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Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him? Written by
In the opening scene when Sean Sullivan shots the three guys in the bathroom you hear 3 gunshots (there is no visual of the event here). At time index 1:12:18, Sean Sullivan goes to the bathroom and shots the three guys, you hear four gunshots See more »
What do you need a formal invitation? Get in the fucking car!
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First of all, it could have been shorter due to the redundant establishment of the primary story line. A couple more scenes of Ed Burns walking around the streets with that boring musical theme and I may have given up on this film.
Elijah Wood was totally miscast. A more wrong casting of the role of Sean is not imaginable. OK, maybe imaginable if you include Pee Wee Herman. I agree with another writer here that Oliver Platt could've gotten some more dialog and scenes, but that's what it is. He probably liked the idea of playing a heavy for a change. He should do more I think.
I figured the closing scenes to a "T"... from the saloon showdown to the reason for the crew cap and peacoat. I claim no particular brilliance, it seemed pretty obvious.
All in all I'd say watch it when it appears on cable, save the rental fee. A 6.5 - 7.0 rating is generous but I like Ed Burns, stories about Irish street hoods and a plus when it's Hells Kitchen in NYC instead of the Southies. No offense Boston.
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