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Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)
"Gojira, Mosura, Kingu Gidorâ: Daikaijû sôkôgeki" (original title)

7.3
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Ratings: 7.3/10 from 2,533 users  
Reviews: 67 user | 44 critic

Three ancient guardian beasts awaken to protect Japan against Godzilla.

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Title: Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
Chiharu Niiyama ...
Yuri Tachibana (BS Digital Q reporter)
Ryûdô Uzaki ...
SDF Adm. Taizô Tachibana
Masahiro Kobayashi ...
Teruaki Takeda (science writer)
Shirô Sano ...
Haruki Kadokura (Yuri's boss)
Takashi Nishina ...
AD Aki Maruo
Kaho Minami ...
SDF Intelligence Capt. Kumi Emori
Shin'ya Ohwada ...
SDF L:t. Gen. Katsumasa Mikumo
Kunio Murai ...
SDF HQ Secretary Masato Hinogaki
...
Yutaka Hirose
Shingo Katsurayama ...
SDF Intelligence Maj. Tokihiko Kobayakawa
Toshikazu Fukawa ...
Adjutant Miyashita
Masahiko Tsugawa ...
Chief Cabinet Secretary
Hideyo Amamoto ...
Prof. Hirotoshi Isayama the Prophet
Nobuaki Kakuda ...
Commanding Sector officer (as Nobuo Kakuda)
Takafumi Matsuo ...
Mototsu Station police officer
Edit

Storyline

Strange incidents occur when an American submarine has been destroyed by a mysterious force at sea off the shores of Guam. Only Admiral Tachibana was certain that behind the disaster was none other than the destructive King of the Monsters, Godzilla! 50 years after his attack on Tokyo in 1954, Godzilla has mysteriously returned to life to destroy Japan, and General Tachibana, whose parents died in the monster's destructive wake, was prepared for his return to protect Japan from yet another tragic disaster, but is dismissed by the overly confident Japanese government, who underestimate Godzilla's power. But to further prove Tachibana's claim, his daughter Yuri, who works for the TV news program "Digital Q," investigates strange phenomena in three separate areas in Japan (two of which involve the deaths of immoral youths), and meets a mysterious old man named Isayama, who proclaims that aside from his infamous nuclear origins, Godzilla is an accumulation of vengeful souls (of both ... Written by John Cassidy <ryuuseipro@comcast.net>

Plot Summary | Add Synopsis

Plot Keywords:

godzilla | japan | disaster | baragon | mothra | See more »

Taglines:

Battle On Fire! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 December 2001 (Japan)  »

Also Known As:

Godzilla, Mothra, King Ghidorah: Daikaiju Sogougeki  »

Box Office

Budget:

JPY 1,200,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Disappointed that Varan, one of his favorite monsters, was scrapped from the project, monster designer Fuyuki Shinada compromised by putting Varan's facial features on King Ghidorah's three heads. See more »

Goofs

The unnatural way King Ghidorah's two outer heads attach to his body, and the way the move, clearly reveal there's an actor inside his suit, and that these two heads are actually arm puppets. In other films, the heads were moved by strings, producing a much less fake-looking effect. See more »

Quotes

[recalling his encounter as a child with Godzilla in 1954]
Adm. Tachinaba: The sky was blood red and filled with smoke. And through it a devil appeared, its face was twisted with rage and hatred. When it was over my parents were gone. I will never forget the wretched cries of the dead...
See more »

Connections

Follows Godzilla's Revenge (1969) See more »

Soundtracks

Great Monster War March
(AKA: "Monster Zero March")
Track from "Ostinato" Album - 1986
Ending Credits Theme 2
Composed by Akira Ifukube
Arranged by Hiroshi Kumagai
See more »

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User Reviews

 
character development, mysticism, philosophy, politics - in a Godzilla film
29 March 2005 | by (Vulcan) – See all my reviews

Dear Godzilla,

Only two aspects of Daikaijû sôkôgeki bothered me. First, you were asked, again, to play a 'bad guy'. Second, your make-up was so awful that it was at times, impossible to see that it was actually you in this film. Even this however, could not prevent me from noticing that this script was a great big leap ahead of most of the rubbish you've recently chosen for your roles. All of your true fans know that your Tokyo destructive rampages are inspired by a single desire - to locate and destroy once and for all the Toho Productions studio, and that once you've destroyed it, your final purpose will be fulfilled. Yet, in this film, you had to pretend that you symbolize the collective guilt of the Japanses people. While this is certainly an interesting and philosophical not to mention political spin and it certainly made your unpleasant behavior tolerable for some people, I am wondering if you will ever get a great role showing your true colors - as a protector of all living things (Japanese and otherwise) - again.

Your acting, and your supporting cast, even the very small hairless apes, were positively stellar in this film, and the production values were good enough to inspire me to plead with you to spare Toho from the revenge you certainly deserve for their occasional attempts to ruin your career, your public image, and your family life. Despite your bad facial makeup, you, Mosura and Kingu Gidorâ were all shot beautifully with some of the best split screen and blue screen work I have ever seen. Although it bothered me that Gidorâ was cast in the role of saving japan, and that he even joined that overgrown spray-painted house fly Mothra in this effort, I am certainly glad that, despite the Americanized title - something like "Giant Monsters All Out Attack" - was not really what this film was about. I'm glad the director allowed the characters some time to develop and to construct an interesting set of subplots between scenes of mass devastation.

I don't blame you for avoiding Hollywood, especially after that film they claimed to be about you which they they hired one of your stunt doubles to do a few years ago. And this film gives reason to think there is hope for the Toho production company after all. But, the offer still stands. Retirement in Hollywood could really be a good time for you, and again, I can think of at least a few states with habits of electing famous middle-aged and older thespians of grand stature and size to public office. Besides, if you got cast in a bad role here in the USA, just imagine the popularity with which your first rampage through southern California would be received! So the prospects are unlimited here. Give it some thought!


23 of 29 people found this review helpful.  Was this review helpful to you?

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