Shipwreck survivors are found on Beiru, an island previously used for atomic tests. Amazingly free of radiation effects, they believe they were protected by a special juice given to them by... See full summary »
Strange incidents occur when an American submarine has been destroyed by a mysterious force at sea off the shores of Guam. Only Admiral Tachibana was certain that behind the disaster was none other than the destructive King of the Monsters, Godzilla! 50 years after his attack on Tokyo in 1954, Godzilla has mysteriously returned to life to destroy Japan, and General Tachibana, whose parents died in the monster's destructive wake, was prepared for his return to protect Japan from yet another tragic disaster, but is dismissed by the overly confident Japanese government, who underestimate Godzilla's power. But to further prove Tachibana's claim, his daughter Yuri, who works for the TV news program "Digital Q," investigates strange phenomena in three separate areas in Japan (two of which involve the deaths of immoral youths), and meets a mysterious old man named Isayama, who proclaims that aside from his infamous nuclear origins, Godzilla is an accumulation of vengeful souls (of both ... Written by
John Cassidy <firstname.lastname@example.org>
Originally scheduled for a March 2002 release, upon the request of director Shûsuke Kaneko, Toho pushed it ahead for the usual release date for Godzilla films (December of 2001) because March already belongs to their Doraemon anime films (According to Toho, they take a seasonal formula for their films: Spring is for Doraemon, Summer is for Pokemon, and Winter is for Godzilla, so they didn't want any schedule conflict with their films). See more »
The unnatural way King Ghidorah's two outer heads attach to his body, and the way the move, clearly reveal there's an actor inside his suit, and that these two heads are actually arm puppets. In other films, the heads were moved by strings, producing a much less fake-looking effect. See more »
GODZILLA, MOTHRA AND KING GHIDORAH - GIANT MONSTERS ALL-OUT ATTACK
Granted I haven't seen many of them but I should think this 2001 feature is the best Godzilla movie I've seen.
50 years after the last Godzilla attack, Japan's coast again begins to feel the tremors of its favorite monster. There have been rumors of Godzilla sightings in other countries (a clever reference to the '98 Hollywood version when two naval cadets whisper to each other, "The New York attack was Godzilla?" "The Americans say so but our experts have their doubts"), but now it appears old Gojira, after a health-giving dose of radiation from a nuclear sub, is heading back to the Sushi bars.
The early parts are somewhat slow, time spent in introducing us to the various characters, with Godzilla sightings mostly restricted to brief glimpses amidst shaky cameras and falling debris. But soon our rubber-suited gargoyle, who is no more the lovable muppet monster of previous entries in the series, decides its time to come out of the closet for some major ass-kicking.
Fortunately, help is at hand in the form of the Guardian Monsters who are fated to protect Japan from Godzilla - Baragon, Mothra and Ghidora. Godzilla v/s Baragon is okay but not very good...there are no real special moves depicted and the rubber suits look too goofy in the day. But considering that Baragon's name doesn't even come up in the title, even the makers obviously considered him only a warm-up before the big battle.
And when the big battle starts...man!!! I wish I had been watching it in IMAX format with really loud surround sound, because this is one awesome battle. Sure, the rubber suits never get believable but I was having too much fun to worry about that. There's a good combination of scale models and CGI to depict the battle of the monsters and the wholesale destruction of Tokyo City. Caught in the crossfire are Japanese civilians and the Army, which is making its own (pathetic) maneuvers to combat Godzilla.
The acting of the human characters in this movie is corny but never annoying. The actor playing the military commander who is also the father of the reporter heroine is quite good in his role. The special FX may lack the polish of Hollywood extravaganzas but work perfectly well in the accepted formula. And unlike most Hollywood disaster movies, this is not one that leaves all the people except the evil lawyer miraculously unscathed. People here die. The brave soldiers die, the bumbling TV cameramen die, the schoolchildren die...even the cripple dies. That's what genuine monster movies are about. This film is a welcome return to the bad old days for Godzilla.
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