Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ... See full summary »
Amanda Foley has confusing nightmares and flashbacks that lead her to seek professional help. Nothing can shed light on her repressed memories, until she happens to catch her husband a ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt that he feels has altered his sense of reality, making Matt's life a mystery full of shadows and phantoms. Now, years later Matt goes away for weekend with his new girlfriend Dawn. After a wild session of lovemaking, Dawn goes for a walk. While she is away a strange man with an ax comes into the motel room and attacks Matt. After that incident Matt goes into the woods, looking for Dawn. There he encounters Dawn's family who tie him down and put him on trail for the murder of the girl years before. They find him guilty and he is sent back into the forest to be hunted down by the family. The deeper Matt runs into the forest the farther his mind is lost to the Blackwoods. Written by
When Matt is spying on Dawn and her family, the initial camera shot from outside the home displays Matt on the right side of the window. However, once the camera changes to a position inside the home, he is shown on the opposite (left) side of the window. The camera then shifts to show the family, and when Matt is almost caught for making a noise he is back on the original (right) side of the window again. See more »
Written by Böcker / Kaps / Mühlbauer / Orth
Performed by April Daze
Courtesy of NetMusicZoneRecords/Zomba
With Permission of Devman Music Publishing/Arabella/NetMusicZone Publishing/False Creek Publishing See more »
Before inflicting HOUSE OF THE DEAD onto the world, in what the trade papers promise to be the first of several awful cinematic adaptations of video games, Uwe Boll made this cheap German-financed shot-in-British Columbia (though set in the U.S.) opus. The box makes it sound like another take on THE MOST DANGEROUS GAME, though only a few minutes of the movie towards the end could be considered so. The movie's more of a psychological thriller of sorts, trying hard to bring things together for a neat twist at the end, though the twist is one that's been used in several major Hollywood movies released in the past few years. It's a pretty dull and cheap affair for the most part, with a lot of unanswered questions such as that nude sequence near the end. Muldoon gives another sleepwalking performance that makes you wonder why he's a star even in the direct-to-video market. The movie's also not helped by Boll's *frequent* penchant for flashforwards (which naturally spoil some things to come), flashbacks (a number of which are not only repeated, but way too many times), and awful use of blurry slow-motion in these segments *plus* the "normal" parts of the movie! At least Clint Howard brings some welcome comic relief in his few brief scenes.
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