Critic Reviews



Based on 12 critic reviews provided by Metacritic.com
Julie Davis' story is fresh and amusing.
New York Post
Its bawdy honesty eventually gives way to convention, sentimentality and a frustratingly silly ending.
Davis has energy, but she doesn't bother to make her heroine's book sound convincing, the gender-war ideas original, or the comic scenes fly. Instead, the film is buttressed by song montages and jokey chapter titles.
This movie is Ms. Davis's fourth film as a director, and she has a bright, chipper style that keeps things moving, while never quite managing to connect her wish-fulfilling characters to the human race. Like someone who smiles too much, Amy's Orgasm seems rather sad at heart.
Entertainment Weekly
The orgasm, it turns out, is low on the list of Amy's issues. The title is faked.
Will strike a chord with people having mid-life love crises. Maybe for them, this film will stand as a sign that love is out there and it will prevail. As any other type of audience goes, I don't think they'll find that this love works.
Davis not only wrote and directed the film but edited it as well, all of which is no mean feat. Too bad she couldn't have lent some of her own gumption and self-assurance to her pathetic heroine.
New York Daily News
There's definitely room for a female Woody Allen, an accolade garnered by a previous film. However, Amy's Orgasm is chirpy, shrill and coarse, more in the vein of one of Allen's more depressed periods.
Julie Davis, tries desperately to fill (Woody)Allen's Coke-bottle glasses, but it fails. Miserably.
Austin Chronicle
There's a bright spot in the form of Amy's publicist (screen veteran Aaron), a salty, whiskey-voiced lesbian; it's a pity the movie isn't about her.

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