| Photos (See all 15 | slideshow) |
| Dylan Neal | ... | David Martell | |
| Andreas Katsulas | ... | Citizen G'Kar | |
| Alex Zahara | ... | Dulann | |
| Myriam Sirois | ... | Sarah Cantrell | |
| Dean Marshall | ... | Malcolm Bridges | |
| Warren Takeuchi | ... | Kitaro Sasaki (as Warren T. Takeuchi) | |
| Jennie Rebecca Hogan | ... | Na'Feel | |
| Mackenzie Gray | ... | Minister Kafta | |
| David Storch | ... | Tafeek | |
| Enid-Raye Adams | ... | Firell | |
| Gus Lynch | ... | Tirk | |
| Todd Sandomirsky | ... | Tannier | |
| Andrew Kavadas | ... | Captain Bart Gregg (as Andrew A. Kavadas) | |
| Simon Egan | ... | Minbari Crewman | |
| Bernard Cuffling | ... | Sindell | |
| Chris Robson | ... | Ranger | |
| Rob Morton | ... | Drazi Diplomat | |
| Eric Schneider | ... | Cloaked Figure | |
| rest of cast listed alphabetically: | |||
| Artine Brown | ... | Minbari Crewman (uncredited) | |
| Campbell Lane | ... | Alien Captain (uncredited) | |
Directed by | |||
| Michael Vejar | (as Mike Vejar) | ||
Writing credits | ||
| J. Michael Straczynski | (written by) | |
Produced by | |||
| Ron McLeod | .... | producer | |
| Douglas Netter | .... | executive producer | |
| J. Michael Straczynski | .... | executive producer | |
Original Music by | |||
| Christopher Franke | |||
Cinematography by | |||
| Henry Chan | |||
Film Editing by | |||
| Stein Myhrstad | |||
Casting by | |||
| Susan Taylor Brouse | |||
| Lynne Carrow | |||
Production Design by | |||
| Stephen Geaghan | |||
| Ken Rabehl | |||
Art Direction by | |||
| Ken Rabehl | |||
Set Decoration by | |||
| Barry Kemp | |||
Costume Design by | |||
| Crystine Booth | |||
Makeup Department | |||
| Rachel Griffin | .... | key prosthetic makeup supervisor | |
| Brad Hardin | .... | prosthetic painter | |
| Glenn Hetrick | .... | prosthetic painter: Optic Nerve | |
| Lise Kuhr | .... | prosthetics artist | |
| Pearl Louie | .... | prosthetics artist | |
| Lisa Love | .... | makeup artist | |
| Vladimir Lushnikov | .... | special makeup effects sculptor | |
| Shauna Magrath | .... | prosthetics artist | |
| Patricia Murray | .... | prosthetics artist | |
| Christopher Mark Pinhey | .... | prosthetics artist | |
| Brad Proctor | .... | prosthetics artist | |
| Lancel Reyes | .... | foam technician | |
| Beverly K. Sewers | .... | assistant hair stylist (as Beverly Sewers) | |
| Vicki Syskakis | .... | prosthetics artist | |
| Bill Terezakis | .... | key prosthetic artist | |
| Bill Terezakis | .... | prosthetics designer: "Kafta" | |
| Pauline L. Tremblay | .... | hair stylist (as Pauline Tremblay) | |
| Juliana Vit | .... | assistant makeup artist | |
Production Management | |||
| S. Lily Hui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jessica Judd | .... | trainee assistant director | |
| David Klohn | .... | second assistant director | |
| Alysse Leite-Rogers | .... | first assistant director | |
| Nicole McKay | .... | third assistant director | |
Art Department | |||
| Herman Alexander | .... | lead carpenter | |
| George Amaroso | .... | swing | |
| Douglas W. Beard | .... | model maker | |
| Alfio Berardo | .... | assistant property master (as Al Berardo) | |
| Peter Bradshaw | .... | scenic artist | |
| Colin Comeau | .... | lead painter | |
| Clive Edwards | .... | property master | |
| Ray Engelhardt | .... | lead carpenter | |
| Jane Gottschlag | .... | paint foreman | |
| Jurgen Gottschlag | .... | paint coordinator | |
| Harry Griffin-Beale | .... | construction coordinator | |
| Brant Lindroos | .... | lead dresser | |
| Susan Parker | .... | graphics (as Suki Parker) | |
| Don A. Pearson | .... | lead carpenter | |
| James Purvis | .... | assistant set decorator | |
| John Quesenberry | .... | construction foreman | |
| Grant Wildi | .... | lead carpenter | |
| Maurice Woodworth | .... | on-set dresser | |
Sound Department | |||
| Adam Boyd | .... | sound effects editor | |
| Jacqueline Cristianini | .... | supervising sound editor (as Jacqueline Christianini) | |
| David M. Cyr | .... | sound mixer (as David Cyr) | |
| Dario DiSanto | .... | foley editor | |
| Real Gauvreau | .... | sound designer (as Réal Gauvreau) | |
| Real Gauvreau | .... | supervising sound editor (as Réal Gauvreau) | |
| Kirby Jinnah | .... | dialogue editor | |
| Mark Klausmayer | .... | sound re-recording mixer | |
| Philip J. MacCormick | .... | boom operator (as Phil MacCormick) | |
| Laurie Melhus | .... | audio post coordinator | |
| Iain Pattison | .... | sound re-recording mixer | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
Special Effects by | |||
| Steve Fink | .... | prosthetics technician | |
| Dan Keeler | .... | special effects coordinator | |
| Troy Keepence | .... | special effects assistant | |
| James Kozier | .... | special effects technician | |
| Harry Tomsic | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | lead cgi artist | |
| Steve Avoujageli | .... | technical director | |
| Derek Beckles | .... | visual effects post coordinator | |
| Barb Benoit | .... | lead compositor | |
| Kathryn Bolt | .... | digital compositor | |
| Janeen Elliott | .... | digital compositor | |
| Aruna Inversin | .... | digital compositor | |
| Inna Itkin | .... | modeler | |
| Inna Itkin | .... | texture artist | |
| Kimberley Liptrap | .... | 3D artist | |
