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Femme Fatale (2002)

6.3
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Ratings: 6.3/10 from 25,724 users   Metascore: 59/100
Reviews: 227 user | 141 critic | 30 from Metacritic.com

A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.

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Title: Femme Fatale (2002)

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Cast

Cast overview, first billed only:
...
Laure / Lily (as Rebecca Romijn-Stamos)
...
...
...
Black Tie
Edouard Montoute ...
...
Thierry Frémont ...
Serra (as Thierry Fremont)
...
Fiona Curzon ...
Daniel Milgram ...
Pierre / Bartender
Jean-Marc Minéo ...
Seated Guard (as Jean-Marc Mineo)
Jean Chatel ...
Cannes Commentator
Stéphane Petit ...
Bodyguard One (as Stephane Petit)
Olivier Follet ...
Bodyguard Two
Eva Darlan ...
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Storyline

The thief Laurie Ash steals the expensive diamond jewel called 'Eye of the Serpent' in an audacious heist during an exhibition in Cannes 2001 Festival. She double-crosses her partners and is mistakenly taken as Lily, a woman who lost her husband and son in an accident and is missing since then, by an ordinary family. One day, while having bath in Lily's bathtub, Lily comes back home and commits suicide. Laurie assumes definitely Lily's identity, goes to America where she marries a rich man, who becomes the Ambassador of USA in France. When Laurie returns to France, her past haunts her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Nothing is more desirable or more deadly than a woman with a secret


Motion Picture Rating (MPAA)

Rated R for strong sexuality, violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

6 November 2002 (USA)  »

Also Known As:

Mujer fatal  »

Filming Locations:

 »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$324,709 (Japan) (29 August 2003)

Gross:

$567,253 (Japan) (29 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film opened in North America, on star Rebecca Romijn's 30th birthday (November 6, 2002). See more »

Goofs

In the pan from Bardo's balcony to the Cafe table we see the "Deja Vu" poster being rolled up before the "Gala" poster is installed. When it cuts back to the poster kiosk, the "Deja Vu" poster is crumpled, as if it was never rolled at all. See more »

Quotes

Laure Ash: Do I pull the trigger or do you get your ass on the plane - and have a wonderful life?
See more »

Connections

References Blow-Up (1966) See more »

Soundtracks

Opening Titles
From the movie Est - Ouest (1999), directed by Régis Wargnier
Composed by Patrick Doyle
Published by Air Edel Associates Ltd.
© 1999 UGC YM - France 3 CINÉMA - NTV PROFIT - GALA FILMS Ltd. - MATE PRODUCTIONS
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Auteur theory is alive and well with De Palma
10 November 2002 | by See all my reviews

Mr. De Palma is not a critics' darling, and as such his latest, Femme Fatale, has come in for his usual roasting. Is it deserved? Not if you love a film that embraces the visual splendour and techniques that make cinema a unique art form.

Femme Fatale sees De Palma returning to his forte: the suspense thriller. It is a welcome return considering his recent fare have seen him straying to more mainstream efforts - Mission to Mars, Mission: Impossible - that were shells of his virtuoso films of the late 70s and early 80s.

The film leads off with a stunning 20-minute Jewel heist sequence that takes place during the Cannes film festival of 2001. Completely bereft of dialogue, a la Topkapi, Rebecca Romijn-Stamos's character has the enviable task of lifting a diamond dress from Rie Rasmussun in a bathroom encounter. His first original screenplay in 10 years, De Palma writes a tightly-plotted tale that certainly does not lead the audience by the hand, and the resulting twists it provides will allow different perspectives on the film's events with repeat viewings.

Antonio Banderas - usually lost without cause if not working with Robert Rodriguez - does what he needs to do with efficiency; Romijn-Stamos, the Femme Fatale of the title, provides the eye candy. The acting is not top drawer, but it does not need to be: we're here to see an auteur in his element: De Palma delivers. Cinema is more than a stage with a camera - De Palma uses his camera and cinema technique to brilliant effect. Huge swooping camera movements, split-screen, slow motion sequences, no dialogue and an enveloping orchestral score; De Palma's signature is prevalent. And that is good: a director should never be an autonomous entity, happy to turn out derivative drivel that get the masses in and out - directors for hire are too commonplace in Hollywood today - and that is something that De Palma could never be accused of.

Femme Fatale is a great example of a director working in a genre he loves and understands, and given the freedom to create. Total cinema? Its smell is sure intoxicating. Welcome back, Mr. De Palma.


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