5.2/10
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38 user 2 critic

Murder on the Orient Express (2001)

Hercule Poirot, now in modern times, investigates the famous crime on the famed train with a modern twist.

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(novel), (teleplay)
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Rest of cast listed alphabetically:
Louis Chamoun ...
Turk
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Storyline

Agatha Christie's classic whodunit speeds into the twenty-first century. World-famous sleuth Hercule Poirot has just finished a case in Istanbul and is returning home to London onboard the luxurious Orient Express. But, the train comes to a sudden halt when a rock slide blocks the tracks ahead. And all the thrills of riding the famous train come to a halt when a man discovered dead in his compartment, stabbed nine times. The train is stranded. No one has gotten on or gotten off. That can only mean one thing: the killer is onboard, and it is up to Hercule Poirot to find him. Written by HNSampat-2

Plot Summary | Plot Synopsis

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Agatha Christie's ultimate whodunit speeds into the twenty-first century.

Genres:

Crime | Drama | Mystery

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Release Date:

22 April 2001 (USA)  »

Also Known As:

Asesinato en el Orient Express  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Carl Schenkel's last film. See more »

Goofs

Poirot counts 9 stab wounds in the victim (Unlike 12 in the book) yet when the case is shown in flashback we see ten blows with the knife. See more »

Quotes

Hercule Poirot: I am never in a hurry, and when the world slows down to my pace, I find it very agreeable.
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User Reviews

Oh go ahead, see it
25 July 2004 | by (London) – See all my reviews

This is a made for TV movie. Made for TV movies rarely match up to made for cinema movies. But yes, see it - if you've seen the Lumet original that is. It's better than nothing and the story is of course great.

About the story: actually it's better if you see the Lumet version first (and even read the book) because it's an amazing story and because you'll find the screenwriters for this version have done the unforgivable again.

The acting's OK, the direction is basically OK too (although there are some scenes that just die) but above and beyond anything else it's the screenplay which sends this one to the skip.

Why do these people take a winning formula and think they can make a classic like this better? The original had poetry. There was symmetry and symbolism which gave the audience warmth. This insensitive screenwriter seems to not have understood the small masterpiece he was commissioned to update.

For that matter, why remake it at all? Dare we speculate? Someone's nephew wanted a chance at screen writing? Someone with clout in a studio decided to back this one?

It's not all negative. There are good moments too. And unlike others here, we thought Molina was good.

But you don't go corrupting a winning formula. See it - but only after you've seen the Lumet original (and preferably read the book). Only then will any enjoyment be guaranteed.


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