| Photos (see all 95 | slideshow) | Videos (see all 11) |
Rebecca Wells (novels)
Mark Andrus (adaptation)
(more)
7 June 2002 (USA) more
Mothers. Daughters. The never-ending story of good vs. evil. more
After years of mother-daughter tension, Siddalee receives a scrapbook detailing the wild adventures of the "Ya-Yas", her mother's girlhood friends. full summary | add synopsis
3 nominations more
Sara Evans Talks to CBB About Seven Kids and Home Cooking!
(From People - CelebrityBabies. 24 September 2009, 5:00 AM, PDT)
Rosie's New Baby
(From WENN. 3 December 2002)
Na-Na? more (189 total)
Directed by | |||
| Callie Khouri | |||
Writing credits(WGA) | ||
| Rebecca Wells | (novels "Divine Secrets of the Ya-Ya Sisterhood" and "Little Altars Everywhere") | |
| Mark Andrus | (adaptation) | |
| Callie Khouri | (screenplay) | |
Original Music by | |||
| T-Bone Burnett | (as T Bone Burnett) | ||
| David Mansfield | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| David J. Bomba | |||
Art Direction by | |||
| John R. Jensen | (as John Jensen) | ||
Set Decoration by | |||
| James Edward Ferrell Jr. | (as James Ferrell) | ||
Costume Design by | |||
| Gary Jones | |||
Makeup Department | |||
| Jeri Baker | .... | hair department head (as Jeri Baker-Sadler) | |
| Wendy Bell | .... | makeup artist | |
| Felicity Bowring | .... | makeup department head | |
| Rita Parillo | .... | hair stylist | |
| Charlene Roberson | .... | makeup artist: Mr. Garner | |
| Lana Sharpe | .... | hair stylist: Ms. Burstyn | |
| Lona Vigi | .... | hair stylist: Ms. Bullock | |
| Pamela S. Westmore | .... | makeup artist: Ms. Bullock (as Pamela Westmore) | |
| Coni Andress | .... | second hair stylist (uncredited) | |
| Susan Buffington | .... | hair stylist (uncredited) | |
| Herita Jones | .... | additional makeup artist (uncredited) | |
| Linda Kamp | .... | makeup artist (uncredited) | |
| Jennifer Santiago | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Mary McLaglen | .... | unit production manager | |
| Donna E. Bloom | .... | unit production manager: additional photography (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jonathan Capra | .... | second second assistant director | |
| Jennifer A. Giancola | .... | second assistant director (as Jennifer Giancola) | |
| Matthew H. Rowland | .... | first assistant director (as Matthew Rowland) | |
Art Department | |||
| Robert Beck | .... | property master (as Bobby Beck) | |
| Robin Dean | .... | art department researcher | |
| Debbie Nolan | .... | propmaker | |
| Mari Phillips | .... | assistant property master | |
| Raymond Prado | .... | storyboard artist (as Ray Prado) | |
| Thomas Ryan | .... | construction foreman | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Rob Simons | .... | set designer | |
| Duane Williamson | .... | lead | |
| Ross Anderson | .... | assistant property master (uncredited) | |
| Joshua L. Ellsworth | .... | propmaker (uncredited) | |
| Brian Kontz | .... | scenic painter (uncredited) | |
| Rick Mobbs | .... | scenic artist (uncredited) | |
Sound Department | |||
| Richard Burton | .... | sound effects editor | |
| David V. Butler | .... | dialogue editor | |
| Kevin E. Carpenter | .... | sound re-recording mixer | |
| Kim Drummond | .... | dialogue editor | |
| Carl Fischer | .... | boom operator | |
| Dana LeBlanc Frankley | .... | assistant sound editor | |
| David Giammarco | .... | supervising sound editor | |
| Petur Hliddal | .... | production sound mixer | |
| Scott A. Jennings | .... | sound effects editor | |
| Jonathan Klein | .... | supervising foley editor | |
| Mary Jo Lang | .... | foley mixer (as Mary Jo Lange) | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Michael Rayle | .... | cable | |
| John Rush | .... | foley artist | |
| Joe Schiff | .... | first assistant sound editor | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Kerry Dean Williams | .... | supervising adr editor | |
| David V. Butler | .... | adr editor (uncredited) | |
| Troy Porter | .... | adr mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Joe Schiff | .... | adr mixer (uncredited) | |
| Greg Steele | .... | adr mixer (uncredited) | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Walter Kiesling | .... | special effects coordinator | |
| David Hill | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Don Lee | .... | digital compositor | |
| Tim 'Timco' Conway | .... | compositor: CREO (uncredited) | |
