Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor being hounded by a ruthless dictator.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
When a CIA agent is killed during a nuclear arms purchase, his partner Oakes, recruits his twin brother, Jake Hayes. Jake had no idea he had a twin brother, let alone that he worked for the CIA. Jake, a.k.a. Michael Turner, has nine days to fill his brother's place. However, the enemy terrorists learn of his secret identity and kidnap his girlfriend/fiancee. He has to rescue them and save New York city from an imminent nuclear terrorist act. Written by
Mikey J. <email@example.com>
When Jake (Chris Rock) is dining with Nicole (Garcelle Beauvais) in Prague he says, "I'll eat a pig's ass if they cook it right". This is a line from his 1996 HBO special. See more »
Near the end of the film as the agents run down the stairs into Grand Central Station, Oakes shoves aside a man with an orange t-shirt, backpack, jeans and a wallet chain on his right hip. One minute later as they run down the train platform, the other agent shoves aside a man wearing a jacket and baseball cap over his orange t-shirt, jeans and wallet chain - the same guy. See more »
This film, as far as action films goes, is really not all that bad. I normally don't like the genre too much for it's continuance of formula, but this film was a surprise. The choreography was very well done and there were some good one-liners contributing to some amusement along the way. Anthony Hopkins and Chris Rock act well in this film, alongside the twisted Russian mafia boss whom was brilliant, also to be found acting in the superb Guy Richie film 'Snatch'. The photography of Prague was stunning, great camera angles and a dramatic mood portrayed well in this beautiful city.
Regarding the Trevor Rabin track 'BMBBO'... I loved immediately it for its grace and sombre melancholic mood when I heard it in the film, but was so mistaken when finally getting hold of the track... what trickery! The beautiful strings and violin, the elegance and subtlety, gets butchered a minute in by tacky electronica. what a shame to have this masterpiece ruined. In the film obviously adaptations were made for particular scenes and I got the high-octane 'alternative' version, as released on the CD, which by the way, sounds like something from the 80's, a Jean-Michelle Jare lasertropic overdose.
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