1973 Sydney: An Australian gangster sees booming business, due to U.S. soldiers being in town for relaxing between their tours to the Vietnam war, attracts the attention of first the Chicago mafia, and then their East Coast competitors.
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After completing their job, two ex-cons, are quickly informed that they have assassinated the wrong individual. With the stakes high they must quickly correct their mistake before covers are blown and innocent lives are lost.
After a near death experience, five Boys, all devoted AC/DC fans, make a pact to bury their best friend next to the grave of Bon Scott. 12 years later, having gone their different ways, they come together to fulfill the promise.
From the biggest festival to the smallest church social, Kenny Smyth delivers porta-loos to them all. Ignored and unappreciated, he is one of the cogs in society's machinery; a knight in ... See full summary »
Set in 1960s Sydney, this is the story of an Australian gangster whose booming business, buoyed by the influx of U.S. soldiers in town for R&R during their tours in Vietnam, attracts the attention of first the Chicago mafia, and then their East Coast competitors. Written by
Greg Dean Schmitz
The aircraft that they fly to the outback in is a Piper Chieftain, and actually manufactured and bought into service after the movie was set. That same aircraft is now used within an air ambulance service for flying patients between hospitals within Australia. See more »
When Barry and Norm are boxing, Norm is seen getting head gear put on. After Barry has Norm in the corner and backs back, Norm no longer has the head gear on. It is clear that Norm would have had no time to have the gear removed between the camera shots. See more »
Black and Blue
Written by Matt Taylor (as Taylor), Phil Manning (as Philip Manning), Barry Sullivan (as Sullivan) and Barry Harvey (as Harvey)
Performed by Powder Monkeys
Published by Festival Music Publishing / Control
2002 BMG Australia Limited See more »
This film was not a block buster by any means. However, it is a very clever film and the acting really pulls it together. Bryan Brown is respectable as the leading role and he is helped out greatly by his supporting cast, mainly John Goodman. Goodman's trademark has almost always been the soft big guy type, and he proves in this film that he has playing those type of characters down to a science. Sam Neill plays the crooked cop, a part that seemed to fit him, but his character is dry and does not receive much screen time. The film starts slow, but after it gets going, enough of a storyline comes forth to keep most interested. The climax and is not what I hoped for but the conclusion of the film will leave most feeling satisfied and it does a good job putting everything together.
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