A documentarian decides to follow the career of New York actress Lisa Picard, believing she is on the brink of fame. Instead, he bears witness to Lisa's continued, humorous, struggles as an... See full summary »
Frank O'Brien, a petty thief, and his 7-year-long girlfriend Roz want to put an end to their unsteady lifestyle and just do that _last_ job, which involves stealing a valuable painting. ... See full summary »
Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Siddalee, a famous New York playwright, is quoted in Time magazine and infuriates her dramatic, Southern mother. A long-distant fight wages until her mother's friends (and members of the Yaya Sisterhood) kidnap Siddalee and take her "home" to the South, where they hope to explain her mother's history and to patch up the rift between mother and daughter. Written by
When the teenage Ya-Yas are going to Vivi's bedroom after the birthday party scene, they pass Buggy's room. When Vivi stops to watch Buggy, Teensy bumps into her coming up the stairs. There's a close up of Buggy, and then the camera cuts back to Vivi. Teensy comes up the stairs again and bumps into her. See more »
[seeing Caro pull a pill from her purse and begin grinding it up to put into Sidda's drink]
Wait, what is it?
I got it from one of the caddies at the club. It's a roopie or a roofie or something. He said it would knock her on her ass!
No! Roofies! That's the date rape drug! We can't do that!
Necie Rose Kelleher:
She's practically a teetotaler with these skinny little drinks!
Then what? We can't conk her on the head!
Well, give her half. She's a Walker, she can take it.
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What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.
My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.
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