A high school baseball coach (Krumholtz) and a down-on-his-luck private investigator (Burns) form a bond as they scour New York City for the coach's wife, who's run away with a second-rate ... See full summary »
Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a ... See full summary »
Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him? Written by
In the beginning, three years after the opening shooting, when a group of guys are at the bar, one comments on how Dolly Parton was on Johnny Carson last night. Dolly Parton didn't appear on the Tonight Show in the 1980s until 1986. See more »
What do you need a formal invitation? Get in the fucking car!
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First of all, it could have been shorter due to the redundant establishment of the primary story line. A couple more scenes of Ed Burns walking around the streets with that boring musical theme and I may have given up on this film.
Elijah Wood was totally miscast. A more wrong casting of the role of Sean is not imaginable. OK, maybe imaginable if you include Pee Wee Herman. I agree with another writer here that Oliver Platt could've gotten some more dialog and scenes, but that's what it is. He probably liked the idea of playing a heavy for a change. He should do more I think.
I figured the closing scenes to a "T"... from the saloon showdown to the reason for the crew cap and peacoat. I claim no particular brilliance, it seemed pretty obvious.
All in all I'd say watch it when it appears on cable, save the rental fee. A 6.5 - 7.0 rating is generous but I like Ed Burns, stories about Irish street hoods and a plus when it's Hells Kitchen in NYC instead of the Southies. No offense Boston.
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