The true love story of the conflict between Capt. Robert Adams' dedication to the south and his love for Eveline McCord, his beloved from the north. Produced, written and directed by the descendants of Robert and Eveline, this American Civil War tale is an explosive, richly detailed saga of fierce combat, honor and the will to risk all that's precious for love or country.
The film mostly omits a few of General Jackson's eccentricities, but makes sly reference to them. The real Stonewall Jackson rode with a hand raised at all times, as he felt it was necessary to balance his bodily humors. In the film, Jackson suffers a wound to one hand, and spends a scene riding in that manner, ostensibly to staunch the bleeding. In addition, the real Jackson - according to legend - sucked on lemons incessantly in the belief that it was essential to his health. In the film, he presents lemons as a gift to the fiancée of his junior officer, and enjoys the resultant lemonade for its tartness. See more »
When Colonel Patton speaks his only line in the movie, no one is sitting in front of him or the two men to his right. However, in the previous and subsequent scenes, Generals Longstreet, Lee and Jackson are shown seated in front of Patton and the others. See more »
A human life, I think, should be well rooted in some spot of a native land, where it may get the love of tender kinship for the face of the earth, for the labors men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference amidst the future widening of knowledge. The best introduction to astronomy is to think of the nightly heavens as a little lot of stars belonging to one's own homestead. - George Eliot
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The movie was dedicated to the memory of John F. Maxwell and Royce D. Applegate. See more »
It amazes me that the people who made this film could not see what a mind-numbing, boring turkey they had produced. Actors carefully reciting lines obviously drawn from letters, and thus speaking like nobody ever speaks; long, boring scenes where nothing happens (we do not go to films to see T.J. Jackson in bed with his wife or Joshua Chamberlain lecturing his brother on 19th-Century politically-correct terminology for blacks); endless numbers of soldiers being hit by bullets and falling down...). There is no sense of strategy or how the war is going, no feeling for the ebb and flow of battle, nothing but endless vignettes. Jackson would be better represented by giving some idea of why he is considered a great soldier (the Valley campaign) rather than being shown as primarily a sentimental, but simultaneously bloodthirsty, religious crackpot ("hoist the black flag... kill everyone..."). The film also tried to do too much: Gettysburg also has its very boring parts, but is unified by concentrating on the major stages of one battle. And, IMHO, the General Lee in Gettysburg is a much more real character than the one in G&G (who, however, gets little screen time). This movie deserved to fail, and, though I am in some ways sorry that "Last Full Measure" will therefore not be produced, I am apprehensive what these filmmakers would have done with it. It may be just as well.
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