Clark reveals his secret to Lana, Jonathan and Lex learn the results of the senatorial election, and there is a tragic car accident on the highway that takes the life of someone Clark loves, forcing ...
The Green Arrow sends out for reinforcements and Bart Allen, a.k.a. Impulse, Arthur Curry (Aquaman) and Victor Stone (Cyborg) return to Smallville to help him take down LuthorCorp's secret lab called...
Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
When a twenty-something computer geek inadvertently downloads critical government secrets into his brain, CIA and NSA assign two agents to protect him and exploit such knowledge, turning his life upside down.
The numerous miraculous rescues by the local wonder boy Clark have aroused suspicions amongst colonials of Smallville. Interestingly, the boy has managed to downplay his acts of various heroic egresses in the past. They say he's either too fast or has a penchant for finding trouble. He was found by Martha and Jonathan Kent on the day of the Meteor Shower, and subsequently adopted. Clark's friend Lex Luthor, the only heir of Luthorcorp, has been secretly investigating grounds for Clark's outlandish valor. However, on the face of it, Clark just seems a normal boy who's slightly more secretive than usual. Written by
Five different exterior locations in Vancouver are used as Metropolis: The Daily Planet is actually the Marine Building; The Watchtower building is the Sun Tower; Vancouver Block 736 appears as the Queen Tower; two different buildings are used for the Luthorcorp Plaza, one for the entrance and the other for the upper shots. See more »
In several episodes, an establishment shot is shown in scenes in the Kent's barn at night. A crescent moon is shown with its limbs pointing down toward the horizon. This can happen, but not at night. See more »
I didn't dive in after Lex's car! It hit me at 60 miles an hour! Does that sound normal to you? I'd give anything to be normal.
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The credits style changes in the season 5 premiere. See more »
I'm wholeheartedly convinced that what makes Smallville work so well is the virtually flawless casting/direction on this show. Tom Welling and Kristin Kreuk in my personal opinion are **sinfully** (and seemingly effortlessly) attractive individuals. They were the "bait" that initially had me interested in Smallville (after seeing them in fall previews for the show in 2001), as evolutionary biology compels us to naturally pay more attention to beautiful people. Then there was the Chloe Sullivan character, whose quirky and cerebral personality I was instantly drawn to. Allison Mack seems perfect for the role - she plays it with sass, intelligence, vulnerability, and a dynamic form of bubbly charisma. And I keep rooting for Chloe and Clark to make it happen (although I imagine something tragic might eventually happen to her character - guess there's always cousin Lois). I absolutely *adore* John Glover as Lionel Luthor...the cold, refined way he speaks, and the manner in which he carries himself is essential to the role. It was/is cool to see Annette O'Toole from Superman III show up as Clark's mother. And John Schneider really is the perfect dad for Superman in my view. Initially, I wasn't sure what to think about the adjustment to the Pete Ross character (it does wreak of "tokenism"), but as a person of color myself, I nevertheless *enthusiastically* applaud the show's efforts at more accurately reflecting our world by including Sam Jones III, and the multi-racial Kreuk. I just wish they gave poor Pete more to do. Let's not forget Michael Rosenbaum as Lex Luthor. What I like about his involvement with the show is that in actuality he seems to be a science-fiction/action guy in real life with his voice-over work. And I respect that immensely.
Tom Welling turned down the Clark Kent role twice -- but the show's creators knew that Smallville wouldn't fly (pun intended) the way it needed to without Welling; and that speaks volumes about how important casting decisions were to the show's creators. And it wouldn't be working as well without Michael Rosenbaum. Or Allison Mack. Or John Glover. Or John Schneider and Annette O'Toole. Kristin Kreuk is an incredibly refreshing presence on television, and I hope to see more of Sam Jones in the future - maybe in a role that will allow him to shine more than can as Pete Ross. Not since "New York Undercover" have I been as enthusiastic about a television show as I am about Smallville. I am now a huge fan of Brian Robbins and Michael Tollin, and was thrilled to learn that they have been behind some pretty slick productions, including the 1995 Russell Simmons-affiliated Rapumentary, "The Show." I feel enriched and invigorated with youthful energy every time I catch a new episode of Smallville (I'm a now "ancient" 27 years old), and I can only imagine how special it must be on that Vancouver set. Smallville is a great show that has assembled a nearly flawless cast, features great music, notable guest stars, fantastically fun plotlines, and a fearless approach to taking chances. Bravo.
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