charbonnier | .... | production driver | |
| Frantz Folliot | .... | production driver | |
| Pierre Alexander Marie | .... | production driver | |
| Stephane Mariot | .... | production driver | |
| Christian-Paul Peyron | .... | picture car coordinator | |
| Segolene Amice | .... | driver: Mr. De Palma (uncredited) | |
| Olivier Suffert | .... | production driver: Rebecca Rominj Stamos (uncredited) | |
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| La coda dello scorpione | La tarantola dal ventre nero | Paroxismus | L'uccello dalle piume di cristallo | Delirio caldo |
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Mr. De Palma is not a critics' darling, and as such his latest, Femme Fatale, has come in for his usual roasting. Is it deserved? Not if you love a film that embraces the visual splendour and techniques that make cinema a unique art form.
Femme Fatale sees De Palma returning to his forte: the suspense thriller. It is a welcome return considering his recent fare have seen him straying to more mainstream efforts - Mission to Mars, Mission: Impossible - that were shells of his virtuoso films of the late 70s and early 80s.
The film leads off with a stunning 20-minute Jewel heist sequence that takes place during the Cannes film festival of 2001. Completely bereft of dialogue, a la Topkapi, Rebecca Romijn-Stamos's character has the enviable task of lifting a diamond dress from Rie Rasmussun in a bathroom encounter. His first original screenplay in 10 years, De Palma writes a tightly-plotted tale that certainly does not lead the audience by the hand, and the resulting twists it provides will allow different perspectives on the film's events with repeat viewings.
Antonio Banderas - usually lost without cause if not working with Robert Rodriguez - does what he needs to do with efficiency; Romijn-Stamos, the Femme Fatale of the title, provides the eye candy. The acting is not top drawer, but it does not need to be: we're here to see an auteur in his element: De Palma delivers. Cinema is more than a stage with a camera - De Palma uses his camera and cinema technique to brilliant effect. Huge swooping camera movements, split-screen, slow motion sequences, no dialogue and an enveloping orchestral score; De Palma's signature is prevalent. And that is good: a director should never be an autonomous entity, happy to turn out derivative drivel that get the masses in and out - directors for hire are too commonplace in Hollywood today - and that is something that De Palma could never be accused of.
Femme Fatale is a great example of a director working in a genre he loves and understands, and given the freedom to create. Total cinema? Its smell is sure intoxicating. Welcome back, Mr. De Palma.