After a break-in at their house, a couple gets help from one of the cops that answered their call. He helps them install the security system, and begins dropping by on short notice and ... See full summary »
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
Set in the Los Angeles Police Department in April 1992, Dark Blue is a dramatic thriller that takes place just days before the acquittal of four white officers in the beating of black motorist Rodney King and the subsequent L.A. riots. In this racially-charged climate,the LAPD's elite Special Investigations Squad (SIS) is assigned a high-profile quadruple homicide. As they work the case, veteran detective Eldon Perry, known for his tough street tactics and fiery temper, tutors SIS rookie Bobby Keough in the grim realities of police intimidation and corruption. Meanwhile, Assistant Chief Holland, the only man in the department willing to stand up to the SIS, threatens to end Perry's brand of singlehanded "justice" on the Los Angeles streets. While navigating through the tumultuous neighborhoods of South Central L.A., Perry and Keough must track down cold-blooded killers and face their own demons, which prove to be more ruthless than the criminals they pursue. Written by
Standing in the background during Eldon's briefing to the S.W.A.T. team is Peter Weireter, who really is LAPD S.W.A.T. See more »
During the sex scene between the young detective and Beth, their underwear is showing under the covers. See more »
Jack Van Meter:
Sail boats. I don't understand 'em. I prefer a big boat with a big motor on a big lake behind a big dam. How about you Arthur, are you a motor guy or a sail guy?
I don't like boats and I don't like you.
Jack Van Meter:
Has this department been so bad to you that you feel driven to humiliate it?
Don't hide behind LAPD blue, It's not your color.
Jack Van Meter:
Arthur, No one buys your sudden transformation into this beacon of higher consciousness and moral right. The last thing your ham-fisted political ploy will get you is ...
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1st watched 8/21/2003 - 7 out of 10(Dir-Ron Shelton): Well done good cop/bad cop movie that works because the good & the bad are basically caught in the same trap and some of the characters change from one to the other during the film. Kurt Russell's character is one of them that changes. He is bad with a capital `B' in the beginning. He's foul-mouthed, racist and doesn't care much for justice but wants to cover the good guys' behind whenever possible. He is totally believable as this redneck character. His partner is being taught to lie in what they call a `shooting trial' where they question the cop on a convict-shooting to make sure it was the `only' option. The setting for the film is a few days before the `non-guilty' Rodney King verdict in L.A., but this is only a backdrop to the movie's story. There is typical corruption in the police ranks but in this one, the star is involved in the corruption. Without giving away too much of the story, basically the cops are involved in another shooting and the partner decides to tell the truth which leads to other events that bring about the much-hoped-for ending. It's neat the way the filmmaker uses the Rodney King fiasco to blend in with the action of the story which kind of adds a separate element that everyone is quietly following as they do their jobs. The acting, the direction and the story blend together for a very satisfying and watchable movie despite the typical bad cop/good cop genre that the story is based on. Hooray for all involved on this one!!
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