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| Daniel J. Soulsby | .... | art coordinator (22 episodes, 2002-2003) |
| Carolyn Gair | .... | storyboard artist (10 episodes, 2002-2007) |
| Andrew Ice | .... | location designer (9 episodes, 2002-2007) |
| Dave Bullock | .... | storyboard artist (8 episodes, 2002-2007) |
| Adam Van Wyk | .... | storyboard artist (8 episodes, 2002-2007) |
| Tom Bernardo | .... | storyboard / storyboard artist / ... (6 episodes, 2002-2007) |
| Ernie Guanlao | .... | prop designer / property designer (6 episodes, 2002-2004) |
| John Navarez | .... | storyboard revisions / storyboard revisionist / ... (5 episodes, 2002-2004) |
| Jason Hulst | .... | property designer / prop designer (5 episodes, 2002-2003) |
| Calvin Suggs | .... | storyboard revisions / storyboard revisionist (5 episodes, 2002-2003) |
| Frank Fu Min Jen | .... | storyboard revisionist (5 episodes, 2007) |
| Virginia Hawes | .... | prop designer (5 episodes, 2007) |
| Shayne Poindexter | .... | prop designer (5 episodes, 2007) |
| Nicholas Filippi | .... | storyboard artist / storyboard supervisor (4 episodes, 2002-2003) |
| Robb Pratt | .... | storyboard artist (4 episodes, 2003-2005) |
| Scott Hill | .... | property designer (4 episodes, 2003-2004) |
| Craig Kemplin | .... | storyboard revisions / storyboard revisionist (3 episodes, 2002-2004) |
| Bruce Berkey | .... | location designer (2 episodes, 2002-2003) |
| Alex McCrae | .... | location designer (2 episodes, 2002-2003) |
| Lou Police | .... | location designer / storyboard artist (2 episodes, 2002) |
| Dave Knott | .... | storyboard / storyboard artist (2 episodes, 2003-2007) |
| Lyndon Ruddy | .... | storyboard / storyboard artist (2 episodes, 2003-2007) |
| Holly Forsyth | .... | storyboard artist (2 episodes, 2003-2004) |
| Latchezar Gouchev | .... | location designer (2 episodes, 2003) |
| Doug Murphy | .... | storyboard / storyboard artist (2 episodes, 2007) |
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| Melissa Ellis | .... | re-recording mixer (74 episodes, 2002-2007) |
| Fil Brown | .... | re-recording mixer (73 episodes, 2002-2007) |
| Robbi Smith | .... | dialogue editor / supervising dialogue editor (41 episodes, 2002-2007) |
| Paca Thomas | .... | supervising sound editor / sound designer (40 episodes, 2002-2007) |
| William Griggs | .... | sound editor / sound re-recording mixer (17 episodes, 2002-2003) |
| Brian F. Mars | .... | sound editor (16 episodes, 2002) |
| Tim Gilmer | .... | sound editor / sound effects editor (14 episodes, 2007) |
| Roy Braverman | .... | foley mixer (13 episodes, 2007) |
| J. Lampinen | .... | digital audio transferer (8 episodes, 2002-2007) |
| Keith Rogers | .... | sound re-recording mixer (8 episodes, 2002-2003) |
| Lou Esposito | .... | dialogue recordist (8 episodes, 2007) |
| Marilyn Graf | .... | foley mixer / foley recordist (6 episodes, 2002-2004) |
| Phyllis Ginter | .... | foley artist (5 episodes, 2002-2004) |
| Skip Craig | .... | track reader (5 episodes, 2002-2003) |
| Chris Cirino | .... | original dialogue recordist (3 episodes, 2003-2004) |
| Christine Craig | .... | track reader (3 episodes, 2003-2004) |
| Lou Ann Sims | .... | assistant dialogue engineer (3 episodes, 2003-2004) |
| Mary Erstad | .... | foley mixer (3 episodes, 2007) |
| Jim Garifi | .... | pre-production dialogue editor / track reader (3 episodes, 2007) |
| Craig Ng | .... | foley artist (3 episodes, 2007) |
| Michael Sokey | .... | recording machine operator (3 episodes, 2007) |
| Victor Garcia | .... | sound supervisor (2 episodes, 2002-2003) |
| Denise Whitfield | .... | track reader (2 episodes, 2002-2003) |
| Larry Winer | .... | original dialogue recordist / adr mixer (2 episodes, 2002-2003) |
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| Ryan Heiferman | .... | dialogue recordist: New York (unknown episodes) |
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| Stephen Silver | .... | lead character designer / character developer / ... (13 episodes, 2002-2007) |
| Celeste Moreno | .... | character designer / character cleanup (10 episodes, 2002-2007) |
| Michel Lyman | .... | timing director (9 episodes, 2002-2007) |
| Eugene Salandra | .... | storyboard artist / character designer (9 episodes, 2002-2007) |
| Nadia Vurbenova | .... | background painter (7 episodes, 2002-2007) |
| Sergio Armendariz | .... | animatic scanner (7 episodes, 2007) |
| Marsh Lamore | .... | timing director (6 episodes, 2002-2003) |
| Allyn Conley | .... | color stylist (6 episodes, 2003-2007) |