| Andrew MacDonald | .... | compositor: Creo Collective (uncredited) | |
| Rebecca Ramsey | .... | title producer (uncredited) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| Karen Brigman | .... | stunts | |
| Donna Evans | .... | stunts (as Donna Evans Merlo) | |
| Cinda-Lin James | .... | stunts (as Cinda Lin James) | |
| John Mark Martin | .... | stunt pilot | |
| Tree O'Toole | .... | stunts | |
Casting Department | |||
| Marty Cherrix | .... | casting: North Carolina | |
| Maureen Whalen | .... | casting associate | |
| Chad Darnell | .... | extras casting: additional photography, Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | costumer: Ms. Judd | |
| Bruce Ericksen | .... | costume supervisor | |
| Joyce Marling | .... | costumer | |
| Jessica Peel | .... | assistant costume designer | |
| Keith Taylor | .... | costumer (as Michael 'Keith' Taylor Jr.) | |
| Joel Voorhies | .... | costumer: Ms. Bullock | |
| Pauline White-Kassulke | .... | key costumer (as Pauline White Kassulke) | |
| Jason Salzman | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| Sean Menzies | .... | assistant editor (as Sean William Menzies) | |
| Alain J. Romi | .... | assistant editor | |
| Ann Trulove | .... | associate editor | |
| Lee Wimer | .... | color timer | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Debra Baum | .... | music consultant | |
| Allan Kaufman | .... | music consultant | |
| Darrell Leonard | .... | additional music arranger | |
| Mike Piersante | .... | score recordist | |
| Allan K. Rosen | .... | supervising music editor | |
| Nicholas Viterelli | .... | music editor (as Nick Viterelli) | |
| Frank Wolf | .... | score recordist | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Larry Campbell | .... | musician (uncredited) | |
| Joe Sublett | .... | musician (uncredited) | |
Transportation Department | |||
| Anthony Forester | .... | transportation captain (as Anthony 'Bubba' Forester) | |
| Bill Pitts | .... | transportation coordinator | |
| Charlie Wright | .... | driver (uncredited) | |
Other crew | |||
| Tammy Arnold | .... | dialogue coach: Walker children | |
| Eyal Axelrod | .... | assistant to producers | |
| Hanelle M. Culpepper | .... | assistant: Callie Khouri | |
| Sherri Daye | .... | staff assistant | |
| Jennifer DiQuollo | .... | craft service | |
| Lisa DiQuollo | .... | craft service | |
| Rhoda Fine | .... | studio teacher | |
| Nicole Furia | .... | production accountant | |
| E. Michael Hewett | .... | location manager | |
| Ingrid Johanson | .... | production office coordinator | |
| Eric Johnson | .... | staff assistant | |
| Aileen Kiernan | .... | assistant to producers | |
| Andrew L. Lanier | .... | studio teacher (as Andrew Lanier) | |
| Eric Layne | .... | first assistant accountant | |
| Michael J. Leone | .... | script supervisor (as Michael Leone) | |
| Lilene Mansell | .... | dialect coach | |
| Noelle M. Pflum | .... | assistant to producers | |
| Ian Prange | .... | staff assistant | |
| Geoffrey Ryan | .... | assistant location manager | |
| Jessica Sheaffer | .... | production secretary | |
| Aaron Skotland | .... | staff assistant | |
| Patricia Story | .... | unit publicist | |
| Carmen Trejo | .... | staff assistant | |
| Ashleigh Tucker | .... | assistant production office coordinator | |
| Rachel Brewer | .... | stand-in: Ashley Judd (uncredited) | |
| Sheila Brothers | .... | choreographic coordinator (uncredited) | |
| Paulette Dauber | .... | publicity consultant (uncredited) | |
| Ashley Edner | .... | adr voice (uncredited) | |
| Janette Evans | .... | payroll accountant (uncredited) | |
| Philippe Gallichet | .... | chef (uncredited) | |
| Tim Grady | .... | location assistant (uncredited) | |
| Jennifer Haire | .... | intern (uncredited) | |
| Joyce Heftel | .... | script supervisor: pre-timing (uncredited) | |
| Joseph Long | .... | production assistant (uncredited) | |
| Bill Richards | .... | aerial coordinator (uncredited) | |
| Bill Richards | .... | helicopter pilot (uncredited) | |
| Nicholas Ryan Rumpf | .... | production assistant (uncredited) | |
| Lauren Schaffel | .... | adr voice (uncredited) | |
| Catherine Sewell | .... | stand-in (uncredited) | |
| Laura Tiz | .... | assistant accountant (uncredited) | |
| Jennifer Lea Turner | .... | photo double (uncredited) | |
| Richard E. White | .... | stand-in (uncredited) | |
Rated PG-13 for mature thematic elements, language, and brief sensuality.
