A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Set in the Los Angeles Police Department in April 1992, Dark Blue is a dramatic thriller that takes place just days before the acquittal of four white officers in the beating of black motorist Rodney King and the subsequent L.A. riots. In this racially-charged climate,the LAPD's elite Special Investigations Squad (SIS) is assigned a high-profile quadruple homicide. As they work the case, veteran detective Eldon Perry, known for his tough street tactics and fiery temper, tutors SIS rookie Bobby Keough in the grim realities of police intimidation and corruption. Meanwhile, Assistant Chief Holland, the only man in the department willing to stand up to the SIS, threatens to end Perry's brand of singlehanded "justice" on the Los Angeles streets. While navigating through the tumultuous neighborhoods of South Central L.A., Perry and Keough must track down cold-blooded killers and face their own demons, which prove to be more ruthless than the criminals they pursue. Written by
James Ellroy declared that he had nothing to do with this film. David Ayer entirely rewrote his script and only conserved the names of some characters. See more »
When Perry is speeding in reverse from the roadblock on the rioting streets, he rams an upside down car, crushing the rear right-hand side of the car. Later, the rear of the car is undamaged. See more »
Jack Van Meter:
Sail boats. I don't understand 'em. I prefer a big boat with a big motor on a big lake behind a big dam. How about you Arthur, are you a motor guy or a sail guy?
I don't like boats and I don't like you.
Jack Van Meter:
Has this department been so bad to you that you feel driven to humiliate it?
Don't hide behind LAPD blue, It's not your color.
Jack Van Meter:
Arthur, No one buys your sudden transformation into this beacon of higher consciousness and moral right. The last thing your ham-fisted political ploy will get you is ...
[...] See more »
I'm not the biggest fan of police/crime drama's (with or without some action and thrills thrown in the mix). Most of the time (especially the direct-to-DVD ones) those movies are simply below average. DARK BLUE, however, rightfully received a theatrical release. This movie's got a good story to tell (written by James Ellroy), supported by more than decent acting performances. Kurt Russell delivers one of his best performances yet as Eldon Perry, a middle aged unsympathetic loud-mouth cop on the verge of promotion. He doesn't question his orders given by corrupt superiors, and that's how he was able to follow in his father's footsteps and climb the ranks of the LAPD. I haven't seen Scott Speedman in many movies yet, but from the looks of it he's a decent actor too, who holds strong when acting aside Kurt Russell.
Given this is a James Ellroy story, one quickly is led to believe that there are way more corrupt cops out there than good ones. And even the honest ones (in pursuit of justice) have a few skeletons in the closet. All characters have a lot of flesh on their bones, which make them all very interesting. And because of the many fluent dialogues that demand your attention, you tend to forget that all the things going on the way they do, can't last forever. So when things do go wrong, it's a bit of a surprise for who it goes bad and for who it gets even worse.
The whole background story with the lawsuit against the cops who beat up Afro-American Rodney King is cleverly used to stage the 90's setting. And the riots in the street, caused by the decision of the jury near the end of the movie, add a lot to the exciting climax of DARK BLUE. This one's as decent as L.A. CONFIDENTIAL, only, maybe, a bit less intriguing. But still, an excellent movie with solid acting and a good story.
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