Violet Perfume: No One Is Listening
(2001)
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Violet Perfume: No One Is Listening
(2001)
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| Cast overview, first billed only: | |||
| Ximena Ayala | ... |
Yessica
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Nancy Gutiérrez | ... |
Miriam
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Arcelia Ramírez | ... | |
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María Rojo | ... |
Madre de Yessica
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Luis Fernando Peña | ... |
Jorge
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Gabino Rodríguez | ... |
Héctor
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Pablo Delgado | ... |
Juan
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Eligio Meléndez | ... |
Padrastro de Yessica
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Rosario Zúñiga | ... |
Prefecta
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Soledad González | ... |
Directora
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César Balcázar | ... |
El Topi
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Josefina Marín | ... |
Maestra de historia
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Clarissa Malheiros | ... |
Maestra de gimnasia
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Carlos García | ... |
Maestro de mecanografía
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Guadalupe Sánchez | ... |
Maestra de matemáticas
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A poignant and moving urban drama, focusing on the growing problem of sexual assault in Mexico City. Director Sistach fictionalizes the true story of a friendship between two adolescent girls which is torn apart when one of them is brutally raped. Rebellious tomboy Yessica is frequently in trouble at school and at home, with its lower middle-class limitations. She is always at odds with her mother, bullying stepfather, and despicable stepbrother, Jorge. Then Jorge strikes a deal with a friend, helping the man trap Yessica and rape her, in exchange for money. Terrified and ashamed of the attack, Yessica remains silent, seeking comfort in her friendship with innocent and childlike Miriam, from a more stable home, though reared by a poor single mother. Tragedy unfolds as Yessica increasingly relies on Miriam and begins to get the naive girl into trouble, until Miriam finds she is no longer in control of her fate. Written by Anonymous
This is one of those Mexican movies that really deserve to be exposed all over the world. Today's Mexican Cinema is dedicated to show the the Mexican culture and its daily life and this movie just does that perfectly without falling within the Mexican movie clichè of unnecessary violence, sex and drug scenes.
The movie is crude, that's true, but at the same time its also very realistic and you commonly see all those same situations within the daily life of the urban poor circles back in Mexico City, although some of those practices are repressed and therefore not openly done.
This movie completely features the not-so-nice side of Mexican society and its practices and common life.