Frank O'Brien, a petty thief, and his 7-year-long girlfriend Roz want to put an end to their unsteady lifestyle and just do that _last_ job, which involves stealing a valuable painting. ... See full summary »
Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Siddalee, a famous New York playwright, is quoted in Time magazine and infuriates her dramatic, Southern mother. A long-distant fight wages until her mother's friends (and members of the Yaya Sisterhood) kidnap Siddalee and take her "home" to the South, where they hope to explain her mother's history and to patch up the rift between mother and daughter. Written by
I liked this movie. I really did. Someone very close to me has a mother very much like this. It's reality folks, not everyone has a sensible loving mother that grasps the role of "motherhood" like a duck to water. Some people remain stuck in a selfish state where they blame everyone/thing else for all their unhappiness and the misdirection of their lives. I'm glad there's a movie that brought that subject to light. One user said the movie is celebrating an alcoholic, but that's untrue. You're watching a woman go further and further into a downward spiral of self-pitying despair and hatred for the events of her life. I also didn't find Vivi's mother to be evil, but she seemed to have been desperately trying to claim her role as a respectable wife. When your husband treats horses better than you, you get a little miffed. He dismissed her as his partner in life for a child she gave him, so the woman aimed her frustrations at her child, instead of her husband. At that time, what could she have really done to the husband? He would've beaten her most likely. I appreciated the fact that Vivi was flawed. Just humanly flawed and admitted it. It sucks that people have parents like this, but Sidda learned to deal with it in her own way. I'm glad it wasn't a typical reaction, like drugs or promiscuity. She just accepted her mother for what she is: flawed and screwed up. Motherhood doesn't make you unselfish and well-versed in letting go of your troubles. That's something you learn over time, and the movie showed that. It might take 40-odd years as it did them, or someone could get it the moment the child is born. What I got from the film is that your parents had dreams and nightmares before you came into the picture, and it takes a lot out of them to come to terms with being responsible for a life that they may or may not be ready for. I also really loved the part where Sidda begins to question her ability to be a good mother and wife. I think that resonated well. I certainly would start to wonder. Parents can screw up their kids easily I tell ya. It's not a responsibility to enter into lightly. I'm sure there were flaws like the accents of Louisiana and technical stuff, but altogether, the movie really reaches many levels.
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