Frank O'Brien, a petty thief, and his 7-year-long girlfriend Roz want to put an end to their unsteady lifestyle and just do that _last_ job, which involves stealing a valuable painting. ... See full summary »
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Siddalee, a famous New York playwright, is quoted in Time magazine and infuriates her dramatic, Southern mother. A long-distant fight wages until her mother's friends (and members of the Yaya Sisterhood) kidnap Siddalee and take her "home" to the South, where they hope to explain her mother's history and to patch up the rift between mother and daughter. Written by
When Viv is lying by the lake she gets onto her knees and blows a whistle. In the next shot she is still lying down while blowing the whistle. See more »
[on the phone with Sidda]
How did you know it was me?
Who else? How are you feeling?
A little disoriented.
Well, horse tranquilizers will do that for you.
I can't believe you let them do this.
They didn't ask my permission. They called me on the way to the airport, they informed me of their plan. I saw you off.
I met you at the airport, helped them get you on the plane. They're organized. They even had a note from a doctor. By the way, your pills are in your bag.
[to Ya Yas]
[...] See more »
What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.
My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.
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