Clark reveals his secret to Lana, Jonathan and Lex learn the results of the senatorial election, and there is a tragic car accident on the highway that takes the life of someone Clark loves, forcing ...
The Green Arrow sends out for reinforcements and Bart Allen, a.k.a. Impulse, Arthur Curry (Aquaman) and Victor Stone (Cyborg) return to Smallville to help him take down LuthorCorp's secret lab called...
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When a twenty-something computer geek inadvertently downloads critical government secrets into his brain, the C.I.A. and the N.S.A. assign two agents to protect him, and exploit such knowledge, turning his life upside down.
Set after the events in Terminator 2: Judgment Day (1991), Sarah Connor and her son, John, try to stay under-the-radar from the government, as they plot to destroy the computer network, Skynet, in hopes of preventing Armageddon.
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The numerous miraculous rescues by the local wonder boy Clark have aroused suspicions amongst colonials of Smallville. Interestingly, the boy has managed to downplay his acts of various heroic egresses in the past. They say he's either too fast or has a penchant for finding trouble. He was found by Martha and Jonathan Kent on the day of the Meteor Shower, and subsequently adopted. Clark's friend Lex Luthor, the only heir of Luthorcorp, has been secretly investigating grounds for Clark's outlandish valor. However, on the face of it, Clark just seems a normal boy who's slightly more secretive than usual. Written by
Chloe and Whitney were created specifically for the show (they were never mentioned in the Superman comics). However, in 2003, DC Comics announced that Chloe would be introduced into the Superman comics. See more »
There are license plates in the show that read Metropolis but license plates list the state the car is licensed in not the city. See more »
I didn't dive in after Lex's car! It hit me at 60 miles an hour! Does that sound normal to you? I'd give anything to be normal.
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The credits style changes in the season 5 premiere. See more »
So, what can I say about Smallville? Firstly, it's an original premise, I'll give it that. It is genuinely cool to see how Superman was when he was a teenage, and for the most part his character development is rather intriguing. The superpowers and other special effects are well done most of the time, and the fight scenes are modest (they could be more involved and lengthy, however). The other characters work as good foils for Clark, and Lex Luther himself has become a highly complex character (even if a good deal of it is non-canonical and rather contradictory). From the get go, Smallville had potential both as an interesting action/fantasy series and a drama.
But what afflicts Smallville is what afflicts most shows of this type: haphazard, episodic writing. In it's good moments, Smallville can pull off some good story arcs and plot lines that evolve the characters so that they become beings that you can actually relate to and feel for and create plot twists and turns that keep the viewer interested. However, when it's bad, it simply puts all the strides the series made into shadow. The show is now in its fifth season, and now the character developments and plot directions made in previous seasons have been seriously damaged and all but erased. For example, Lionel Luther (Lex's father and a newly created character) served as the chief villain for seasons one through three- when they didn't resort to the "villain of the week" formula (which got old, FAST). In the fourth season, Luther was in the process of changing his ways, trying to stop his son from taking the same path as he (which, of course, will fail). However, in the fifth, he reverts back into one of the main antagonists. Huh? Did I miss something? Smallville is constantly plagued with writing that either goes nowhere, doesn't know where it's going, or exploit some fad (one episode is created around Lana Lang kissing another girl with absolutely no other noteworthy plot subjects and another is used to sap popularity from Chinese wuxia films). The series builds story arcs up only to knock them down with some half-assed plot device (such as "make Clark evil" or "Put Lana in mortal danger"). While attempts to create mystery and suspense are present, they rarely succeed.
Most of the story lines make vague allusions to the comics, but most are non-canonical. While this is excusable in a television show such as this, sometimes the writers take too many liberties with canon.
In general, Smallville has a lot of potential, and sometimes it meets this potential. But the capricious and wandering writing really hurts it.
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