Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. ... See full summary »
An unknown Polish writer can't publish his novels, so his ex-wife decides to help him and get some of the profit for herself. She finally finds a publisher, but there's a strange single condition that could cost the writer his life.
In Uruguay in the early 1970s, an official of the US Agency for International Development (a group used as a front for training foreign police in counterinsurgency methods) is kidnapped by ... See full summary »
French rocker Johnny Hallyday stars as a professional thief just released from jail. He returns to stealing to support his family. After several successful thefts, he decides to include his under-aged kid into the "family business".
Reciprocal consolation. The background of two middle-aged people (Michel and Lydia) is gradually unfolded. Michel's wife is incurably ill. They had agreed that she would take her life on ... See full summary »
In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
In World War II, the sanitation engineer and family man Kurt Gerstein is assigned by SS to be the Head of the Institute for Hygiene to purify the water for the German Army in the front. Later, he is invited to participate in termination of plagues in the concentration camps and he develops the lethal gas Zyklon-B. When he witnesses that the SS is killing Jews instead, he decides to denounce the genocide to the Pope to expose to the world and save the Jewish families. The idealist Jesuit priest Riccardo Fontana from an influent Italian family gives his best efforts being the liaison of Gerstein and the leaders of the Vatican. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Stefan Lux was a Jewish Czech journalist, who committed suicide in the general assembly room of the League of Nations during its session on July 3, 1936, to alert the world on the perils of German anti-Semitism. After shouting "C'est le dernier coup" ("This is the final blow") he shot himself with a revolver. See more »
At the end of the film, on the screen we read that Gerstein's written testimony helped to validate the events of the Holocaust. Then, "Kurt Gerstein was rehabilitated 20 years later." He could not have not been "rehabilitated", since he was found hanged in his cell in 1945. "Rehabilitated" should have been "exonerated". See more »
[interrupting a session of the Assembly of the League of Nations, Geneve, 1936]
My name is Stephan Lux. I am Jewish. The Jews are being persecuted in Germany and the world doesn't care.
[He draws a pistol]
I see no other way to reach people's hearts.
[He shoots himself]
See more »
In World War II, the sanitation engineer and family man Kurt Gerstein (Ulrich Tukur) is assigned by SS to be the Head of the Institute for Hygiene to purify the water for the German Army in the front. Later, he is invited to participate in termination of plagues in the concentration camps and he develops the lethal gas Zyklon-B. When he witnesses that the SS is killing Jews instead, he decides to denounce the genocide to the Pope to expose to the world and save the Jewish families. The idealist Jesuit priest Riccardo Fontana (Mathieu Kassovitz) from an influent Italian family gives his best efforts being the liaison of Gerstein and the leaders of the Vatican.
I do not have the knowledge of history to know whether this story is accurate or manipulative, but as a movie it is powerful and striking. Costa-Gavras directs this film about Holocaust based on the history of the German Kurt Gerstein, who unsuccessfully tried to tell the world about the mass murderers in the concentration camps. The performance of Ulrich Tukur is magnificent, giving total credibility to his character. With regard to the role of the Catholic Church, I believe the exposition is simplistic and does not show the big picture of the political environment that the Vatican was living in that historical moment, focusing only in the attempt of the SS officer in having an audience with the Pope. My vote is eight.
Title (Brazil): "Amém." ("Amen.")
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