Sixteen-year-old Xtra Keys hopes to raise his son better than his boozy, razor-edged mother raised him, and he just might get his wish when he's thrust into an unorthodox alternative school full of underprivileged boys.
Michael Clarke Duncan,
Vivica A. Fox
The story of Little Richard Penniman, from his poor Southern upbringing to dealing with the trials and tribulations of being a black singer in the 1950s, to his born-again phase and brief "retirement" from rock and roll.
A. Philip Randolph was the first president of the BSCP, serving in that position from 1925 through 1968, and received the Presidential Medal of Freedom (the highest civilian honor awarded in the United States) in 1964 from President Lyndon Johnson. Randolph was born in 1889, in Florida, and died in 1979 in New York City, aged 90. See more »
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On August 25th, 1937 the Pullman Company signed the first ever agreement between a union of black workers and a major American corporation. It was twelve years - to the day - of the founding of the Brotherhood of Sleeping Car Porters.
For the next four decades Randolph carried forward his fight for equality. In 1963, commemorating the 100th Anniversary of the Emancipation Proclamation, Randolph initiated the March on Washington for Jobs and Freedom. It was at that gathering ...
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This film is dedicated to all the men and women who were involved in the struggle to organize the Pullman porters. See more »
This movie is a little choppy, but you try fitting 20 years of turbulent history into a two hour movie. If you don't know about other things happenning during the same period (the Great Depression, for example) the allusions to its effects on the primary storyline are hard to follow. I'd like to see this done as a mini-series, with about ten hours or so to tell the story in full.
Still, if you think that the civil rights movement began with the Montgomery Bus Boycott, you will find this movie fascinating. The drive to organize the African-American porters combines civil rights and workers' rights with historical perspectives on the late 1920's and 1930's.
One thing that struck me about this movie is the presence of benevolent White characters. In many African-American rights movies, all Whites are either evil or ineffectual morons. (Think the White assistant principal in Lean on Me). There are many White racists in the role of antagonists in this movie, but there is also the White rep for the AFL, who works to support the growing union.
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