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Emilie de Azevedo Brown,
Roger Smith acts as a negotiator in a city where everyone has lost their memories and keep it that way. When he isn't helping hostage situations, he's saving the day in a giant robot known as Big O. Although Roger has no idea why the "megadeus" (Big O) responds to his commands or why his butler seems to be a master at fixing the high tech machine, he starts to question the forgotten past after the events started by an unsual case involving an android called R Dorothy. While he and Dorothy begin a Henry Higgins/Eliza Dolittle style of friendship, villains and mysterious characters enter with clues leading up to something that may bring out an emotion Roger has tried to fight all of his known life - fear. Written by
Throughout the series, a red balloon indicates the presence of a member of the Union. See more »
We have choices. Some people like to stand in the rain without an umbrella. That's what it means to live free.
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During the closing credits at the end of the first episode, Roger is shown sitting alone on a large hourglass. After R. Dorothy joins his household, subsequent episodes show them sitting together. See more »
Big O is not like any other show I have ever seen. The writers clearly have extensive knowledge concerning Greek mythology and even Christianity. It is a cartoon sure, but the depth of the show is very subjective. The show itself gives the viewer just enough clues to allow one to believe that all of the other unending parade of questions will somehow be answered, but apparently, they won't. The show walks a profound balance of story and probability and divine vagueness.
I saw a few episodes of this show and became hooked like no other show I have ever seen. The overall themes are far from light. Two of them being memories and ultimately attempting to define life. What is the value of one's life without memories? What separates humans from androids in a futurist world without knowing which actually came first? And that is assuming who and what each character actually is, which is far from a given. My obsession with the show did eventually wane, largely because the show itself is rather slow at times. There are plenty of action scenes with enormous robots, also representing something I'm sure, to balance the pace, but those battles rarely excited me.
The truly strange aspect of this show is that the majority of it for me is window dressing. It's the symbolism that is scattered throughout each episode that elevates this show to atmospheric levels. This show is just smart enough and just open ended enough for each little mysterious detail to have some profound meaning. This show has everything within it to be the basis of a new religion in and of itself, seriously. The fact that all the answers can plausibly be answered, but aren't, makes Big O that much more life-like in nature.
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