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EvenHand (2002) -- Filmed on location in San Antonio, Texas, EvenHand is a police story, but it's not about car chases or shoot-outs. It's about two cops struggling to survive in a world where, without warning, numbing routine can give way to primal fear. As Officer Morning

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Overview

User Rating:
7.4/10   356 votes
MOVIEmeter: ?
Up 14% in popularity this week. See why on IMDbPro.
Director:
Writer:
Mike Jones (writer)
Contact:
View company contact information for EvenHand on IMDbPro.
Genre:
Tagline:
You can't be everybody's friend.
Awards:
1 win more
User Reviews:
Newcomer Bill Dawes carries this movie. more (21 total)

Cast

  (Cast overview, first billed only)

Bill Sage ... Officer Ted Morning

Bill Dawes ... Officer Rob Francis
Lawrence Stringer ... Mather

Lee Stringer ... David Mather
Io Tillett Wright ... Toby

Mirelly Taylor ... Jessica (as Ruth Osuna)
Irene Pena ... Carla
Héctor García ... Victor

Kelley West ... Carol (as Kelley Saunders)
Eduardo Cavazos Garza ... Sgt. Leonard
Greg Bransom ... Donald
Earley B. Teal ... Old Man With Brick
Bena Kratochvil ... Lisa Mather
Alsada Richardson ... Lisa's Mom

William Luke ... Ronald
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Additional Details

MPAA:
Rated R for language, some violence and drug content.
Runtime:
92 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:

Fun Stuff

Quotes:
Officer Ted Morning: This town's got more fender lizards, in this town, than anywhere on the northern hemisphere.
Officer Rob Francis: What are fender lizards?
Officer Ted Morning: What's a fender lizard? It's these chicks who love cops. They're just fender lizards. They just hang out on your...
Officer Rob Francis: ...your fender?
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Soundtrack:
Get Along more

FAQ

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7 out of 7 people found the following review useful.
Newcomer Bill Dawes carries this movie., 16 January 2004
10/10
Author: thefilmscritic from USA

This is an indie film that is so close to being good, it's frustrating. The performances by Bill Dawes and Bill Sage are engaging and endearing, the cinematography by Tim Orr exquisite, and the songs by Mike Doughty brilliant. Unfortunately, certain elements of the directing, editing, and score may help explain why it didn't get the theatrical release it could and SHOULD have received. The first half hour begins slow and foreboding (with a bizarro "Crouching Tiger" instrumental in the background), which would be fine, except for the fact that what slowly and ultimately emerges from this movie is not a mood piece, karate flick, or "meditation" on cop life. What emerges is a character study played to near perfection by the two lead actors. I hope that they get the recognition they deserve from this film. It is worth just to see what good acting is all about.

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