116 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
UK:12 (video rating) (2002) | UK:12A (original rating) | Iceland:10 ) | Iceland:12 (video rating) | Malaysia:U | Canada:A (Ontario) | Finland:K-11 | South Korea:12 | Argentina:13 | Australia:M | Brazil:12 | France:U | Germany:12 | Netherlands:12 | Norway:11 | Peru:14 | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | USA:PG-13 (certificate #38793)
As part of the initiation to the Ya-Ya Sisterhood club, Siddalee Walker (Sandra Bullock) has the palm of hand cut. In the movie 'Practical Magic', Sally Owens, Sandra Bullock's character, cuts the palm of her hand too. more
Continuity: In the plane, Vivi has her scarf on in the long shots, but all the close-ups show her with her hair loose. more
Vivi: Mary... mother of the motherless. I need your help again. I need your divine intervention once again, quelle grande surprise. My oldest daughter, Siddalee, the one I've been complaining about, the loudmouth... She may be walkin' away from true love. Please stop her. This is because o' me... more
Referenced in "Psych: Talk Derby to Me (#3.7)" (2008) more
Waitin' For You more
|
|
|
|
|
| Crime and Punishment in Suburbia | The Basketball Diaries | Eyes Wide Shut | The Prize Winner of Defiance, Ohio | Gone with the Wind |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
I liked this movie. I really did. Someone very close to me has a mother very much like this. It's reality folks, not everyone has a sensible loving mother that grasps the role of "motherhood" like a duck to water. Some people remain stuck in a selfish state where they blame everyone/thing else for all their unhappiness and the misdirection of their lives. I'm glad there's a movie that brought that subject to light. One user said the movie is celebrating an alcoholic, but that's untrue. You're watching a woman go further and further into a downward spiral of self-pitying despair and hatred for the events of her life. I also didn't find Vivi's mother to be evil, but she seemed to have been desperately trying to claim her role as a respectable wife. When your husband treats horses better than you, you get a little miffed. He dismissed her as his partner in life for a child she gave him, so the woman aimed her frustrations at her child, instead of her husband. At that time, what could she have really done to the husband? He would've beaten her most likely. I appreciated the fact that Vivi was flawed. Just humanly flawed and admitted it. It sucks that people have parents like this, but Sidda learned to deal with it in her own way. I'm glad it wasn't a typical reaction, like drugs or promiscuity. She just accepted her mother for what she is: flawed and screwed up. Motherhood doesn't make you unselfish and well-versed in letting go of your troubles. That's something you learn over time, and the movie showed that. It might take 40-odd years as it did them, or someone could get it the moment the child is born. What I got from the film is that your parents had dreams and nightmares before you came into the picture, and it takes a lot out of them to come to terms with being responsible for a life that they may or may not be ready for. I also really loved the part where Sidda begins to question her ability to be a good mother and wife. I think that resonated well. I certainly would start to wonder. Parents can screw up their kids easily I tell ya. It's not a responsibility to enter into lightly. I'm sure there were flaws like the accents of Louisiana and technical stuff, but altogether, the movie really reaches many levels.