The military draft is back, three best friends are drafted and given 30 days to report for duty. In that time, they're forced to confront everything they believe about courage, duty, love, friendship and honor.
Melanie Griffith and Don Johnson (at the time married to each other) play Lily and Ben Reed, a young couple torn apart by a family tragedy. It would take a miracle to rekindle their love ... See full summary »
New York serves as a backdrop for a cast of characters in search of love, lust or lucre including a woman who makes awkward moves on the man renovating her SoHo loft, an embezzler, a sleazy... See full summary »
In the spirit of "Of Mice and Men," John Leguizamo stars in his most dramatic role to date as Seymour, a mentally challenged young man living in New York. Seymour's happy New York Knicks ... See full summary »
Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him? Written by
In the opening scene when Sean Sullivan shots the three guys in the bathroom you hear 3 gunshots (there is no visual of the event here). At time index 1:12:18, Sean Sullivan goes to the bathroom and shots the three guys, you hear four gunshots See more »
What do you need a formal invitation? Get in the fucking car!
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In "Ash Wednesday", Burns spins a yarn about a Hell's Kitchen bar owner with a checkered past (Burns) whose younger brother (Wood), who's supposed to be dead, has been seen in the neighborhood (duh) giving rise to inquires from all corners while igniting the plot. In typical Burns fashion, this story about low level Irish-American hoods, is a Mulligan stew of relationships and the non-stop yammering required to explain them and give them impetus. Burns keeps his story in a box, revealing a piece at a time, ostensibly to create suspense, while leaving a trail of gaping plot holes necessary to make the story work. In addition to such dents and dings as having the bro prep to leave town while conveniently leaving his wallet at home to be discovered by the bad guys (duh), Burns makes another huge mistake. The protagonists, whom we're supposed to care about otherwise there's no reason to watch, are all murders. (duh) "Ash Wednesday" is a dark, gritty shoot recommended only for fans of the principals and people into bottom of the marquee crimeland flicks. (C+)
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