| J.K. Kim | .... | timing director (5 episodes, 2002-2004) |
| Teri Shikasho | .... | background painter (5 episodes, 2002-2003) |
| Bob Treat | .... | timing director (5 episodes, 2003-2007) |
| Brad Goodchild | .... | overseas animation supervisor (4 episodes, 2002-2004) |
| Karen Kilpatrick | .... | color stylist (4 episodes, 2002-2003) |
| Bob Zamboni | .... | timing director (4 episodes, 2002-2003) |
| Llyn Hunter | .... | storyboard artist (4 episodes, 2003-2004) |
| Carol Berke | .... | color stylist (4 episodes, 2004-2007) |
| Shannon Fallis Kane | .... | animatic scanner (4 episodes, 2007) |
| Ralph A. Eusebio | .... | animatic editor (3 episodes, 2002-2007) |
| Hyun Ah Kim | .... | digital ink and paint supervisor (3 episodes, 2002-2003) |
| Kevin Petrilak | .... | timing director (3 episodes, 2002-2003) |
| Pieter Kaufman | .... | animatic editor (3 episodes, 2003-2007) |
| Brent Gordon | .... | character designer (3 episodes, 2003-2004) |
| Rick Leon | .... | timing director (3 episodes, 2003-2004) |
| Sy Thomas | .... | background painter (2 episodes, 2002-2004) |
| Dong-kun Won | .... | animation director / layout director (2 episodes, 2002-2003) |
| David Dimatteo | .... | key color correction: background (2 episodes, 2002) |
| Bong Koh Jae | .... | animation director (2 episodes, 2002) |
| Hyun-kyoung Kim | .... | background artist / background artist: Korea (2 episodes, 2002) |
| Joseph Molinari | .... | animatic editor (2 episodes, 2003-2004) |
| Nancy Ulene | .... | color stylist (2 episodes, 2003-2004) |
| Barbara Dourmashkin | .... | timing director (2 episodes, 2003) |
| Patrick Gleeson | .... | timing director (2 episodes, 2003) |
| Michael Kaweski | .... | overseas animation supervisor (2 episodes, 2003) |
| Michael Lymon | .... | timing director (2 episodes, 2007) |
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| Jim Harrison | .... | pre-production track reader / pre-production track editor (6 episodes, 2002-2004) |
| Mark Bollinger | .... | post-production coordinator (6 episodes, 2003-2007) |
| Keith Cook | .... | on-line editor (5 episodes, 2002-2007) |
| Shannon Fallis Kane | .... | scanner (5 episodes, 2002-2007) |
| Christopher Gresham | .... | scanner (5 episodes, 2002-2004) |
| Kris Gilpin | .... | assistant editor / assistant film editor (4 episodes, 2002-2003) |
| Michael Harrigan | .... | post-production coordinator (3 episodes, 2002-2003) |
| Jennifer Harrison | .... | assistant film editor (3 episodes, 2003-2004) |
| Christine Lojko Haslett | .... | assistant editor (3 episodes, 2007) |
| Treasure Rawson | .... | post-production coordinator (3 episodes, 2007) |
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| Jason Henkel | .... | music administrator (37 episodes, 2002-2003) |
| Tina Treadwell | .... | music supervisor (21 episodes, 2002-2003) |
| George Gabriel | .... | composer: theme song / producer: theme song (12 episodes, 2002-2007) |
| Cory Lerios | .... | composer: theme song / producer: theme song (12 episodes, 2002-2007) |
| Christina Milian | .... | performer: theme song / composer: theme song / ... (12 episodes, 2002-2007) |
| Marc S. Perlman | .... | music editor (6 episodes, 2002-2004) |
| Jay Stutler | .... | music production manager (2 episodes, 2002-2003) |
| Perry La Marca | .... | composer: additional music / composer: additional music cues (2 episodes, 2003-2007) |
| Adam Berry | .... | composer: "I Want It My Way" (2 episodes, 2003-2004) |
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| Anna Boyadjian | .... | production controller / production accountant (66 episodes, 2002-2007) |
| Lisa Schaffer | .... | voice director / dialogue director (27 episodes, 2002-2007) |
| Stacey Zimmerman | .... | production coordinator (22 episodes, 2007) |
| Todd Maugh | .... | technical assistant (21 episodes, 2002-2003) |
| David Skillman | .... | production department secretary / production secretary (21 episodes, 2002-2003) |
| Jim Finch | .... | continuity coordinator (10 episodes, 2002-2007) |
| Jennifer Grey Berkowitz | .... | title designer: main titles (10 episodes, 2002-2004) |
| Alex Teslik III | .... | supervising technical director (10 episodes, 2007) |
| Leona Beckert | .... | script coordinator (8 episodes, 2002-2007) |
| Kitty Schoentag | .... | continuity coordinator (8 episodes, 2002-2007) |
| Linda Delizza | .... | production secretary (6 episodes, 2003-2007) |
| Gary Sperling | .... | story editor (5 episodes, 2002-2003) |
| Robert King | .... | technical director (5 episodes, 2007) |
