In a beautiful pavilion in 1930's Suzhou. Cui Hua (Rie Miyazawa, 47 Ronin) is a famous songstress courtesan, marrying into the noble house. She develops a dubious relationship with a female...
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Jet is the star gigolo in Hong Kong. Arrogant, sexy, everyone falls in love with him, but he falls in love with no one... until one day he meets Sam, the hunkiest policeman to ever pound a ... See full summary »
Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir... See full summary »
Two sisters whose family moves to Taiwan after their father fights in the civil war against the communists in mainland China, find their lives turned upside-down after their parents are thrown into jail and accused of being spies.
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
In a beautiful pavilion in 1930's Suzhou. Cui Hua (Rie Miyazawa, 47 Ronin) is a famous songstress courtesan, marrying into the noble house. She develops a dubious relationship with a female cousin of the family and also being admired secretly by her butler. Rong Lan (Joey Wang, A Chinese Ghost Story Series), the cousin, is a modern strict and nice teacher who wants to be independent and serves her country, but when she meets the charismatic Xing Zhi Gang (Daniel Wu, New Police Story), an official from the North, all her plans go astray, But these two women's love bears no fruit with their men and in the end they have only each other to lean on.
Exquisitely composed, Expertly crafted, PEONY PAVILION is hypnotizingly graceful to the eye, undeniably seductive to the senses, and gently evocative to the mind. The acting is near perfect, and Joey Wong is easily at her best that I've ever seen. As a bonus, listen to Brigitte Lin's voice in the narration.
This film is perhaps most enjoyable as a visual art. The imagery is simply wonderful, and it is that which I remember the film for. I would have agreed with the comment from reviewer Hermes regarding Yonfan being a superior cinematographer than screenwriter, except the credits reveal that Yonfan was in fact not the cinematographer of this film.
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