New York serves as a backdrop for a cast of characters in search of love, lust or lucre including a woman who makes awkward moves on the man renovating her SoHo loft, an embezzler, a sleazy... See full summary »
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Seymour is a mentally challenged young man living in New York. Seymour's happy New York Knicks fan existence comes to a tragic end after he witnesses the assassination of his mother, a ... See full summary »
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Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him? Written by
In the beginning, three years after the opening shooting, when a group of guys are at the bar, one comments on how Dolly Parton was on Johnny Carson last night. Dolly Parton didn't appear on the Tonight Show in the 1980s until 1986. See more »
They thought you were the smart one? I must've looked like a friggin' retard!
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In "Ash Wednesday", Burns spins a yarn about a Hell's Kitchen bar owner with a checkered past (Burns) whose younger brother (Wood), who's supposed to be dead, has been seen in the neighborhood (duh) giving rise to inquires from all corners while igniting the plot. In typical Burns fashion, this story about low level Irish-American hoods, is a Mulligan stew of relationships and the non-stop yammering required to explain them and give them impetus. Burns keeps his story in a box, revealing a piece at a time, ostensibly to create suspense, while leaving a trail of gaping plot holes necessary to make the story work. In addition to such dents and dings as having the bro prep to leave town while conveniently leaving his wallet at home to be discovered by the bad guys (duh), Burns makes another huge mistake. The protagonists, whom we're supposed to care about otherwise there's no reason to watch, are all murders. (duh) "Ash Wednesday" is a dark, gritty shoot recommended only for fans of the principals and people into bottom of the marquee crimeland flicks. (C+)
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