| Denise Wogatzke | .... | technical director (5 episodes, 2007) |
| Sean Reed | .... | production coordinator (4 episodes, 2002-2004) |
| Chris Bailey | .... | dialogue director (3 episodes, 2002-2003) |
| Kevin Bernier | .... | production associate (3 episodes, 2003-2004) |
| Brian Mathias | .... | talent coordinator (3 episodes, 2003-2004) |
| Willie E. Sims Jr. | .... | production associate (3 episodes, 2007) |
| Joseph Cop | .... | technical director (2 episodes, 2002-2003) |
| Eddie Guzelian | .... | story editor (2 episodes, 2003-2004) |
| Andrew Schoentag | .... | technical director (2 episodes, 2003-2004) |
| Michael Tyau | .... | technical director (2 episodes, 2003-2004) |
| Shawn Eddie | .... | production coordinator (2 episodes, 2007) |
| Brian Swenlin | .... | story editor (2 episodes, 2007) |
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The ranks of sisters doing it for themselves have a new member in the form of Kim Possible, and the result is... well, "Kim Possible," Disney's best TV cartoon since "Gargoyles," although the tone of this Bob Schooley and Mark McCorkle creation is closer to "Darkwing Duck." Then again, that was also a cracker. But moving on to the large-headed, midriff-baring, wavy-haired, adolescent-targeted young lady who is NOT Christina Aguilera...
High school student and cheerleader Kimberly Ann Possible's website (maintained by genius Wade, who serves as her technical backup during jobs) is set up offering her services to people needing help, but said help generally entails her saving the world at a moment's notice - in a running gag, Kim and her sidekick Ron Stoppable are taken to the episode's hotspot by folks who La Possible helped in unseen escapades; like Mighty Max (and unlike most similar characters), Kim's siblings and parents are fully aware of her extracurricular activities - and, again unlike most similar characters, so is everyone else. One of the best touches of the show, in fact, is having Kim take part in one of the most stereotypically stupid pastimes (cheerleading), while her parents are in two of the most stereotypically brainy professions - as the girl says, "Mom's a brain surgeon, Dad's a rocket scientist..." (The next time some cleverdick chunters on about Americans having no sense of irony, try bringing this up.)
By itself, saving the world is "no big," but Kim obviously has to deal with all the difficulties of being a heroine and a regular teenage girl, on top of having as her best friend and partner the aforementioned Master Stoppable, who unfortunately lives up to his name a lot. Though this is in a sense admirable as part of the show's overall refusal to play gender stereotypes (Kim and Ron have one of the few truly platonic male/female relationships on television - even Xander, let us not forget, used to have a crush on Buffy), he also comes close to forcing the show to name itself after him, because his antics have more room for comedy than Kim's. Fortunately the show's writers hit a good balance more often than not and remember that it's supposed to be a mix of comedy AND action; but though Kim's not one to mess with when the chips are down, she never comes over as a heartless machine. Though some male viewers will probably refuse to watch it because it might make guys look bad, they'd be missing the fact that the male characters are mostly positive, with the nastiest character being Sheego (Kim's opposite number, and the assistant to Kim's arch-enemy Dr. Drakken - and a lot more dangerous and intelligent than he is; if this was "24," she would be Sherry Palmer). They'd also really need to grow up.
In any case, "Kim Possible" is so entertaining that dismissing it on the grounds of sexism would be silly; well-paced, funny without being overly stupid, easy on the morals, with genuinely exciting fight scenes, and a lead character worth at least 30 of Clover, Alex and Sam on the similar but wildly inferior "Totally Spies!" (with the added bonus of Kim leaving her closest live action counterpart - Sydney Bristow from fellow Disney/Touchstone show "Alias" - standing in both the hotness AND fighting stakes), this might not appeal to people still wishing they made cartoons as good as, say, "My Little Pony" or "Avenger Penguins," but it's their loss. And as for people demanding credibility, they can watch "King of the Hill." But if you don't want to go into a coma, remember the advice Christina Milian gives in Cory Lerios and George Gabriel's irresistibly catchy theme song - you know that you always can call Kim Possible.
"So what's the stitch?"