| Seth Martiniuk | .... | digital compositor | |
| Alec McClymont | .... | 3D artist: GVFX | |
| Sarah McMurdo | .... | visual effects coordinator | |
| Rachel Mina | .... | lead 3D artist | |
| Sarah Norton | .... | digital compositor | |
| Parastu Rezaie | .... | digital animator | |
| Carrie Richardson | .... | visual effects post coordinator | |
| Mark Savela | .... | visual effects supervisor | |
| Joshua Sherrett | .... | digital artist | |
| Joel Skeete | .... | lead compositor | |
| Rick Smith | .... | digital compositor: GVFX | |
| Robert Waterworth | .... | visual effects artist | |
| Chris Wren | .... | conceptual artist | |
| George L. Wright | .... | compositor | |
| Kyle Yoneda | .... | lead cgi artist | |
Stunts | |||
| Mark Antoniuk | .... | stunts | |
| Brett Armstrong | .... | stunts | |
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
| Koenraad Beugelink | .... | stunt double | |
| Mike Desabrais | .... | stunt double | |
| Leanne Hindle | .... | stunts (as Leanne Buchanan) | |
| Leslie McMichael | .... | stunt double | |
| Steven McMichael | .... | stunt coordinator | |
| Steven McMichael | .... | stunt double | |
| Gerald Paetz | .... | stunt double: Dulann | |
| T.M. Sandulak | .... | stunt double: Tirk | |
| Darryl Scheelar | .... | stunt double: Kafta | |
| Kimani Ray Smith | .... | stunts (as Kimani Smith) | |
Camera and Electrical Department | |||
| Warren Bruce | .... | generator operator | |
| George Campbell | .... | gaffer | |
| Anita Eglseder | .... | first assistant camera: second camera | |
| Dave Ferreira | .... | best boy grip | |
| Phil Helmer | .... | electrician | |
| Francis Kramer | .... | first assistant camera | |
| Robin Lindala | .... | assistant camera | |
| Jill MacLauchlan | .... | camera operator: second camera | |
| John Marilley-Bodner | .... | electrician | |
| Keith Mukai | .... | rigging gaffer | |
| Aaron Platt | .... | second assistant camera: second camera | |
| Eike Schroter | .... | still photographer | |
| Simon Smith | .... | dolly grip | |
| Richard Walden | .... | camera operator | |
| Neil Wildman | .... | best boy electric | |
| John Zulinski | .... | key grip | |
| David Kohler | .... | lamp operator (uncredited) | |
Casting Department | |||
| Sandra Couldwell | .... | extras casting | |
| Meg Liberman | .... | casting: USA | |
| Camille H. Patton | .... | casting: USA (as Cami Patton) | |
| Tim Payne | .... | casting assistant: USA | |
| Lisa Ystrom | .... | casting associate: USA | |
Costume and Wardrobe Department | |||
| Dallas Bittner | .... | costumer | |
| Zoya Niechoda | .... | assistant costume designer | |
Editorial Department | |||
| Ernie Moser | .... | color timer | |
| Willy A. Wilson | .... | assistant editor (as William A. Wilson) | |
Music Department | |||
| Edgar Rothermich | .... | music producer | |
| Edgar Rothermich | .... | music recordist | |
Transportation Department | |||
| Ron Gavin | .... | transportation captain | |
| Ian 'Moss' Urquhart | .... | transportation coordinator | |
Other crew | |||
| Kaare Anderson | .... | stand-in | |
| Sara Barnes | .... | craft service | |
| Sara Barnes | .... | medic | |
| Terence Chase | .... | security captain | |
| Brodie Davison | .... | set supervisor | |
| Gerry Durand | .... | stand-in | |
| Phaedra Eccleston | .... | assistant production coordinator | |
| Carol Jensen | .... | assistant accountant | |
| Patricia Johnson | .... | unit publicist | |
| Wendy Mclean | .... | script supervisor | |
| Carol Schafer | .... | production coordinator | |
| Beverly Wiens | .... | production accountant | |
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| Transformers | Star Wars: Episode I - The Phantom Menace | Stargate | Star Wars | Green Lantern |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
The best thing about B5 was that it was all planned from the beginning : all five seasons. That made it good. That made log story--archs possible. That created wonderful intrigues that could never be concieved in the regular kind of show (read: Star Trek) where the plot is always the same: "bust the alien-of-the-week for the mystery-of-the-week, or defeat the microbe-of-the-week with a stream-of-technobabble".
Rangers seems to be dangerously near falling into this trap. The crew was more Star-Trek-all-american-hotshots than the seasoned, competent people of a B5 crew.
The battle interface was an outright stupid idea. Let's just leave it at that.
The dialog was bad. Good lines were overused, like "we live for the one, we die for the one".
And for the love of all that's good and true... the Rangers are NOT kamikaze pilots! The original rangers were never some suicidal freaks ready to die pointless deaths just to save face. They fought in their own ways, but they were intelligent enough to realise when there was a need for retreat, to return to fight another day.
Marcus was a true ranger. He was a gentleman and a warrior of honor, dedicated to a great philosophy. This new bunch seemed more his opposits than his equals.
They were not rangers. This was not worthy of the great label B5. This is a story that might as well have been stolen from the Star Trek files.
The only thing that I really, really liked was a single line (reference to Lord of the Rings): "We stand on the bridge none may pass".
/Auryn