Nelson Crowe is a CIA operative under the thumb of the Company for a disputed delivery of $50,000 in gold. They blackmail him into working for the Grimes Organization, which is set up as a ... See full summary »
Jason Gutierrez is a Puerto Rican from New York City and the quintessential All-American guy. Status comes at a high price as rumors spread that Jason is gay. With his identity questioned, ... See full summary »
Chekovs Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquillity of a country house is disturbed by the arrival of the estates tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
When a CIA agent is killed during a nuclear arms purchase, his partner Oakes, recruits his twin brother, Jake Hayes. Jake had no idea he had a twin brother, let alone that he worked for the CIA. Jake, a.k.a. Michael Turner, has nine days to fill his brother's place. However, the enemy terrorists learn of his secret identity and kidnap his girlfriend/fiancee. He has to rescue them and save New York city from an imminent nuclear terrorist act. Written by
Mikey J. <firstname.lastname@example.org>
Near the end of the film as the agents run down the stairs into Grand Central Station, Oakes shoves aside a man with an orange t-shirt, backpack, jeans and a wallet chain on his right hip. One minute later as they run down the train platform, the other agent shoves aside a man wearing a jacket and baseball cap over his orange t-shirt, jeans and wallet chain - the same guy. See more »
B.O.B. (Bombs Over Baghdad)
Written by André Benjamin, Big Boi (as Antwan Patton), David Shears
Performed by Outkast
Courtesy of Arista Records, Inc.
Under license from BMG Special Products, Inc. See more »
Hayes is a suave, distinguished spy with the CIA who is part of a set up to buy a stolen nuclear weapon and then capture those involved. When he is killed mid-operation, his handler goes to the only man who can replace him, his twin brother. However his brother Jake is a hustler in New York City and not spy material. Oakes has nine days to get him ready to take over his brother's identity and take up the assignment.
Despite the awful reviews, I still decided to give this film a go because I was in the mood for a dumb film that really didn't require me to think even once: this was that film! The film deserved every bad review it got - the only thing you need to worry about is whether or not you can accept the massive weakness or not. The plot is a real shambles and if you think about it logically then it all goes to hell. The idea that this is a reasonable plot, even for this type of film, is absurd. The script backs this up with dialogue that is fitting for a stupid comedy but not for the situations in the plot (`does it play dvd's?' or dialogue about Dr's Dre and Irving while trying to stall terrorists). Some of it is funny, but to be honest, if you dislike Chris Rock then there will be practically nothing for you.
The plot brings the bomb back to the US towards the end in an effort to inject tension and urgency into the action, but it doesn't really work. The action is reasonably slick but it isn't ever really exciting - only polished like a product. The action, like everything else, is quite clichéd and not distinctive enough to really stand out from the crowd of other action movies. The gags about race are subtle but still quite broad in the style of Rock. I didn't find it offensive, but I never really understand why films have to constantly perpetuate racial myths such as all black people listen to hip hop and like certain sports etc. Some of it is funny though.
Rock is the main reason for this; as I said, if you like him then you should enjoy this as most of the comedy is driven by him (even if nothing is anywhere near the sharpness of his act). He is not very funny but he helps the film have an overall comic tone that works pretty well Hopkins is totally slumming it. He manages an air of cool detachment but the material is way below him and his autopilot light is on the whole time. Stomare is poor and none of the villains really bring genuine menace - Eastern European hoods and clichés that they are. Beauvais is sexy - but that is all she is here for, to put on black underwear! Her character breezes in and breezes out with no real reason or consequence, plainly all she is here for is to have a bit of sexy black ass in there - something that Washington doesn't bring.
Overall this is a slickly made film that is clichéd, absurd, undistinguished and not as entertaining as it intends to be. Despite the fact that the film is very average and not really one to stand out, it can be quite enjoyable if you are ready for that. If you can turn off your brain and lower your standards then this can be OK, however just don't expect it to be great no matter what you do.
31 of 37 people found this review helpful.
Was this review helpful to you?